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Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons™
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Articles 1 - 21 of 21
Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
Art Conservation Master's Projects
A potential 17th century Anglo-Dutch military portrait painting from the Memorial Art Gallery at the University of Rochester in Rochester, New York arrived at the Garman Art Conservation Department at Buffalo State University for conservation research and treatment in 2022. The painting’s title, date, and artist were unknown and the subject was initially referred to as a “17th Century Dutch Cavalier.” Little information existed on the provenance and history of the artwork. The painting was in a state of structural instability and aesthetic disfigurement and showed evidence of a past restoration campaign. This master’s project attempted to broadly …
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Publications and Research
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …
The World As We Know It: Maps And Atlases From Special Collections, Archives And Special Collections, Luke Meagher
The World As We Know It: Maps And Atlases From Special Collections, Archives And Special Collections, Luke Meagher
Library Exhibits
Selections of maps and atlases from Sandor Teszler Library’s Special Collections are presented in this exhibit to show how, over time, cartographers have represented the world as we know it.
The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney
The Spiritual Nature Of The Italian Renaissance, Kaitlyn Kenney
Senior Honors Theses
This study seeks to investigate the influence of faith in the emergence and development of the Italian Renaissance, in both the artwork and writing of the major artists and thinkers of the day, and the impact that new expressions of faith had on the viewing public. While the Renaissance is often labeled as a secular movement by modern scholars, this interpretation is largely due to the political motives of the Medici family who dominated Florence as the center of this artistic rebirth, on and off again throughout the period. On close examination, the philosophical and creative undercurrents of the movement …
Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond
Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond
Art Faculty Articles and Research
This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …
Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore
Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis examines reliquaries and objects associated with medieval Christian practice in fourteenth-century Aachen. The city's cathedral and treasury contain prestigious relics, reliquaries, and liturgical items, aided by its status as the Holy Roman Empire's coronation church. During the reign of Holy Roman Emperor Charles IV (r. 1349-1378), reliquaries, pilgrimage, and architecture reflect late medieval interests in vision, optics, and transparency. Two mid-fourteenth century reliquaries from the Aachen Cathedral Treasury, the Reliquary of Charlemagne and the Three-Steepled Reliquary, display relics through rock crystal windows, in contrast to the obscuring characteristics of earlier reliquaries. Not only do the two reliquaries visually …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Preliminary Report On The 2014 Field Season Of The American Excavations At Morgantina: Contrada Agnese Project (Cap), Alex Walthall, Randall Souza, Jared Benton
Preliminary Report On The 2014 Field Season Of The American Excavations At Morgantina: Contrada Agnese Project (Cap), Alex Walthall, Randall Souza, Jared Benton
Art Faculty Publications
This article provides a preliminary report on the 2014 excavations carried out by the American Excavations at Morgantina (Sicily): Contrada Agnese Project (CAP). The 2014 season was the second year of this multiyear research and excavation project aimed at investigating both the urban planning of the city and the lives of its residents, with a specific focus on the periods of occupation and cultural transformation from the third to first century BCE. During the second season, three trenches were excavated in the area corresponding to Lot One of the urban insula W13/14S. This preliminary report presents the significant stratigraphic units …
Lucas Cranach's Samson And Delilah In Northern European Art, Jacqueline S. Spackman
Lucas Cranach's Samson And Delilah In Northern European Art, Jacqueline S. Spackman
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis explores images of Samson and Delilah in northern Europe in the fifteenth and early sixteenth centuries. My research focuses primarily on Lucas Cranach’s painting, Samson and Delilah of 1528-30, in the Metropolitan Museum of Art, New York. By examining prints and decorative artworks that include the Samson and Delilah narrative, it is my goal to understand where Cranach’s painting fits into the larger art historical picture. Through examining the locations and suggested meanings of other works, I hope to establish that it is also possible to understand the intention and meaning behind Cranach’s painting. I analyze the work …
Coelum Britannicum: Inigo Jones And Symbolic Geometry, Rumiko Handa
Coelum Britannicum: Inigo Jones And Symbolic Geometry, Rumiko Handa
Architecture Program: Faculty Scholarly and Creative Activity
Inigo Jones’s interpretation that Stonehenge was a Roman temple of Coelum, the god of the heavens, was published in 1655, 3 years after his death, in The most notable Antiquity of Great Britain, vulgarly called Stone-Heng, on Salisbury Plain, Restored.1 King James I demanded an interpretation in 1620. The task most reasonably fell in the realm of Surveyor of the King’s Works, which Jones had been for the preceding 5 years. According to John Webb, Jones’s assistant since 1628 and executor of Jones’s will, it was Webb who wrote the book based on Jones’s “few indigested” notes, on …
"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff
"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff
History Faculty Publications
From the Intro: “Arms and the Man I sing…” So Vergil begins his epic tale of Aeneas, who overcomes tremendous obstacles to find and establish a new home for his wandering band of Trojan refugees. Were it metrically possible, Vergil could have begun with “Cities and the Man I sing,” for Aeneas’ quest for a new home involves encounters with cities of all types: ancient and new, great and small, real and unreal. These include Dido’s Carthaginian boomtown (1.419–494), Helenus’ humble neo-Troy (3.349–353) and Latinus’ lofty citadel (7.149–192). Of course, central to his quest is the destiny of Rome, whose …
