Film and Media Studies Commons^™

Why Industry Professionals Should Care About Fandom, Abigail Minzer

Student Publications

A fandom is a community of people who share a common interest and interact with each other on the basis of that common interest. When a fandom comes together on the basis of a creative work, it allows a mutually beneficial relationship to form in which the fandom will eagerly consume existing content, allowing new content to be produced for their consumption. Thus, professionals in industries such as publishing, theater, and television and film should be aware of the integral role fandoms play in the consumption of their content and how to nurture fandoms through the means discussed in this …

Song Of The South: The Silence Of A Song, Magdalena E. Fernald

Student Publications

A persuasive essay explaining the history of the film Song of the South and the Uncle Remus stories that its based on, and why the film deserves to be re-released with educational materials.

The Concepts Of Law And Morality In Castle In The Sky, Kiet T. Tran

CAFE Symposium 2023

This project examines the film Castle in the Sky by Studio Ghibli, directed by Hayao Miyazaki and how it uses “chaotic good”, “lawless evil” and “lawful good” being ideas rework from Future Boy Conan (1978) also directed by Hayao Miyazaki through an examination of the relationships between the characters.

Magical Girls: Queer Identity In Japan, Keira Mcdevitt

CAFE Symposium 2023

Queer themes have long been interlaced with feminist ideals and "magical girls" within Japanese anime culture. The subject is explored within two iconic magical girl anime, "Madoka Magica" and "Revolutionary Girl Utena", as well as the history of queerness in Japan and its relevancy to modern ongoing franchises.

Ecocinema Theory And Practice 2, Stephen Rust, Salma Monani, Sean Cubitt

Gettysburg College Faculty Books

This second volume builds on the initial groundwork laid by Ecocinema Theory and Practice by examining the ways in which ecocritical cinema studies have matured and proliferated over the last decade, opening whole new areas of study and research.

Featuring fourteen new essays organized into three sections around the themes of cinematic materialities, discourses, and communities, the volume explores a variety of topics within ecocinema studies from examining specifc national and indigenous flm contexts to discussing ecojustice, environmental production studies, flm festivals, and political ecology. The breadth of the contributions exemplifes how ecocinema scholars worldwide have sought to overcome the …

Verdad Y Responsabilidad: Los Ejes Nuevos De La Memoria En El Cine Contemporáneo De Guatemala, Grace Bushway

Student Publications

Mucha gente no sabe que hubo un genocidio de gente indígena en Guatemala entre los años 1981-1982 o que el ejército nacional del país cometió actos de tortura y violación contra poblaciones civiles. El gobierno de Guatemala prefiere esa realidad. La conversación sobre la guerra de hace más de treinta años en Guatemala es mínima en ámbitos estatales, sociales y educacionales. Para los sobrevivientes de la guerra y sus hijos, eso crea problemas relacionados con sanarse de los traumas directos e indirectos de la violencia de esa época. En 2019, dos directores guatemaltecos—Jaryo Bustamante y César Díaz—estrenaron películas para dialogar …

Australia And A Wire Through The Heart, Addison E. Lomax

Student Publications

Throughout a period of exploration in the colony of Australia, the development of the Overland Telegraph, as discovered by Charles Todd, increased Australian interaction on a global scale. Although the documentary A Wire Through the Heart does not depict all of the complex struggles English colonizers faced when settling Australia, the film accurately reflects the technological advancements, the significance of explorers, and environmental difficulties many colonizers encountered in Australia throughout the early 1800s. Alongside the increase in communication with the rest of the world, the Overland Telegraph assisted in the development of a unique, Australian culture separate from its original …

Digital German-Jewish Futures: Experiential Learning, Activism, And Entertainment., Kerry Wallach

German Studies Faculty Publications

The future of the German-Jewish past is, in a word, digital, and not only in the sense of digital humanities or digital history. Future generations of scholars, students, and the general public will engage with the past online in the same ways—and for many of the same reasons—that they engage with everything else. There needs to be something redeeming, enjoyable, or at least memorable about studying history for people to feel that it is worthwhile. For many, the act of learning about the past serves as a kind of virtual travel, even an escape, to another time and place. Learning …

The Jewish Vamp Of Berlin: Actress Maria Orska, Typecasting, And Jewish Women, Kerry Wallach

