Open Access. Powered by Scholars. Published by Universities.®
American Art and Architecture Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
Articles 1 - 10 of 10
Full-Text Articles in American Art and Architecture
Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson
Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson
War, Diplomacy, and Society (MA) Theses
The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …
Capacity, Rachel Baydian
Capacity, Rachel Baydian
CGU MFA Theses
This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.
Archaeology Of Social Patterning, Chase Bray
Archaeology Of Social Patterning, Chase Bray
Theses and Dissertations
The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.
All Things In All Ways, Amanda Nicole Crary
All Things In All Ways, Amanda Nicole Crary
All Graduate Theses, Dissertations, and Other Capstone Projects
This thesis highlights our obliviousness to nonhuman nature and how this ignorance severs a great connection to the earth and our senses. My work explores this important connectedness. The natural world is filled with fleeting revelations that shatter habitual ways of seeing and experiencing; my paintings act as record of such moments. The exhibition was held at the Conkling Gallery in Nelson Hall from February 24th to March 5th, 2014. It consisted of twenty-two works including paintings, drawings, and prints. All works were produced during my time within the M.A. program, 2012-2014. Postcards and a brochure advertised the exhibition. The …
Precious Commodities, Colin John Klimesh
Precious Commodities, Colin John Klimesh
All Graduate Theses, Dissertations, and Other Capstone Projects
My process mimics the production of goods and commodities in the industrial and commercial sector. It begins with the conception of a design, which I translate to the fabrication of a matrix, a means for replication and reproduction. I find the aesthetics of systematic production visually appealing. Store shelves speak of repetition and duplication, a society of productivity, efficiency and economy, industrialization and commercialism. Though I despise the underlying values that consumerism promotes, I love the clean, geometric, organized and modular aesthetic that it conveys. I often work between ceramics and print media, letting one process inform the other. Ceramic …
Parietal Dwellings, Krista Heinitz
Parietal Dwellings, Krista Heinitz
All Graduate Theses, Dissertations, and Other Capstone Projects
My work is inspired by the mysterious qualities of our earth, and the beings that inhabit it. I reference nature, biology, architecture, and popular culture to make works which encourage contemplation. I am creating my own personal history through the making, as well as inviting the communal connection. This body of work aims to create a space filled with juxtapositions, optical illusions, and familiar materials. Inspired by lucid dreaming, the work puts a twist on assumed normalcy in our environment.
Can't Get A Date, Date A Dog, Dana Marie Sikkila
Can't Get A Date, Date A Dog, Dana Marie Sikkila
All Graduate Theses, Dissertations, and Other Capstone Projects
My work is about redefining a space, taking away the idea of the white cube that is known as the gallery. I want to take my viewer to another space without having them leave the room. My work overtakes the gallery and gives it a new meaning. The use of wallpaper and house hold appliances transforms the viewer to an era that no longer exists. The use of repetition and female imagery overwhelms the viewer. Over thousands of individually silkscreened and hand cut prints are combined with household appliances to create a three-dimensional sculpture. It takes a two dimensional thing …
This Is Not Where You Are, Wesley James Hill
This Is Not Where You Are, Wesley James Hill
All Graduate Theses, Dissertations, and Other Capstone Projects
A mobile art gallery show that is comprised of stop motion videos and prints relating to out unnoticed conveniences and our ability to take our subconsciously forgotten surroundings for granted.
The Evolving Role Of The Exhibition And Its Impact On Art And Culture, Anna C. Cline
The Evolving Role Of The Exhibition And Its Impact On Art And Culture, Anna C. Cline
Senior Theses and Projects
No abstract provided.
Vestige, Gina Hunt
Vestige, Gina Hunt
All Graduate Theses, Dissertations, and Other Capstone Projects
The work in Vestige alludes to aging and the physical deterioration of the human body through time. My interests in early radiography and X-ray technology, paired with a recent exploration of spirit photography, have become the conceptual basis for this body of work. The relationship between medical imaging and spirit photography deals with technological efforts to document the elusive and less tangible. In this work, the artistic process has become a metaphor for existence and ephemera. Utilizing monotype printmaking with spray paint, I create marks that are traces. This quality becomes a metaphor for the transient, similar to watching a …