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Articles 1 - 12 of 12
Full-Text Articles in Visual Studies
Christina Gerhardt. Screening The Red Army Faction: Historical And Cultural Memory. Bloomsbury Academic, 2018; Christina Gerhardt, Marco Abel, Ed. Celluloid Revolt: German Screen Cultures And The Long 1968. Camden House, 2019., Svea Braeunert
Studies in 20th & 21st Century Literature
Review of Christina Gerhardt. Screening the Red Army Faction: Historical and Cultural Memory. Bloomsbury Academic, 2018, xii + 307 pp. and Christina Gerhardt, Marco Abel, ed. Celluloid Revolt: German Screen Cultures and the Long 1968. Camden House, 2019, 330 pp.
Frances Gateward And John Jennings. The Blacker The Ink: Constructions Of Black Identity In Comics And Sequential Art. Rutgers Up, 2015., Evan B. Thomas
Frances Gateward And John Jennings. The Blacker The Ink: Constructions Of Black Identity In Comics And Sequential Art. Rutgers Up, 2015., Evan B. Thomas
Studies in 20th & 21st Century Literature
Review of Frances Gateward and John Jennings. The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art. Rutgers UP, 2015.
"Like Oil And Water": Adaptation As Textuality, Intertextuality, And Metatextuality In Lady Snowblood (Fujita, 1973), Matthew Bolton
"Like Oil And Water": Adaptation As Textuality, Intertextuality, And Metatextuality In Lady Snowblood (Fujita, 1973), Matthew Bolton
Studies in 20th & 21st Century Literature
Toshiya Fujita’s 1973 film adaptation of Kazuo Koike and Kazue Kamimura’s manga series Lady Snowblood is a case study in the challenges inherent in adapting a complex graphic narrative to film. A sprawling episodic story of assassination and revenge, the original manga text offers challenges to any adapter in terms of content, form, narrative construction, and media affordances, challenges that Fujita and his screenwriter Norio Osada gamely take up in their film. In their attempts to adapt their source material, Fujita and Osada rely on three adaptation strategies—textuality, intertextuality, and metatextuality—that reveal both their nimble thinking about adaptation as an …
Frederick Luis Aldama. Latino Comic Book Storytelling: An Odyssey By Interview. San Diego: ¡Hyperbole Books!, 2017., Jessica Rutherford
Frederick Luis Aldama. Latino Comic Book Storytelling: An Odyssey By Interview. San Diego: ¡Hyperbole Books!, 2017., Jessica Rutherford
Studies in 20th & 21st Century Literature
Review of Frederick Aldama. Latino Comic Book Storytelling: An Odyssey by Interview. San Diego: ¡Hyperbole Books!, 2017.
Greice Schneider. What Happens When Nothing Happens: Boredom And Everyday Life In Contemporary Comics. Leuven: Leuven Up, 2016., David Pinho Barros
Greice Schneider. What Happens When Nothing Happens: Boredom And Everyday Life In Contemporary Comics. Leuven: Leuven Up, 2016., David Pinho Barros
Studies in 20th & 21st Century Literature
Review of Greice Schneider. What Happens When Nothing Happens: Boredom and Everyday Life in Contemporary Comics. Leuven: Leuven UP, 2016.
Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. New York: Palgrave Macmillan, 2017. ---. Superman: The Persistence Of An American Icon. New Jersey: Rutgers Up, 2017., Cathy L. Ryan
Studies in 20th & 21st Century Literature
Review of Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. Palgrave Studies in Comics and Graphic Novels, Ed. Roger Saban. New York: Palgrave Macmillan, 2017. Review of Ian Gordon. Superman: The Persistence of an American Icon. New Jersey: Rutgers UP, 2017.
Michael A Chaney. Reading Lessons In Seeing: Mirrors, Masks, And Mazes In The Autobiographical Graphic Novel. Jackson: Up Of Mississippi, 2016., Jennifer Caroccio
Michael A Chaney. Reading Lessons In Seeing: Mirrors, Masks, And Mazes In The Autobiographical Graphic Novel. Jackson: Up Of Mississippi, 2016., Jennifer Caroccio
Studies in 20th & 21st Century Literature
Review of Michael A. Chaney. Reading Lessons in Seeing: Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: UP of Mississippi, 2016.
Frederick Luis Aldama And Christopher M. González, Eds. Graphic Borders: Latino Comic Books Past, Present, And Future. Austin: U Of Texas P, 2016., Noel R. Zavala
Studies in 20th & 21st Century Literature
Frederick Luis Aldama and Christopher M. González, eds. Graphic Borders: Latino Comic Books Past, Present, and Future. Austin: U of Texas P, 2016.
Tom Spurgeon And Michael Dean. We Told You So: Comics As Art. Seattle: Fantagraphics Books, 2016., Rachel R. Miller
Tom Spurgeon And Michael Dean. We Told You So: Comics As Art. Seattle: Fantagraphics Books, 2016., Rachel R. Miller
Studies in 20th & 21st Century Literature
Review of Tom Spurgeon and Michael Dean. We Told You So: Comics As Art. Seattle: Fantagraphics Books, 2016.
Jeffrey A. Brown. The Modern Superhero In Film And Television: Popular Genre And American Culture. New York: Routledge, 2016., Danielle A. Orozco
Jeffrey A. Brown. The Modern Superhero In Film And Television: Popular Genre And American Culture. New York: Routledge, 2016., Danielle A. Orozco
Studies in 20th & 21st Century Literature
Review of Jeffrey A. Brown. The Modern Superhero in Film and Television: Popular Genre and American Culture. New York: Routledge, 2016.
Christopher Pizzino. Arresting Development: Comics At The Boundaries Of Literature. Austin: U Of Texas P, 2016., Katlin M. Sweeney
Christopher Pizzino. Arresting Development: Comics At The Boundaries Of Literature. Austin: U Of Texas P, 2016., Katlin M. Sweeney
Studies in 20th & 21st Century Literature
Review of Christopher Pizzino. Arresting Development: Comics at the Boundaries of Literature. Austin: U of Texas P, 2016.
Cybelle Mcfadden. Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, And Maïwenn. Lanham: Farleigh Dickinson Up, 2014. Xii + 233 Pp., Lauren Van Arsdall
Cybelle Mcfadden. Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, And Maïwenn. Lanham: Farleigh Dickinson Up, 2014. Xii + 233 Pp., Lauren Van Arsdall
Studies in 20th & 21st Century Literature
Review of Cybelle McFadden. Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn. Lanham: Farleigh Dickinson UP, 2014. xii + 233 pp.