Preliminary Report On The 2013 Field Season Of The American Excavations At Morgantina: Contrada Agnese Project (Cap), Alex Walthall, Randall Souza, Jared Benton, James F. Huemoeller
Preliminary Report On The 2013 Field Season Of The American Excavations At Morgantina: Contrada Agnese Project (Cap), Alex Walthall, Randall Souza, Jared Benton, James F. Huemoeller
Art Faculty Publications
This article provides a preliminary report on the 2013 excavations carried out by the American Excavations at Morgantina (Sicily): Contrada Agnese Project (CAP). The 2013 season marked the start of this multiyear research and excavation project aimed at investigating both the urban planning of the city and the lives of its residents, with a specific focus on the periods of occupation and cultural transformation from the third to first century BCE. During the first season, three trenches were excavated in two parts of the ancient city. Their locations were chosen, in part, based on the results of a geophysical survey, …
Zoomorphic Penannular Brooches In 6th And 7th Century Ireland, Esther G. Ward
Zoomorphic Penannular Brooches In 6th And 7th Century Ireland, Esther G. Ward
School of Art, Art History, and Design: Theses and Student Creative Work
In this thesis the author examines the evolution, manufacture, and societal significance of zoomorphic penannular brooches, a type of metal dress fastener used in early medieval Ireland that is often decorated. The brooches examined are dated to the 6th and 7th centuries, during which the Irish underwent a process of religious conversion from Celtic paganism to Christianity, and social rank was paramount. It is in this social context that the brooches are examined. Despite the significance of this time of social change, brooches from this period tend to be overlooked by scholarship in favor of the more ornate …
Heresy And Error, Eric Marshall White Phd, Rebecca Howdeshell
Heresy And Error, Eric Marshall White Phd, Rebecca Howdeshell
Bridwell Library Publications
From its inception the early Christian Church sought to suppress books believed to contain heretical or erroneous teachings. With the development of the printing press during the latter half of the fifteenth century, Christian authorities in Europe became increasingly aware of the need to control the mass production of unfamiliar and potentially unacceptable texts. Initially, censorship of the press was enforced locally. However, with the spread of the Protestant Reformation, the Catholic Church required a more centralized and organized approach. Thus, the Council of Trent (1545–1563) ratified the Index librorum prohibitorum(“Index of Prohibited Books”), which listed individual banned titles …
Metallurgy In The Roman Forts Of Scotland: An Archaeological Analysis, Scott S. Stetkiewicz
Metallurgy In The Roman Forts Of Scotland: An Archaeological Analysis, Scott S. Stetkiewicz
Honors Projects
Investigates the presence of metalworking in thirty-seven Roman forts in Scotland during the Flavian, Antonine, and Severan occupations largely through analysis of published documentation concerning relevant archaeological excavations.
Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway
Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway
Libraries
The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …
The Synagogues Of Piedmont, Samuel D. Gruber
The Synagogues Of Piedmont, Samuel D. Gruber
Religion - All Scholarship
History and architecture of the synagogues of Piedmont, Italy.
Racial Impersonation On The Elizabethan Stage: The Case Of Shakespeare Playing Aaron, Imtiaz Habib
Racial Impersonation On The Elizabethan Stage: The Case Of Shakespeare Playing Aaron, Imtiaz Habib
English Faculty Publications
The article focuses on the implications of playwright William Shakespeare performing racial roles himself, such as Aaron in "Titus Andronicus." Several plays are discussed, including "Titus Andronicus," "The Merchant of Venice," and "Othello." The SHAXICON database, which compiles the text of Shakespeare's plays, is the primary source of evidence to suggest Shakespeare acted in his plays. Information about race relations in Great Britain's society during Shakespeare's time is also given.
Sex, Lies And Anecdotes: Gender Relations In The Life Stories Of Italian Women Artists, 1550-1800, Julia K. Dabbs
Sex, Lies And Anecdotes: Gender Relations In The Life Stories Of Italian Women Artists, 1550-1800, Julia K. Dabbs
Art History Publications
The writer discusses gender relations in life stories of Italian women artists between 1550 and 1800. In early modern life stories, a recurring emphasis on gender relations, typically deflecting or overshadowing discussion of artistic accomplishment, clearly marks the female artist as a breed apart from her male colleagues. In light of the fact that their biographers were frequently artists themselves, or at least were linked to artistic circles, the commonalities of these anecdotal narratives illuminate how these “miracles of nature” were viewed by the male artistic community, and, by association, the broader society of which they were a part. The …
The Column And Coinage Of C. Duilius: Innovations In Iconography In Large And Small Media In The Middle Republic, Eric Kondratieff
The Column And Coinage Of C. Duilius: Innovations In Iconography In Large And Small Media In The Middle Republic, Eric Kondratieff
History Faculty Publications
"[From the conclusion]: This discussion presents a linked series of hypotheses, each one suggested in its turn by evidence relating directly to C. Duilius (cos. 260), and contextualized by near-contemporary precedents wherever possible, or relevant-seeming analogues from slightly later periods. Taken together, these hypotheses support a plausible scenario in which the elogium on Duilius’ rostral column may be read not only as an account of a cunning and audacious commander whose pioneering efforts in naval warfare destroyed the myth of Carthaginian supremacy at sea, but also as an encomium on a generous benefactor to Rome’s citizenry. The inscription’s redactor has …
Ordering The Urban Environment: City Statutes And City Planning In Medieval Todi, Italy, Samuel Gruber, Samuel D. Gruber
Ordering The Urban Environment: City Statutes And City Planning In Medieval Todi, Italy, Samuel Gruber, Samuel D. Gruber
Art & Music Histories - All Scholarship
Presents examples of how legal system and city government action ordered the urban environment through regulations and actions for streets size and widths, building materials, size and appearance, and distribution of activities. As demonstrated in the medieval Umbrian town of Todi, such regulations helped create the image of the medieval town we appreciate today.