Film and Media Studies Commons^™

Consuming Beauty In The Weimar Republic: A Discussion Of Youth, Cosmetics, And Power In Vicki Baum's Play Pariser Platz 13 (1930), Victoria Vygodskaia - Rust

Studies in 20th & 21st Century Literature

Published in 1930, Vicki Baum’s play Pariser Platz 13: Eine Komödie aus dem Schönheitssalon engaged the readership with an unorthodox and thoroughly modern heroine: the successful owner of international beauty salons Helen Bross. Helen personified the wishes and dreams of Baum’s readers: Helen’s autonomy, both personal and financial, allowed her to be an active consumer of modernity and its pleasures: travel, interaction with celebrities, and luxurious lodging.

My paper studies a (fictional) beauty salon on Pariser Platz in Berlin as an enclave of female power and explores Vicki Baum’s portrayal of beauty, youth, and fashion as commodities. I place my …

Nora M. Alter And Timothy Corrigan. Essays On The Essay Film. Columbia Up, 2017., Angelica Fenner

Studies in 20th & 21st Century Literature

Review of Nora M. Alter and Timothy Corrigan. Essays on the Essay Film. Columbia UP, 2017. 371 pp.

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham

Studies in 20th & 21st Century Literature

Review of Christina Gerhardt and Sara Saljoughi, editors. 1968 and Global Cinema. Wayne State UP, 2018. 422 pp.

Tatjana Gajić. Paradoxes Of Stasis: Literature, Politics, And Thought In Francoist Spain. Lincoln: U Of Nebraska P, 2019., Nicolás Fernández-Medina

Studies in 20th & 21st Century Literature

Review of Tatjana Gajić. Paradoxes of Stasis: Literature, Politics, and Thought in Francoist Spain. Lincoln: U of Nebraska P, 2019. 219 pp.

Steven Ungar. Critical Mass: Social Documentary In France From The Silent Era To The New Wave. U Of Minnesota P, 2018., Mary Mccullough

Studies in 20th & 21st Century Literature

Review of Steven Ungar. Critical Mass: Social Documentary in France from the Silent Era to the New Wave. U of Minnesota P, 2018. Xxii + 300pp.

Window Shopping With Duchamp: Commodity Aesthetics Delayed In Glass, J. Brandon Pelcher

Studies in 20th & 21st Century Literature

While Marcel Duchamp’s readymades are consistently framed as a challenge to the art world and the concept of art itself, they also challenge the world from which they were taken, the world of commodities. Readymades subject the commodity to the world of aesthetics in order to more fully investigate the commodity aesthetics of both the commodity form itself and it presentation in shop window displays. This critical investigation complicates the role of commodity aesthetics and consumption as well as their formation of the consumer-subject in Fordist capitalism. The readymade can be seen both as an important forerunner to the theories …

Katya Krylova. The Long Shadow Of The Past: Contemporary Austrian Literature, Film, And Culture. Camden House, 2017., Laura Mclary

Studies in 20th & 21st Century Literature

Review of Katya Krylova. The Long Shadow of the Past: Contemporary Austrian Literature, Film, and Culture. Camden House, 2017.

Arthur Rose. Literary Cynics: Borges, Beckett, Coetzee. Bloomsbury, 2017., Peter Faziani

Studies in 20th & 21st Century Literature

Review of Arthur Rose. Literary Cynics: Borges, Beckett, Coetzee. Bloomsbury, 2017. 190 pp.

Sarah Walkley. Cultural Diversity In The French Film Industry: Defending The Cultural Exception In A Digital Age. Palgrave Macmillan., Anna V. Keefe

Studies in 20th & 21st Century Literature

Review of Sarah Walkley, Cultural Diversity in the French Film Industry: Defending the Cultural Exception in a Digital Age. Palgrave MacMillan, 2018.

