Film and Media Studies Commons^™

The Role Of Egyptian Film In Stereotyping Single Women, Heba Metwally Ibrahim Metwally

Archived Theses and Dissertations

Due to the increasing rates of single or still-unmarried women, also known as spinsters or Awanes, shaping the perceptions of these women is a problem facing Egyptian society. In this paper, the researcher assesses the effects of the media's depiction of these women, specifically focusing on the movie industry. By conducting a content analysis of Egyptian movies, as well as an examination of the notion of spinsters in language, history and culture, this study demonstrates the impact of movies in constructing a negative image and shaping the perception of unmarried women within Egyptian society. Through in-depth interviews, field observation in …

Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.

Front Matter And Table Of Contents (V.69)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

9x9 Plans Fifth Film Festival, Jessica Block

News and Events

No abstract provided.

Zeitgeist Shift: Too Little Too Late, Michael I. Niman Ph.D.

Michael I Niman Ph.D.

No abstract provided.

9x9’S New Film Double Blind To Premiere At Hansen, Sehaj Sethi

News and Events

No abstract provided.

The Menace Of Security, Chandan Gowda

Chandan Gowda

No abstract provided.

Review Of "King Of The Cowboys, Queen Of The West: Roy Rogers And Dale Evans" By R.E. White, Mike Allen

SIAS Faculty Publications

No abstract provided.

Ua12/2/1 College Heights Herald, Vol. 83, No. 17, Wku Student Affairs

WKU Archives Records

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

The Silent Revolution, Chandan Gowda

Chandan Gowda

No abstract provided.

“Happy Dancing Natives” Minority Film, Han Nationalism, And Collective Memory, Benjamin D. Shaffer

Independent Study Project (ISP) Collection

Cinematic representations of China’s ethnic minorities have been prominent in Chinese visual culture and collective memory since the 1950s. After the founding of the People’s Republic of China, the Chinese Communist Party led campaigns to classify China’s diverse range of ethnic groups. These social experiments inspired a number of documentary and narrative films about the ostensibly “exotic” and “colorful” non-Han peoples of China. The audience for these depictions of minorities in visual culture varied considerably. Some early documentaries fueled the rise of Han nationalism and political agendas within the Communist Party. Several narrative films had large audiences in mainstream Chinese …

Pathos, Fall 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 4

The Migration Of Forms: Bullet Time As Microgenre, Bob Rehak

Film & Media Studies Faculty Works

Rehak considers the ways in which the film "The Matrix" "branded" bullet time both as technical process and stylistic convention, and discusses bullet time's ancestry in image experimentation of the 1980s and 1990s. In his analysis, Rehak uses the conceptual framework of the microgenre to explore the cultural lifespan of bullet time, treating it less as a singular special effect than a package of photographic and digital techniques whose fortunes were shaped by a complex interplay of technology, narrative and style. Rehak's goal is to shed light not just on bullet time, but on the changing behavior of visual texts …

Commentpress: New (Social) Structures For New (Networked) Texts, Kathleen Fitzpatrick

Pomona Faculty Publications and Research

On July 25, 2007, the Institute for the Future of the Book released version 1.0 of CommentPress, a theme for WordPress that facilitates the web publication of lengthy documents in a fashion that is both internally and externally networked, and that allows for reader commenting and discussion at a level of granularity ranging from the document as a whole to the individual paragraph. The goal of CommentPress, as the project's "about" page presents, stems from the desire
to see whether a popular net-native publishing form, the blog, which, most would agree, is very good at covering the present moment in …

Hearts Go Walking: Conversations Between Poetry, Prayer And Theology, Vaughan S. Roberts

Vaughan S Roberts

Gender And Fan Culture Series: Round 15 Part 1 On Confessions Of An Aca-Fan: The Official Weblog Of Henry Jenkins, Suzanne Scott

Suzanne Scott

Guest Blogger with Bob Rehak

Gender And Fan Culture Series: Round 15 Part Ii On Confessions Of An Aca-Fan: The Official Weblog Of Henry Jenkins,, Suzanne Scott

Suzanne Scott

Guest Blogger with Bob Rehak

Arlecchino's Journey: Crossing Boundaries Through La Commedia Dell'arte, Janine Michelle Sobeck

