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Articles 1 - 16 of 16
Full-Text Articles in American Art and Architecture
Using Monuments To Teach About Racism, Colonialism, And Sexism, Susan Phillip
Using Monuments To Teach About Racism, Colonialism, And Sexism, Susan Phillip
Publications and Research
This chapter examines how an interdisciplinary high-impact practice approach to teaching and learning using selected contested monuments can reveal intersections of racism, colonialism, and sexism, and lay the foundation for students’ civic engagement. In place-based and virtual experiences, students observe and investigate local and national monuments, integrating knowledge from multiple disciplines, including history, psychology, art, culture, and tourism. Students make critical analyses about how monuments reveal power relationships in our society. Students from various disciplines explore the origin of contested monuments, the evolving national and local debates around them, and their effect on students’ learning to evaluate historical, contemporary, and …
An Ode To James Van Der Zee: Lorna Simpson’S 9 Props, Emilie C. Boone
An Ode To James Van Der Zee: Lorna Simpson’S 9 Props, Emilie C. Boone
Publications and Research
No abstract provided.
The Use Of Green Pond Conglomerate As Building Stone In Morris County, New Jersey, Gregory A. Pope
The Use Of Green Pond Conglomerate As Building Stone In Morris County, New Jersey, Gregory A. Pope
Department of Earth and Environmental Studies Faculty Scholarship and Creative Works
Green Pond Conglomerate (GPC) is a maroon colored quartzite with white quartz pebbles, a classic “puddingstone”. GPC derives from a NW-SW-trending sliver of Paleozoic sediments, the “Green Pond Outlier”, surrounded by older metamorphic and igneous rocks of Morris and Passaic Counties. Buildings, retaining walls, field fences, and monuments incorporate the durable and attractive stone, in a distinct geographic area of Morris County. Several instances of structures completely constructed or faced with GPC occur in and around Morristown, limited to affluent houses and one prominent church. In these cases, GPC stones were dressed and faced, a labor-intensive effort. Elsewhere in the …
The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros
The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros
University Libraries & Learning Sciences Faculty and Staff Publications
Working paper and timeline about the nomination and listing process of the UNM Zimmerman Library “Three Peoples” paintings to the National Register of Historic Places.
America’S Finest Housing Crisis: Racialized Housing & Suburban Development, Vicenta Martinez Govea
America’S Finest Housing Crisis: Racialized Housing & Suburban Development, Vicenta Martinez Govea
McNair Summer Research Program
U.S. Government operations between 1940-1950 brought unprecedented direct and indirect employment opportunities to San Diego, exacerbating an already growing housing shortage. To accommodate the thousands of new defense workers, the government produced the largest defense housing project to date in the small neighborhood of Linda Vista. However, this opportunity and largesse was extended primarily to a select group of white working-class families who had access to defense jobs and, consequently, subsidized housing. Military presence in San Diego during World War II shaped the design of homes and exclusively allocated housing, as both shelter and financial instrument, to white working-class families …
Aids Normalization, Alexandra Juhasz, Theodore Kerr
Aids Normalization, Alexandra Juhasz, Theodore Kerr
Publications and Research
Review of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New York’s Leslie-Lohman Museum of Art, which was on view from September 2019 to January 2020, and other contemporary AIDS culture.
