Open Access. Powered by Scholars. Published by Universities.®
American Art and Architecture Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Animal Sciences (1)
- Anthropology (1)
- Archaeological Anthropology (1)
- Biodiversity (1)
- Biological and Physical Anthropology (1)
-
- Contemporary Art (1)
- Education (1)
- Entomology (1)
- Fine Arts (1)
- History of Science, Technology, and Medicine (1)
- Indigenous Studies (1)
- Life Sciences (1)
- Oral History (1)
- Photography (1)
- Race, Ethnicity and Post-Colonial Studies (1)
- Science and Mathematics Education (1)
- Social and Behavioral Sciences (1)
- Theory and Criticism (1)
- United States History (1)
- Zoology (1)
Articles 1 - 2 of 2
Full-Text Articles in American Art and Architecture
An Engineer Cantonment Bestiary: The Art Of Titian Ramsay Peale, Hugh H. Genoways, Thomas E. Labedz
An Engineer Cantonment Bestiary: The Art Of Titian Ramsay Peale, Hugh H. Genoways, Thomas E. Labedz
University of Nebraska State Museum: Mammalogy Papers
Includes an overview of the work of American nature artist Titian Ramsay Peale as part of the Stephen H. Long Expedition, 1819-1820, at Engineer Cantonment in eastern Nebraska, USA.
Includes textual descriptions and/or reproductions of watercolors and lined drawings by Peale of banded killifish (Fundulus diaphanous), American White Pelican (Pelecanus erythrothynchos), Wood Duck (Aix sponsa), Rough-legged Hawk (Buteo lagopus/Falco lagopus), Sandhill Crane (Grus canadensis tabida), Pectoral Sandpiper (Calidris melanotos), Scarlet Tanager (Piranga olivacea), American Tree Sparrow (Spizella arborea), Yellow-headed Blackbird (Xanthocephalus …
Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris
Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris
School of Art, Art History, and Design: Theses and Student Creative Work
Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20th and 21st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.
This thesis comprises two sections. In the first section, the analysis is focused on the historical …