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Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons™
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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
Androgynous Figures On Etruscan Cista Handles From Praeneste, Melanie Naples
Androgynous Figures On Etruscan Cista Handles From Praeneste, Melanie Naples
LSU Master's Theses
Muscular women and effeminate men adorn the lids of Etruscan Cistae found in Praeneste (modern Palestrina, 23 miles southeast of Rome, Italy). Cistae (Latin plural of cista) are storage containers used by the Etruscans for women’s beauty items. This thesis focuses on the androgynous, mostly nude, figures that serve as handles and are often displayed in pairs. These pairs frequently depict a man and a woman together and androgynous qualities are usually emphasized on the female figures. Discussions of the androgynous body in the ancient world have centered around Greece and Rome. Only recently (Sandhoff 2007, 2009, 2011), scholarship has …
The “Trans-Historical Community Of Women” And The Paintings Of Artemisia Gentileschi, Grace T. O. Ray
The “Trans-Historical Community Of Women” And The Paintings Of Artemisia Gentileschi, Grace T. O. Ray
The Confluence
Though the term feminism did not yet exist, Artemisia Gentileschi’s embrace of the vital force of feminine strength is a distinctive component to her paintings. The woman painter’s life and art were affected by her sex, in a time when women were not only considered property but had to deal with the repercussions of an oppressive patriarchal society. From her youth onwards, Gentileschi witnessed women unjustly convicted and punished for crimes that had men committed, the law would have allowed them to walk free. Sadly, Artemisia was later privy to the misogynistic laws herself with the famous rape trial. It …
The Cult Of The Nymphs: Identity, Ritual, And Womanhood In Ancient Greece, Ivana Genov
The Cult Of The Nymphs: Identity, Ritual, And Womanhood In Ancient Greece, Ivana Genov
Undergraduate Honors Theses
Examining archeological and epigraphic evidence in its historical context, in this thesis I explore the Cult of the Nymphs venerated across ancient Greek poleis. I analyze the nymph’s profound cultural and historical impact that is often overlooked in the study of ancient Greece. Nymphs were female deities thought to embody ecological sites, such as fountains and springs, and became fundamental to polis identity. Their locations were often central to city plans, and their faces, depicted on coinage, became representative of the city itself. In the community, nymphs were integral to rituals for major life events, most often in the lives …