Theses and Dissertations

La commedia dell'arte is a recognized, vibrant theatrical form that emerged in Italy during the Renaissance. However, while great attention has been given to the particulars of the genre (performance techniques, important troupes, leading players), there lacks a study behind the reasoning for its vast international popularity. In this thesis, I explore why this particular genre was able to cross cultural and linguistic boundaries, finding a dedicated and enthusiastic following in most European countries for over 200 years. After analyzing commedia dell'arte's original development in the Italian peninsula, examining the predominating Carnival ideology and the ability of the troupes to …

Cinema, Race, And Justice: A Qualitative Analysis Of Selected Themes., Katherine Clay Thompson

Electronic Theses and Dissertations

The purpose of this study was to examine 7 different crime and justice films and provide a content analysis incorporating restorative justice and peacemaking perspectives. The 7 films examined in this study included 12 Angry Men, A Family Thing, American History X, American Me, Crash, Shawshank Redemption, and Traffic. The researcher examined the films and used content analysis to examine the behaviors and actions of the characters. The films were examined using 5 different analytical themes: "embracing change", "second chances", "hope", "connectedness", and "becoming more human". The current study found the 7 films …

Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

The Media Production Experience: A Phenomenological Study Of Student Media Production In A Secondary Education Environment, Brian N. Saxton

Theses and Dissertations

Many media education researchers have pointed out the benefits of incorporating a production element into a media literacy program. In fact, the simple use of the word “literacy" alludes to both critical analysis of (“reading") media and creative expression through (“writing") media. However, many of those same researchers have found that there are serious difficulties with student media production from a practical standpoint. The lack of equipment, the lack of class time, poor educator training, and the possibility that students may produce school-inappropriate or offensive texts create doubts about whether or not the effort is worth the reward. This qualitative, …

Filming Eugenics: Teaching The History Of Eugenics Through Film, Melissa Ooten, Sarah Trembanis

Women, Gender and Sexuality Studies Faculty Publications

In teaching eugenics to undergraduate students and general public audiences, film should be considered as a provocative and fruitful medium that can generate important discussions about the intersections among eugenics, gender, class, race, and sexuality. This paper considers the use of two films, A Bill of Divorcement and The Lynchburg Story, as pedagogical tools for the history of eugenics. The authors provide background information on the films and suggestions for using the films to foster an active engagement with the historical eugenics movement.

Reel Paradise And Sisters In Law, Jennifer Malkowski

Film & Media Studies: Faculty Publications

Steve James's Reel Paradise and Kim Longinotto and Florence Ayisi's Sisters in Lawexemplify divergent paths in the field of ethnographic documentary since 1922's formative Nanook of the North. The observational style of Sisters in Law bests the self-indulgence of Reel Paradise, though both films present ethical challenges.

Japanese Video Art, Micol Hebron

Art Faculty Articles and Research

A review of the "Radical Communication, Japanese Video Art, 1968-1988" exhibition, curated by Glenn Phillips, at the Getty Museum.

Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill

Conference Papers

In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent …

From Family Reintegration To Carnivalistic Degradation: Dismantling Soviet Communal Myths In Russian Cinema Of The Mid-1990s, Alexander V. Prokhorov

Arts & Sciences Articles

No abstract provided.

Where I Am, There (Sh)It Will Be, Melanie Mcdougald

Melanie E McDougald

No abstract provided.

Ramachandra Gandhi - The Passionate Philosopher, Chandan Gowda

Chandan Gowda

No abstract provided.

Super Size Me And The Conundrum Of Race/Ethnicity, Gender, And Class For The Contemporary Law-Genre Documentary Filmmaker, Regina Austin

All Faculty Scholarship

According to director Morgan Spurlock, the idea for "Super Size Me," the hugely popular documentary that explored the health impact of fast food, originated from a news report about Pelman v. McDonald’s, one of the fast food obesity cases. Over the course of his month-long McDonald’s binge, Spurlock became the literal embodiment of fast-food’s ill-effects on the seemingly generic American adult physique. Spurlock’s take on the subject, however, ignores the circumstances that contributed to the overweight conditions of the Pelman plaintiffs who were two black adolescent females who ate their fast food in the Bronx. One of them was homeless …

"Whether Beast Or Human": The Cultural Legacies Of Dread, Locks, And Dystopia., Kevin Frank

Publications and Research

Analyzing the ongoing problem of Caribbean racial exploitation, particularly fear signified through one of the most potent Caribbean symbols, dreadlocks, Kevin Frank offers a paradigm shift in arguing that Medusa's alterity is altered by Rastafarians' snake-like hair, but the transformative power of Rasta dreadlocks is contested through certain cinematic depictions of dread.