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Full-Text Articles in Film and Media Studies
No Happy Endings: Anna May Wong’S American Film Roles From 1931-1942, Kayla G. O'Leary
No Happy Endings: Anna May Wong’S American Film Roles From 1931-1942, Kayla G. O'Leary
CSB and SJU Distinguished Thesis
In the 1930s and ‘40s, shifting relations with China, Japan, and the United States drastically impacted American public sentiment towards these Asian countries. US films produced during these decades starring Anna May Wong illuminate how harmful stereotypes about Chinese culture and people were portrayed on screen. I analyze five of Wong’s films from this period to examine how the gendered and racial stereotypes within them provide a cultural lens of changing US-Chinese relations. The stereotypical archetypes of her characters, which include the formidable Dragon Lady, helpless American citizen, and Chinese war hero, demonstrate how American perceptions of China and Chinese …
The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman
The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman
Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research
This research examines the influence of film fashions on middle-class, Nebraskan women’s dress during the Great Depression (1932-1940). The Great Depression challenged the middle class: while standards of living remained high, the economic means to achieve those standards diminished. Despite the crisis, women strove to keep up with current fashion trends. While previous literature has examined how Hollywood directly affected trends and styles of the 1930s in major American metropolitan contexts, the manifestation of trends in the dress of middle to lower socio-economic classes in Middle America remains under-examined. Against the backdrop of Depression-era hardships specific to Nebraska’s agricultural economy, …