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Gothic genre

Articles 1 - 8 of 8

Full-Text Articles in Film and Media Studies

Holding On To Self: The Masculine Drive In "Investigating Jericho" And I Am Legend, Christina Castellana Jan 2008

Holding On To Self: The Masculine Drive In "Investigating Jericho" And I Am Legend, Christina Castellana

Journal of Dracula Studies

No abstract provided.


Dracula In The Comics, Perry Lake Jan 2003

Dracula In The Comics, Perry Lake

Journal of Dracula Studies

No abstract provided.


"Unconscious Cerebration" And The Happy Ending Of Dracula, John Greenway Jan 2002

"Unconscious Cerebration" And The Happy Ending Of Dracula, John Greenway

Journal of Dracula Studies

No abstract provided.


Root Canals: The Neutered Vampire And The Metamorphosis Of Undead Metaphor, Chris Mcgunnigle Jan 2002

Root Canals: The Neutered Vampire And The Metamorphosis Of Undead Metaphor, Chris Mcgunnigle

Journal of Dracula Studies

No abstract provided.


Repulsive Pariah Or Romantic Prince? Transforming Monstrosity In Bram Stoker's And Francis Ford Coppola's Dracula, Vrunda Stampwala Sahay Jan 2002

Repulsive Pariah Or Romantic Prince? Transforming Monstrosity In Bram Stoker's And Francis Ford Coppola's Dracula, Vrunda Stampwala Sahay

Journal of Dracula Studies

No abstract provided.


Once Upon The Sleeping Canon: Literary Lustre In Cradle Of Filth's Wintry Romances, Julio Angel Olivares Merino Jan 2001

Once Upon The Sleeping Canon: Literary Lustre In Cradle Of Filth's Wintry Romances, Julio Angel Olivares Merino

Journal of Dracula Studies

No abstract provided.


Dracula And The Gothic Imagination Of War, Bryan Alexander Jan 2000

Dracula And The Gothic Imagination Of War, Bryan Alexander

Journal of Dracula Studies

When Jonathan Harker first describes Castle Dracula, his journals rely on the language of war. Unable to pin down the castle’s site on an Ordnance Map, Harker is able to see instead the liminal city of Bistritz in terms of a historic siege (11). As he approaches nearer, Harker relates a companion’s (mis)quotation from Burger’s “Lenore,” a line spoken by an undead soldier, all too recently at war (17). Castle Dracula itself appears textually as a mix of military and Gothic discourses, whose “frowning walls and dark window openings” (21) serve both to situate Harker in classically Gothic space, and …


Desire And Loathing In Bram Stoker's Dracula, Nancy F. Rosenberg Jan 2000

Desire And Loathing In Bram Stoker's Dracula, Nancy F. Rosenberg

Journal of Dracula Studies

No abstract provided.