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Byzantine and Modern Greek

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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat Dec 2016

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …

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The Rock-Cut Room On The Acropolis At Golemo Gradište, Konjuh: Date And Purpose, Carolyn S. Snively Jan 2014

The Rock-Cut Room On The Acropolis At Golemo Gradište, Konjuh: Date And Purpose, Carolyn S. Snively

Classics Faculty Publications

The anonymous city at the site of Golemo Gradište at the village of Konjuh, R. Macedonia, belongs to the period of Late Antiquity; the evidence indicates that it was founded in the 5th century. The lower town on the northern terrace was reconstructed, probably during the second quarter of the 6th century, but the inhabitants abandoned it, for the most part, later in that century and fled for refuge to the acropolis, where a settlement continued to exist into the early 7th century. Earlier material, beginning with the Late Neolithic and continuing sporadically through Bronze Age to Hellenistic, has been …

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Myth Materialized: Thirteenth Century Additions To The West Façade Of San Marco And Their Value In Venetian History Making, Michelle Reynolds Jan 2011

Myth Materialized: Thirteenth Century Additions To The West Façade Of San Marco And Their Value In Venetian History Making, Michelle Reynolds

Summer Research

The focus of this paper is on the basilica of San Marco in Venice and its relationship to the political and social culture in which it was erected. Looking directly at the set of four horses placed high above the five main entrances and the mosaics of the transfer of Saint Mark’s relics to Venice which originally decorated these portals in the thirteenth century, this paper looks to discover connections between these rather unique designs and stylistic choices and the unique sense of identity the Venetians had long perpetuated. The two different groups of works illuminate deliberate stylistic connections to …

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Russian Icons And American Money, 1928-1938, Wendy Salmond Jan 2009

Russian Icons And American Money, 1928-1938, Wendy Salmond

Art Faculty Articles and Research

The article explores the marketing tactics and consumer expectations with regards to icons released in the street markets and provincial cities of Soviet Russia and acquired by American collectors from 1928-1938. These icons, including those from Byzantium in the tenth century, were seen as cultural commodities during the Russian revolution and the subsequent socialist construction. The Soviet apparatus Antikvariat was tasked with appraising the icon collections held by the Gosmuzeifond or the State Museum Reserve for exports.

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