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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla
The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla
Extra-Textual Elements
The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.
A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …
11, The Three-Faced Representation Of The Holy Trinity, Zoe Goedecke
11, The Three-Faced Representation Of The Holy Trinity, Zoe Goedecke
Kerver Book of Hours: 2018 Senior Capstone
In the thirteenth century, artists began depicting the Holy Trinity as a single tricephalic figure, likely in an attempt to convey that the Father, the Son, and the Holy Spirit are One. This essay discusses the three-faced image of the Trinity in the Book of Hours and the history of tricephalic imagery in Christian representations, from its early appearances to eventual condemnation by the papacy.