German Studies Faculty Publications

“Maria Orska, she is simply the actual embodiment of the human beast.... here, again, she is the man-beguiling Lulu, so vivid in her performance that one can almost hear her words.” With these lines in his review of Die Bestie im Menschen (1920/21), critic Fritz Olimsky describes Orska as she was widely regarded: a femme fatale Lulu or vamp type known for her tragic, expressive performances, who was often cast in psychologically complex roles involving dramatic love affairs. Orska, like her Hollywood contemporary Theda Bara, rarely moved beyond her reputation for playing this type of character. In addition to exploring …

Visual Weimar: The Iconography Of Social And Political Identities, Kerry Wallach

German Studies Faculty Publications

In the Weimar Republic, images were perceived to be as unreliable as they were powerful. They helped create and codify difference while simultaneously blurring lines within the categories of gender and race. Visual culture provided a wild playground for discourses about gender presentation and sexuality that encompassed veterans, athletes, criminals, the New Woman, and androgynous figures. Despite the growing prominence of images in race science, it was widely held that images could not be trusted to convey accurate information about race. The propagandistic use of images for political purposes had the potential to be equally ambiguous. It was ultimately up …

Our Greatest Weapon: The Rhetoric Of Invasion In Arrival And Independence Day, Emma G. Schilling

Student Publications

Inside of every alien invasion story is a central ‘us vs. them’ mentality that carries the thematic and moral weight of the story. Because of this, alien invasion films can be viewed through a postcolonial lens that reveals the destructive implications of colonialism, including a fear of the foreign and the figure of the white savior. Roland Emmerich’s Independence Day (1996) and Denis Villeneuve’s Arrival (2016) are no exception to this. Although both films are about aliens coming to Earth, the perspectives they follow in telling the story, their depictions of the military and scientists, their commentary on the role …

The Role And Impact Of The Environment In Saving Private Ryan, Bailey M. Ytterdahl, Paul C. Krakoviak

Student Publications

Although certain films may not be explicitly labeled as environmental film, we approach Saving Private Ryan through an ecocritical analysis. We evaluate how the film not only displays the physical and mental tolls of war in several bloody battles, but we also explore the environmental costs. By examining the genre of historical realism, we demonstrate how the film outlines the unique role of the environment in war but also enables the viewers to consider the impacts of war on the surrounding environment. To understand the environmental message in Saving Private Ryan, we used a concept called the “Three Ecologies” by …

Examining The Impact Of Climate Change Film As An Educational Tool, Brittany Bondi, Salma Monani, Sarah M. Principato, Christopher P. Barlett

Student Publications

Purpose: The aim of this paper is to evaluate the effectiveness of film in communicating issues related to climate change. While previous studies demonstrate an immediate effect of a film post-screening, this study also considered if a film can inspire long-term effects, and if supplemental educational information plays a role on participant understanding.

Design/methodology/approach: Using surveys, we assessed undergraduate students’ climate change responses pre-, immediately-post, and 9-weeks post watching the climate change documentary The Human Element (Prod. Earth Vision Institute, 2018). In the 9-week interim before the final survey, half of the participants received weekly information on climate change via …

Something To Do With A Girl Named Marla: Eros And Gender In David Fincher’S Fight Club, Vernon W. Cisney

Interdisciplinary Studies Faculty Publications

David Fincher’s 1999 film, Fight Club, has been characterized in many ways: as a romantic comedy, an exploration of white, middle-class male angst, an existentialist search for meaning amidst the moral ruins of late capitalism, an anarchist manifesto, and so on. But common to nearly every reading of the film, critical and laudatory alike, is the assumption that Fight Club is indisputably a celebration of misogynistic, masculinist virility and violence. On its face, this assumption appears so overwhelmingly obvious as to render superfluous any argumentation in support thereof, and absurd any opposing argumentation. Consider the ubiquitous homoerotic adulation of the …

"Ein Pakt Mit Dem Teufel": Leni Riefenstahl, Triumph Of The Will, And The Nature Of Guilt, Andrew O. Burns

Student Publications

Leni Riefenstahl’s Triumph of the Will is rightly considered a massive technical achievement in the world of cinema and propaganda. However, this achievement was undertaken at the behest of the immoral, murderous regime of Nazi Germany, a regime that Riefenstahl was more than willing to work with and glorify in order to further her career. This thesis will argue that Riefenstahl’s onscreen deification of Hitler, visual representation of völkisch ideology, and use of the music of Richard Wagner make her later claims of ignorance as to the film’s ultimate meaning impossible to correlate with established facts.

