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Articles 1 - 16 of 16
Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
Experiential Learning: Museum Of Ontario Archaeology And The Vindolanda Field School, Victoria Burnett
Experiential Learning: Museum Of Ontario Archaeology And The Vindolanda Field School, Victoria Burnett
SASAH 4th Year Capstone and Other Projects: Presentations
Focusing first on the Museum of Ontario Archaeology, the slides are meant to illustrate the program PastPerfect that I had learned how to use during my time there, as well as a snippet of the Maple Harvest blog post I had written, wherein I would explain the value I had found in writing it and the comments that the Curator made in returning it to me before publishing it. After that is a slide where I would explain the Google Arts and Culture page, what the plans were for me to contribute to it a bit as well as the …
Οἶκοι To Monastery: An Interpretative Possibility For The Northeast Insulae At Antiochia Hippos, Mark Schuler
Οἶκοι To Monastery: An Interpretative Possibility For The Northeast Insulae At Antiochia Hippos, Mark Schuler
Papers and Presentations
No abstract provided.
The Origins And Identity Of Roman Mithraism, Charles R. Hill
The Origins And Identity Of Roman Mithraism, Charles R. Hill
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis is a reassessment of scholarship concerning the origins of the cult mysteries of Mithraism in its Roman form during the Imperial Period. While much has been published in the debate over the cult’s true origins, we are still left without a satisfactory answer. The present work is an attempt to reconcile some of the arguments posed in the 19th and early 20th centuries with those of the later 20th and 21st centuries, focusing mostly on the cult’s art and iconography in Mithraea, the central spaces of Mithraic worship. First will be a summary of …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff
"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff
History Faculty Publications
From the Intro: “Arms and the Man I sing…” So Vergil begins his epic tale of Aeneas, who overcomes tremendous obstacles to find and establish a new home for his wandering band of Trojan refugees. Were it metrically possible, Vergil could have begun with “Cities and the Man I sing,” for Aeneas’ quest for a new home involves encounters with cities of all types: ancient and new, great and small, real and unreal. These include Dido’s Carthaginian boomtown (1.419–494), Helenus’ humble neo-Troy (3.349–353) and Latinus’ lofty citadel (7.149–192). Of course, central to his quest is the destiny of Rome, whose …
Review Of "Vessels And Variety: New Aspects Of Ancient Pottery", Justin St. P. Walsh
Review Of "Vessels And Variety: New Aspects Of Ancient Pottery", Justin St. P. Walsh
Art Faculty Articles and Research
Book Review of Vessels and Variety: New Aspects of Ancient Pottery, edited by Hanne Thomasen, Annette Rathje, and Kristen Bøggild Johannsen
Athenian Black Glass Pottery: A View From The West, Justin St. P. Walsh, Carla Antonaccio
Athenian Black Glass Pottery: A View From The West, Justin St. P. Walsh, Carla Antonaccio
Art Faculty Articles and Research
Excavation of archaic Morgantina (c.700–450 BC), Sicily, has brought to light a significant pattern in the distribution of imported Greek pottery. This pattern, which shows a preference for imports with features that referred to metal vessels, is echoed at sites around the western Mediterranean. We argue that the preference for certain types was communicated back to Greek producers, and that it also reflects the particular local interests of non-Greeks, who associated metallic features not only with wealth, but also with their own ancestral traditions.
Review Of The Imagery Of The Athenian Symposium, Justin St. P. Walsh
Review Of The Imagery Of The Athenian Symposium, Justin St. P. Walsh
Art Faculty Articles and Research
A review of Kathryn Topper's The Imagery of the Athenian Symposium.
The Rock-Cut Room On The Acropolis At Golemo Gradište, Konjuh: Date And Purpose, Carolyn S. Snively
The Rock-Cut Room On The Acropolis At Golemo Gradište, Konjuh: Date And Purpose, Carolyn S. Snively
Classics Faculty Publications
The anonymous city at the site of Golemo Gradište at the village of Konjuh, R. Macedonia, belongs to the period of Late Antiquity; the evidence indicates that it was founded in the 5th century. The lower town on the northern terrace was reconstructed, probably during the second quarter of the 6th century, but the inhabitants abandoned it, for the most part, later in that century and fled for refuge to the acropolis, where a settlement continued to exist into the early 7th century. Earlier material, beginning with the Late Neolithic and continuing sporadically through Bronze Age to Hellenistic, has been …
Review Of Fauvel. The First Archaeologist In Athens And His Philhellenic Correspondents, By C. W. Clairmont, Effie Athanassopoulos
Review Of Fauvel. The First Archaeologist In Athens And His Philhellenic Correspondents, By C. W. Clairmont, Effie Athanassopoulos
Department of Anthropology: Faculty Publications
Clairmont’s book is a selection of letters addressed to Louis-François-Sébastien Fauvel, the French Consul and antiquarian, who lived in Athens from 1803 to 1822. Fauvel came to Greece for the first time in 1780. He was sent to the Orient by Count Choiseul-Gouffier in order to study, draw and acquire antiquities for Choiseul’s collection. In 1784 Choiseul-Gouffier was appointed Ambassador in Constantinople and Fauvel continued his activities as a member of Choiseul’s retinue until 1792. Subsequently, Fauvel held the position of French Consul in Athens from 1802 until 1833. With the outbreak of the War of Independence, Fauvel left Athens …
Metallurgy In The Roman Forts Of Scotland: An Archaeological Analysis, Scott S. Stetkiewicz
Metallurgy In The Roman Forts Of Scotland: An Archaeological Analysis, Scott S. Stetkiewicz
Honors Projects
Investigates the presence of metalworking in thirty-seven Roman forts in Scotland during the Flavian, Antonine, and Severan occupations largely through analysis of published documentation concerning relevant archaeological excavations.
Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd
Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd
Art Faculty Articles and Research
This article focuses on the artistic relationship between Baciccio and Gian Lorenzo Bernini.
Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich
Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich
Articles and Chapters in Academic Book Collections
To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …
Reflections On Greek Bronze And 'The Statue Of Humanity'. Heidegger's Aesthetic Phenomenology And Nietzsche's Agonistic Politics, Babette Babich
Reflections On Greek Bronze And 'The Statue Of Humanity'. Heidegger's Aesthetic Phenomenology And Nietzsche's Agonistic Politics, Babette Babich
Articles and Chapters in Academic Book Collections
No abstract provided.
The Column And Coinage Of C. Duilius: Innovations In Iconography In Large And Small Media In The Middle Republic, Eric Kondratieff
The Column And Coinage Of C. Duilius: Innovations In Iconography In Large And Small Media In The Middle Republic, Eric Kondratieff
History Faculty Publications
"[From the conclusion]: This discussion presents a linked series of hypotheses, each one suggested in its turn by evidence relating directly to C. Duilius (cos. 260), and contextualized by near-contemporary precedents wherever possible, or relevant-seeming analogues from slightly later periods. Taken together, these hypotheses support a plausible scenario in which the elogium on Duilius’ rostral column may be read not only as an account of a cunning and audacious commander whose pioneering efforts in naval warfare destroyed the myth of Carthaginian supremacy at sea, but also as an encomium on a generous benefactor to Rome’s citizenry. The inscription’s redactor has …
The Chronology Of The Fourth-Century B.C. Facing-Head Silver Coinage Of Larissa, Thomas R. Martin
The Chronology Of The Fourth-Century B.C. Facing-Head Silver Coinage Of Larissa, Thomas R. Martin
Classics Department Faculty Scholarship
No abstract provided.