Debjani Ganguly. This Thing Called The World: The Contemporary Novel As Global Form. Duke Up, 2016., Evan Torner

Studies in 20th & 21st Century Literature

Review of Debjani Ganguly. This Thing Called the World: The Contemporary Novel as Global Form. Duke University Press, 2016. 300 pp.

Ina Batzke, Eric C. Erbacher, Linda M. Hess, And Corinna Lenhardt, Eds. Exploring The Fantastic: Genre, Ideology, And Popular Culture. Transcript Verlag, 2018., Annabelle Dolidon

Studies in 20th & 21st Century Literature

Review of Ina Batzke, Eric C. Erbacher, Linda M. Hess, and Corinna Lenhardt, eds. Exploring the Fantastic: Genre, Ideology, and Popular Culture. Transcript Verlag, 2018. 294 pp.

David Weir. Decadence: A Very Short Introduction. Oxford Up, 2018., Patrick Moneyang

Studies in 20th & 21st Century Literature

Review of David Weir. Decadence: A Very Short Introduction. Oxford UP, 2018. 132 pp.

Alessandro Rocco. Gabriel García Márquez And The Cinema. Tamesis, 2014., Silvio Gaggi

Studies in 20th & 21st Century Literature

Review of Alessandro Rocco. Gabriel García Márquez and the Cinema. Tamesis, 2014

Nina Schmidt. The Wounded Self: Writing Illness In Twenty-First-Century German Literature. Camden House, 2018., Erika M. Nelson Mukherjee

Studies in 20th & 21st Century Literature

Review of Nina Schmidt. The Wounded Self: Writing Illness in Twenty-First-Century German Literature. Camden House, 2018. 235 pp.

Rielle Navitski. Public Spectacles Of Violence: Sensational Cinema And Journalism In Early Twentieth-Century Mexico And Brazil. Duke Up, 2017., Ernesto R. Acevedo-Muñoz

Studies in 20th & 21st Century Literature

Review of Rielle Navitski. Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil. Duke UP, 2017. xiv + 344pp.

Wendy Michallat. French Cartoon Art In The 1960s And 1970s: Pilote Hebdomadaire And The Teenager Bande Dessinée. Leuven Up, 2018., Stephanie Schechner

Studies in 20th & 21st Century Literature

Review of Wendy Michallat. French Cartoon Art in the 1960s and 1970s: Pilote hebdomadaire and the Teenager Bande Dessinée. Leuven UP, 2018. 268 pp.

Jennifer Evans, Paul Betts, And Stefan-Ludwig Hoffmann, Eds. The Ethics Of Seeing: Photography And Twentieth-Century German History. Berghahn Books, 2018., Richard Bodek

Studies in 20th & 21st Century Literature

Review of Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann, eds. The Ethics of Seeing: Photography and Twentieth-Century German History. Berghahn Books, 2018. xii + 293 pp.

Nora Alter. The Essay Film After Fact And Fiction. Columbia Up, 2018., Ervin Malakaj

Studies in 20th & 21st Century Literature

Review of Nora Alter. The Essay Film After Fact and Fiction. Columbia UP, 2018. xii + 394 pp.

Levine, Alison J. Murray. Vivre Ici: Space, Place, And Experience In Contemporary French Documentary. Liverpool Up, 2018., Tessa Ashlin Nunn

Studies in 20th & 21st Century Literature

Review of Levine, Alison J. Murray. Vivre Ici: Space, Place, and Experience in Contemporary French Documentary. Liverpool University Press, 2018.

Clara Guillén Marín. Migrants In Contemporary Spanish Film. Rouledge, 2018., Alfonso Bartolomé

Studies in 20th & 21st Century Literature

Review of Clara Guillén Marín. Migrants in Contemporary Spanish Film. Rouledge, 2018.

