Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

The Reproductive Politics Of Maiolica: Birth, Abortion, And Gendered Authority During The Italian Renaissance, Rose Brookhart

Honors Projects

In the aftermath of several plagues that decimated the population of the Italian peninsula since 1348, men and women from all socioeconomic backgrounds safeguarded their individual corporeal health and collective societal well-being through a variety of routines and rituals, which were prescribed but at the same time extremely personalized. This increased attention in personal and civic health promoted new trends in both literal and material consumption during the fifteenth and sixteenth centuries. Purgative drugs and medicines were a common facet of medicine during the Italian Renaissance and were ingested regularly to alleviate commonplace bodily discomforts in addition to more serious …

The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney

Senior Honors Theses

This study seeks to investigate the influence of faith in the emergence and development of the Italian Renaissance, in both the artwork and writing of the major artists and thinkers of the day, and the impact that new expressions of faith had on the viewing public. While the Renaissance is often labeled as a secular movement by modern scholars, this interpretation is largely due to the political motives of the Medici family who dominated Florence as the center of this artistic rebirth, on and off again throughout the period. On close examination, the philosophical and creative undercurrents of the movement …

In Defense Of His Holiness: The Cellini Plaque, Christopher J. Condon

Wonders of Nature and Artifice

The plaque depicting Cellini was donated to Gettysburg College by Reverend Jeremiah Zimmerman, Class of 1873, who later became a lecturer at Syracuse University and a frequent benefactor of Gettysburg College. A highly educated alum, Reverend Zimmerman became a clergyman and traveled the world for over a decade to further his studies, ranging from Asian culture to ancient coinage.

The plaque itself measures 32” x 26.75” x 2.5”, is of considerable weight for a porcelain plate, and is painted in the 19th century academic style to offer a dramatic interpretation of Benvenuto Cellini’s actions during the 1527 Sack of Rome. …

Neoplatonism And The Florentine Renaissance, Donald L. De Merchant

All Master's Theses

This thesis demonstrates the correspondence between the visual arts and the literary sources of a given period in art history. During the Florentine Renaissance this correspondence lay between the Neoplatonism of Marsilio Picino and Giovanni Pico della Mirandola and the Visual art of the predominant artists; specifically, Sandro Botticelli and Michelangelo Buonarrotti. The impulse that is common to these creative minds is the Neoplatonic conception or the visual image. It is through a study or this tacit dimension that we are able to some extent to view the meaning of Renaissance art.