Reproducing The New Negro: James Van Der Zee’S Photographic Vision In Newsprint, Emilie C. Boone
Reproducing The New Negro: James Van Der Zee’S Photographic Vision In Newsprint, Emilie C. Boone
Publications and Research
In the summer of 1924, as a departure from his concentration on portraits in his Harlem studio, James Van Der Zee served as the official photographer for the Pan-Africanist leader Marcus Garvey and his organization, the Universal Negro Improvement Association (UNIA). Many of the resulting photographs were published in the organization’s popular, internationally distributed newspaper, the Negro World. The newsprint medium in which the UNIA photographs appeared in reproduction, along with their editorial arrangement on the page, animated a different photographic vision from that of the gelatin silver print studio portraits often celebrated as Van Der Zee’s defining contribution …
Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage
Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage
Calvert Undergraduate Research Awards
Creative Works Winner
Most of us know Nevada beyond the Strip. It’s a place of houses, of shopping plazas, of movie theaters, and grocery stores. A place of hotels that are also places of work. A place of basins, ranges, vistas, and nature. A place of personal history. For Intimate Nevada: Artists Respond, curators Lauren Paljusaj (ENG BA ‘20) and Anne Savage (CFA BA ‘22), draw on photographs found in UNLV Special Collections to uncover the intimate visuality of a Nevada of past centuries. The exhibition focuses on how the imaged built landscape of early 20th century Southern Nevada …
Illusions Of Grandeurs: Washingtonian Architecture As Seen By White And Black People Of The Early Nineteenth Century, Lillian D. Shea
Illusions Of Grandeurs: Washingtonian Architecture As Seen By White And Black People Of The Early Nineteenth Century, Lillian D. Shea
Student Publications
In the early nineteenth century, George Washington and Thomas Jefferson built a classically inspired capital designed to legitimize American republican ideals. White interpretations of the architecture gradually aligned more with the founders’ intentions, especially following its reconstruction after the 1814 conflagration. Enslaved and free black observers recognized their exclusion from the message of freedom and equality. Rather than finding their identity through federal buildings, they established their communities within churches, houses, and businesses owned by black people. The varied reactions to Washington’s and Jefferson’s designs demonstrated how the aesthetic idealization of republicanism revealed incongruities in the new capital.
Thresholds Of Curating: Literary Space And Material Culture In The Works Of Harriet Prescott Spofford, Edith Wharton, Isabella Stewart Gardner, And Willa Cather 1870-1920, Lindsay N. Andrews
Thresholds Of Curating: Literary Space And Material Culture In The Works Of Harriet Prescott Spofford, Edith Wharton, Isabella Stewart Gardner, And Willa Cather 1870-1920, Lindsay N. Andrews
Department of English: Dissertations, Theses, and Student Research
This dissertation explores the polycentric intersections between material and literary culture in four case studies spanning 1870-1920. Harriet Prescott Spofford, Edith Wharton, Isabella Stewart Gardner, and Willa Cather are four women whose work reflects a capacity to defy the genre-specific boundaries for which they are canonically renown. Harriet Prescott Spofford was an important contributor to the interior design movement in the early Gilded Age following challenges to finding publication resources for her fiction within a male-dominated publishing community. Edith Wharton’s ties to material culture are well known, but less attention is granted to the ways in which her own expertise …
From D.C. To Kentucky: The History Of The United States Senate Clerk's Desk, Olivia Bowers
From D.C. To Kentucky: The History Of The United States Senate Clerk's Desk, Olivia Bowers
Documents
This Mahurin Honors College Capstone Experience aims to highlight the importance of the historical object and accurately document the complete history of the former United States Senate Clerk’s Desk, placed in the chamber in 1859 and removed in 1951. The desk’s first and last occupants were Kentucky natives and civil servants, and its current resting place is in Western Kentucky University’s Kentucky Museum. Through research that began in the nation’s capital, and a journey to follow the desk’s paper trail, the object’s massive historical legacy and close ties to the state of Kentucky may live on. Along with a traditional …
Cast Of Characters, Olivia Renee Bowers
A Desk's Tale, Olivia Bowers
A Visual Analysis Of The U.S. Senate Clerk's Desk, Olivia Renee Bowers
A Visual Analysis Of The U.S. Senate Clerk's Desk, Olivia Renee Bowers
Documents
No abstract provided.
Speculations On Structures Once Near The Site Of Lemon Hall, Terry L. Meyers
Speculations On Structures Once Near The Site Of Lemon Hall, Terry L. Meyers
Arts & Sciences Articles
"One of the most intriguing views of Williamsburg in antebellum days depicts a series of large and small structures along Jamestown Road, roughly between where Barrett Hall and Lemon Hall stand today.
Made between 1859 and 1862 by James Austin Graham (1814/15-1878), the panorama presents Williamsburg as viewed roughly from where the law school is today and sweeps along the entire southern edge of town, from the Capitol on the east to, on the west, about the site of the College’s Lemon Hall..."
The Public And The Personal: Mapping The Nyc Subway System As An Urban Memoryscape, Soledad O. Tejada
The Public And The Personal: Mapping The Nyc Subway System As An Urban Memoryscape, Soledad O. Tejada
Library Map Prize
No abstract provided.