Film and Media Studies Commons^™

Mdocs Poster-2016-10-28, Eric Jenks Photography Workshop, Jordana Dym, Jesse Wakeman

MDOCS Publications

Workshop: DSLR Photography Basics

Fri, October 28 @ 2-4 pm, LIB 113

Still stuck in the auto-function of your DSLR camera? Learn the basics of DSLR photography and get some tips on how to create more engaging, lively images. Led by Eric Jenks, Skidmore alum and Capital region photojournalist.

Mdocs Postcard-2016-10-01, Fall Documentary Photo Talks And Workshops, Jordana Dym, Jesse Wakeman

MDOCS Publications

Fall Documentary Photography Talks and Workshops:

Through a native lens: Portraiture, social documentary and narrative in Saratoga

Mon, October 17 @ 7pm, Emerson

On October 17, join Daesha Devón Harris, a Saratoga Springs native and documentary photographer who creates powerful multimedia pieces that speak to social issues in a creative and compelling way. The photos depict subjects not as victims, but instead show them in a light of determination illuminating Daesha's relentless optimism.

Moderated by Robert ParkeHarrison

This event is part of MDOCS' series on portraiture and biography in documentary work. One Monday each month, creators from photography, audio …

Reframing The Archive: Vietnamese Refugee Narratives In The Post-9/11 Period, Mai-Linh Hong

Faculty Journal Articles

This article considers how recent narratives about Vietnamese refugees engage with the Vietnam War’s visual archive, particularly iconic photographs from the war and ensuing “boat people” crisis, and contribute to present-day discourses on American militarism and immigration. The article focuses on two texts, a National Public Radio special series about a US naval ship (2010) and Thanhha Lai’s Inside Out & Back Again (2011), which recounts a Vietnamese child’s refugee passage. By refiguring famous photojournalistic images from the war, the radio series advances a familiar rescue-and-gratitude narrative in which the US military operates as a care apparatus, exemplifying a cultural …

Relocating Pictures: An Interdisciplinary Analysis Of Transnational Islamic Images, Mary S.W. Campbell

Honors Projects

This paper and accompanying photo series analyze and discuss Western images of Islamic migration. Incorporating a variety of disciplines, they evaluate the emotional responses of Americans towards images of Muslim migrants and transnational issues. Through surveying and literary analysis, they demonstrate the need for new images of the Muslim migrant that allow for greater emotional engagement that leads to action. My photographs, taken in Spain and Morocco, are a first step at discovering what is needed in these new images.

Through The Eyes Of A Bee: Seeing The World As A Whole, Adrian G. Dyer, Scarlett R. Howard, Jair E. Garcia

Animal Studies Journal

Honeybees are an important model species for understanding animal vision as free-flying individuals can be easily trained by researchers to collect nutrition from novel visual stimuli and thus learn visual tasks. A leading question in animal vision is whether it is possible to perceive all information within a scene, or if only elemental cues are perceived driven by the visual system and supporting neural mechanisms. In human vision we often process the global content of a scene, and prefer such information to local elemental features. Here we discuss recent evidence from studies on honeybees which demonstrate a preference for global …

Seeking Solace: Regret, Grief, Anxiety, Rebecca Schroeder

Honors Projects

Seeking Solace: Regret, Grief, Anxiety is a triptych video and artifact piece inspired by the abstract analysis of my dreams. It recognizes worries held within my subconscious and brings them to life through graphic design, photography, and video. The process of creating provides a new perspective of looking at both art and occupational therapy as methods of solving emotional distress.

I have recorded over 80 of my dreams in the past year. In these dreams, regret, grief, and anxiety are common themes. These themes are represented in three triptychs that cycle through past, present, and future problems. The cycling of …

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.