Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Film (4)
- 1920s (1)
- America (1)
- Cinema (1)
- Creative arts (1)
-
- Directing (1)
- Editing (1)
- Exhibit (1)
- Genocide (1)
- Graphic design (1)
- Heist (1)
- High frame rate (1)
- Human factors (1)
- Jenkins (1)
- Kubrick (1)
- LGBT (1)
- Lucien (1)
- MDOCS (1)
- New Orleans (1)
- Patton (1)
- Perception (1)
- Pilot (1)
- Poster (1)
- Practice (1)
- Preference (1)
- Queer (1)
- Racism (1)
- SSMP (1)
- Saratoga Senior Center (1)
- Shining (1)
- Publication
- Publication Type
Articles 1 - 7 of 7
Full-Text Articles in Screenwriting
Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres, Maria Chatzifilalithis
Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres, Maria Chatzifilalithis
Laurier Undergraduate Journal of the Arts
No abstract provided.
Screen Production Enquiry: A Study Of Five Australian Doctorates, Susan Kerrigan, Leo Berkeley, Sean Maher, Michael Sergi, Alison Wotherspoon
Screen Production Enquiry: A Study Of Five Australian Doctorates, Susan Kerrigan, Leo Berkeley, Sean Maher, Michael Sergi, Alison Wotherspoon
Michael Sergi
Within Australian universities, doctoral research in screen production is growing significantly. Two recent studies have documented both the scale of this research and inconsistencies in the requirements of the degree. These institutional variations, combined with a lack of clarity around appropriate methodologies for academic research through film and television practice, create challenges for students, supervisors, examiners and the overall development of the discipline. This paper will examine five recent doctorates in screen production practice at five different Australian universities. It will look at the nature of the films made, the research questions the candidates were investigating, the new knowledge claims …
Mdocs Poster-2015-11-11, Sixty Years Young, Michael Zhou
Mdocs Poster-2015-11-11, Sixty Years Young, Michael Zhou
MDOCS Publications
In support of the 60th anniversary of the Adult and Senior Center of Saratoga, Skidmore students prepared a video and exhibition, Sixty Years Young, drawing on the Center's archives and interviews, documenting its past, present and hopes for the future.
Entrepreneurs, John A. Patton
Entrepreneurs, John A. Patton
University of New Orleans Theses and Dissertations
In this paper, I will cover the process of making my thesis film, Entrepreneurs. Specific facets of this process include writing, directing, production design, cinematography, editing, sound, and technology. I will detail the goals initially set for each facet, the approach taken during production, and the results that led to the finished product. I will then evaluate the overall success of the project.
If Not Now: An Account Of The Challenges And Experiences Of Writing, Directing, And Editing A Graduate Thesis Film, Tylyn S. Anson
If Not Now: An Account Of The Challenges And Experiences Of Writing, Directing, And Editing A Graduate Thesis Film, Tylyn S. Anson
University of New Orleans Theses and Dissertations
In this paper, I will catalog and describe my process involved in the creation of my thesis film If Not Now. In the main body of the paper I will cover the topics of Writing, Casting, Directing, Production Design, Cinematography, Editing, and Sound, as well as Technology and Workflow. Special emphasis will be placed on Writing, Directing, Editing, and Sound. The Analysis section will discuss the overall effectiveness of my goals to communicate a story about self-identity and community, as well as the film's artistic merit and quality.
“Shining” With The Marginalized: Self-Reflection And Empathy In Stanley Kubrick’S The Shining, Bethany Miller
“Shining” With The Marginalized: Self-Reflection And Empathy In Stanley Kubrick’S The Shining, Bethany Miller
English Seminar Capstone Research Papers
This paper examines Stanley Kubrick's 1980 horror masterpiece The Shining and how it references the history of violence against the marginalized in America.
Evidence That Viewers Prefer Higher Frame Rate Film, Laurie M. Wilcox, Robert S. Allison, John Helliker, Bert Dunk, Roy C. Anthony
Evidence That Viewers Prefer Higher Frame Rate Film, Laurie M. Wilcox, Robert S. Allison, John Helliker, Bert Dunk, Roy C. Anthony
Screen Industries Research and Training Centre Works
High frame rate (HFR) movie-making refers to the capture and projection of movies at frame rates several times higher than the traditional 24 frames per second. This higher frame rate theoretically improves the quality of motion portrayed in movies, and helps avoid motion blur, judder and other undesirable artefacts. However, there is considerable debate in the cinema industry regarding the acceptance of HFR content given anecdotal reports of hyper-realistic imagery that reveals too much set and costume detail. Despite the potential theoretical advantages, there has been little empirical investigation of the impact of high-frame rate techniques on the viewer experience. …