Seeing (As) The Eroticized And Exoticized Other In Spanish Im/Migration Cinema: A Critical Look At The (De)Criminalization Of Migrants And Impunity Of Hegemonic Perpetrators, Maureen Tobin Stanley

Studies in 20th & 21st Century Literature

This article examines cinematic perspective in six Spanish im/migration films to show that by resituating the identification from an alignment with that of a hegemonic character (who accepts the systematic bias that confers impunity to perpetrators) to identification with a criminalized migrant subject, these films 1) denounce systemic intersectionality that confers impunity to perpetrators and criminalizes the racialized and/or feminized other and 2) aim at fostering empathy in the hegemonically identified viewer. Parameters for the selection of the six films are: immigration to Spain, African (whether geographic or ethnic) origins, eroticization of the migrant, objectification/(ab)use/commodification/victimization of the Other, criminalization of …

Immigrants And National Anxieties In 21st-Century Spanish Film, Julia C. Barnes

Studies in 20th & 21st Century Literature

This article analyzes the ways that gender and race inform the portrayals of native-born Spaniards and immigrants in Flores de otro mundo (Flowers from Another World) (1999), Un novio para Yasmina 'A Fiancé for Yasmina' (2008), Retorno a Hansala (Return to Hansala) (2008), Biutiful (2010) and 15 años + 1 día (Fifteen Years and One Day) (2013). These films position the white Spanish man at the center of their stories, even when they are not the sole protagonists. Immigrant men of color, in contrast, are most frequently portrayed as parasitical, delinquent, and criminal. White …

Special Focus Introduction. Set Up And Shut Out: Immigration And Criminality In Contemporary Spanish Fiction, Diana Aramburu, Jeffrey K. Coleman

Studies in 20th & 21st Century Literature

The beginning of the twenty-first century has seen mass immigration from the Global South to the Global North. Unfortunately, the geopolitical and racial dynamics of this migration flow often lead to a purported nexus between immigration and criminality. In immigrant-receiving nations, this is especially the case, where sometimes the government, the media, and even the population support a xenophobic perspective based on the interconnection between immigration and criminality. Spain serves as an interesting case study for understanding how cultural productions reflect and/or critique that tendency because between 2000 and 2010 it had the world's second largest net immigration rate. The …

Letter From The Editor: Upcoming Changes To Sttcl, Necia Chronister

Studies in 20th & 21st Century Literature

Letter from the Editor regarding upcoming changes to STTCL

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Studies in 20th & 21st Century Literature

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Studies in 20th & 21st Century Literature

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Sttcl Editorial Board

Studies in 20th & 21st Century Literature

STTCL Editorial Board

Dominique Fourcade: Recalculations, James Petterson

Studies in 20th & 21st Century Literature

This article explores the relationship between poetry, photography and choreography in the writings of contemporary French poet Dominique Fourcade. Close readings of Fourcade’s 2001 M W alongside other of his works reveal some of the fundamental techniques of his writing, founded on formal recalculations sparked by interaction with other art forms, specifically the photography of Barbara Morgan and Isabelle Waternaux and the dance choreography of George Balanchine, Merce Cunningham, Pina Bausch, Mathilde Monnier and William Forsythe. The analysis also proposes alternative multi-disciplinary directions for the reception of poetry.

Chronotopes Of Flight From The Red Army In East And West German Feature Film (1950–1970), Jamie Zelechowski

Studies in 20th & 21st Century Literature

This article investigates the representation of flight from the Red Army (1944/45) in East and West German feature film prior to 1970. Even while refugee figures may abound, the representation of flight appears infrequently in feature film during this period. In order to understand why this is the case as well as how and why flight is actually depicted when it is, I turn to Wolfgang Schleif’s Preis der Nationen/Das Mädchen Marion (Prize of the Nations/The Girl Marion, FRG; 1956) and Martin Eckermann’s television film Wege übers Land (Ways Across the Land, GDR; 1968) and their representations of refugee treks—which, …

Ilai Rowner. The Event: Literature And Theory. U Of Nebraska P, 2015., Dane Stalcup

Studies in 20th & 21st Century Literature

Review of Ilai Rowner. The Event: Literature and Theory. U of Nebraska P, 2015. xv + 311 pp.