American Art and Architecture Commons^™

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

The Making Of Cleveland’S Artist: The Aesthetic And Cultural Politics Of Boundary Crossing In The Industrial Landscape Paintings Of Carl Gaertner, 1923 - 1952, April N. Johnston

Arts & Sciences Electronic Theses and Dissertations

ABSTRACT

The Making of Cleveland’s Artist: The Aesthetic and Cultural Politics of Boundary Crossing in the Industrial Landscape Paintings of Carl Gaertner, 1923 – 1952

by

April Johnston

Master of Arts in American Culture Studies

Washington University in St. Louis, 2019

Dr. Iver Bernstein, adviser

In 1923 Carl Gaertner captivated jurors at the Cleveland Museum of Art’s annual competitive May Show with a painting of a local bolt factory titled Up the River at Upson’s. What made the painting so arresting was its rendering of the elements of factory, nature, and the human spaces that mediated between them, as …