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Film and Media Studies Commons

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Full-Text Articles in Film and Media Studies

Through The Eyes Of A Bee: Seeing The World As A Whole, Adrian G. Dyer, Scarlett R. Howard, Jair E. Garcia Jun 2016

Through The Eyes Of A Bee: Seeing The World As A Whole, Adrian G. Dyer, Scarlett R. Howard, Jair E. Garcia

Animal Studies Journal

Honeybees are an important model species for understanding animal vision as free-flying individuals can be easily trained by researchers to collect nutrition from novel visual stimuli and thus learn visual tasks. A leading question in animal vision is whether it is possible to perceive all information within a scene, or if only elemental cues are perceived driven by the visual system and supporting neural mechanisms. In human vision we often process the global content of a scene, and prefer such information to local elemental features. Here we discuss recent evidence from studies on honeybees which demonstrate a preference for global …


Seeking Solace: Regret, Grief, Anxiety, Rebecca Schroeder Mar 2016

Seeking Solace: Regret, Grief, Anxiety, Rebecca Schroeder

Honors Projects

Seeking Solace: Regret, Grief, Anxiety is a triptych video and artifact piece inspired by the abstract analysis of my dreams. It recognizes worries held within my subconscious and brings them to life through graphic design, photography, and video. The process of creating provides a new perspective of looking at both art and occupational therapy as methods of solving emotional distress.

I have recorded over 80 of my dreams in the past year. In these dreams, regret, grief, and anxiety are common themes. These themes are represented in three triptychs that cycle through past, present, and future problems. The cycling of …


So Much Apparent Nothing, Emily Mcbride Jan 2016

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.