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Full-Text Articles in Film and Media Studies

No Happy Endings: Anna May Wong’S American Film Roles From 1931-1942, Kayla G. O'Leary Apr 2022

No Happy Endings: Anna May Wong’S American Film Roles From 1931-1942, Kayla G. O'Leary

CSB/SJU Distinguished Thesis

In the 1930s and ‘40s, shifting relations with China, Japan, and the United States drastically impacted American public sentiment towards these Asian countries. US films produced during these decades starring Anna May Wong illuminate how harmful stereotypes about Chinese culture and people were portrayed on screen. I analyze five of Wong’s films from this period to examine how the gendered and racial stereotypes within them provide a cultural lens of changing US-Chinese relations. The stereotypical archetypes of her characters, which include the formidable Dragon Lady, helpless American citizen, and Chinese war hero, demonstrate how American perceptions of China and Chinese …


The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman Apr 2022

The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman

Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research

This research examines the influence of film fashions on middle-class, Nebraskan women’s dress during the Great Depression (1932-1940). The Great Depression challenged the middle class: while standards of living remained high, the economic means to achieve those standards diminished. Despite the crisis, women strove to keep up with current fashion trends. While previous literature has examined how Hollywood directly affected trends and styles of the 1930s in major American metropolitan contexts, the manifestation of trends in the dress of middle to lower socio-economic classes in Middle America remains under-examined. Against the backdrop of Depression-era hardships specific to Nebraska’s agricultural economy, …


Superhero Films: A Fascist National Complex Or Exemplars Of Moral Virtue?, Chris Yogerst Apr 2017

Superhero Films: A Fascist National Complex Or Exemplars Of Moral Virtue?, Chris Yogerst

Journal of Religion & Film

This paper deals with the "why" regarding our collective desire for superhero narratives. My goal is to build on the many definitions of a superhero and find a framework that we as scholars can use to evaluate how superhero films present inspirational moral virtue and not zealous nationalism of any kind. In the process I want to address the problems with some of the scholarly work done on the connection to superheroes and heroism both historically and immediately after 9/11, particularly those who have argued that American superheroism is a fascist myth, and show how the recent evolution of the …


Hollywood’S Vietnam: How Critics And Audiences Responded To The Vietnam War Genre, Jennifer Freilach Mar 2016

Hollywood’S Vietnam: How Critics And Audiences Responded To The Vietnam War Genre, Jennifer Freilach

History

This four part essay takes a comprehensive look at articles published in the Los Angeles Times and New York Times to determine how and why critics reviewed essential films about the Vietnam War. It thereby highlights the trends that emerged in their reaction to them. The first section analyzes critics’ response to Coming Home (1978). As the first major film with direct reference to Vietnam, Coming Home posed a unique problem for film critics. The second section analyzes the second major film about Vietnam, The Deer Hunter (1978). The majority of newspaper critics defended Cimino’s epic against negative claims that …


Introduction To "Independent Stardom: Freelance Women In The Hollywood Studio System", Emily Carman Jan 2016

Introduction To "Independent Stardom: Freelance Women In The Hollywood Studio System", Emily Carman

Film and Media Arts Faculty Books and Book Chapters

During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.

Through extensive, original archival research, Independent Stardom uncovers this …