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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

The Reproductive Politics Of Maiolica: Birth, Abortion, And Gendered Authority During The Italian Renaissance, Rose Brookhart Apr 2024

The Reproductive Politics Of Maiolica: Birth, Abortion, And Gendered Authority During The Italian Renaissance, Rose Brookhart

Honors Projects

In the aftermath of several plagues that decimated the population of the Italian peninsula since 1348, men and women from all socioeconomic backgrounds safeguarded their individual corporeal health and collective societal well-being through a variety of routines and rituals, which were prescribed but at the same time extremely personalized. This increased attention in personal and civic health promoted new trends in both literal and material consumption during the fifteenth and sixteenth centuries. Purgative drugs and medicines were a common facet of medicine during the Italian Renaissance and were ingested regularly to alleviate commonplace bodily discomforts in addition to more serious …


Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman Jan 2015

Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman

Williams Honors College, Honors Research Projects

This article looks at the way Italian Baroque painter, Michelangelo Merisi da Caravaggio broke from the artistic conventions of the Renaissance and Mannerist styles in his religious paintings to create an entirely new style that reflected the needs of the post-Tridentine Catholic Church. Caravaggio pushed painting throughout Europe in a new direction, away from the idealization of the Renaissance and the artistic extremes of Mannerism, by popularizing realism in art. Caravaggio’s unique style is examined through comparisons of his paintings, The Conversion of Paul, c.1601 and The Martyrdom of Saint Peter, c.1601 in the Roman basilica, Santa Maria del Popolo …


Neoplatonism And The Florentine Renaissance, Donald L. De Merchant Jan 1972

Neoplatonism And The Florentine Renaissance, Donald L. De Merchant

All Master's Theses

This thesis demonstrates the correspondence between the visual arts and the literary sources of a given period in art history. During the Florentine Renaissance this correspondence lay between the Neoplatonism of Marsilio Picino and Giovanni Pico della Mirandola and the Visual art of the predominant artists; specifically, Sandro Botticelli and Michelangelo Buonarrotti. The impulse that is common to these creative minds is the Neoplatonic conception or the visual image. It is through a study or this tacit dimension that we are able to some extent to view the meaning of Renaissance art.