El Trabajo Y El Boxeo: Elegir Su Destino Frente A La Desigualdad, Cassandra R. Pritt

Student Publications

Florence Jaugey’s La Yuma was the first feature-length Nicaraguan film in twenty years when it was released in 2009 (Adams 172). Not only does the film constitute an effort by the director to establish the Nicaraguan film genre, but it also narrates a realistic vision of Nicaraguan society (Murillo 235). In this way, La Yuma can be considered both the dawn of the Nicaraguan film genre and an indictment of the actual social asymmetries present within the country’s capital, Managua. The film exposes the audience to the challenges that the protagonist, Yuma, faces due to the complex intersections between various …

Trapped In The Mouse House: How Disney Has Portrayed Racism And Sexism In Its Princess Films, Jessica L. Laemle

Student Publications

This paper analyzes the history of one of the most popular entertainment companies in the world, Disney. Through the discussion of multiple princess films, from the beginning of Disney to the more current films, I analyze the ongoing racism and sexism that is presented in these timeless Disney films. I will discuss the implications that this racism and sexism has on the children who view these films and what responsibility Disney has as a worldwide company in terms of what it displays to its audience.

Coming Soon To A Chinese Theater Near You: Why China Matters Even To Hollywood, James N. Udden

Friday Forum

In recent years, China has engaged in infrastructure projects on a scale and scope without historical precedent. Cinema in China is no exception. For roughly a century Hollywood has managed to dominate the world largely through the control of the largest exhibition market in the developed world, meaning the USA and Canada. Just a couple years ago, however, the Chinese exhibition sector surpassed North America as the world’s largest linguistically unified and developed film exhibition market. Find out why screenwriting classes in the USA now include courses on how to write for the Chinese market. Find out why even you …

Taiwanese Comedies Under The Shadow Of The Chinese Market, James N. Udden

Cinema & Media Studies Faculty Publications

Comedy is arguably the most local of genres. Tropical Fish (1995) is a Taiwanese comedy that made no effort to disguise its local flavour, and was largely unseen outside of Taiwan. Recent Taiwanese comedies such as You Are the Apple of My Eye (2011), The Wonderful Wedding (2015) and Our Times (2015) have achieved not only success in Taiwan, but also unprecedented box office in the mainland Chinese market. Compared to Tropical Fish, all three films also seemingly tone down the local flavour to varying degrees. This is due to the irresistible pull of recent opportunities posed by the …

Editorial, Linda Haverty Rugg, Salma Monani

Environmental Studies Faculty Publications

The editorial frames a special issue that introduces Scandinavian cinema and media scholars to ecomedia studies and its potentials.

Cross-Dressing In Taiwanese Dramas: A Reinforcement Of Heteronormativity, Jelana E. Szymanski

Student Publications

An examination of temporary cross-dressing in Taiwanese romantic comedy dramas that seeks to analyze how gender, sexuality and romance are portrayed. The following discourses will be used to demonstrate how these dramas often support heteronormative ideals: the absurdity of gender, the utilitarian cross-dresser, the idea of the true (bio)gender, the eroticization of the female body, the bivalent kiss, the Sexuality Crisis Bro trope, 'gender does not matter' as romance, and relationship dynamics.

Through The Eyes Of A Child: The Portrayal Of South Africa’S Apartheid In Children’S Cinema, Keira B. Koch

Student Publications

August 1977: a thirteen-year-old African American girl stands at the gate of an airport holding a bouquet of flowers. Standing with her mother, she is anxiously awaiting the arrival of Mahree, a South African school girl her family has offered to host for the upcoming academic school year. The young African American girl, Piper, is excited to meet this South African girl, hoping their African heritage will bond them together. The passengers all exit the plane, and Piper starts to worry that they are at the wrong gate because neither Piper nor her mom spotted a fourteen-year-old South African girl …

What If The South Had Won The Civil War? 4 Sci-Fi Scenarios For Hbo's 'Confederate', Allen C. Guelzo

Civil War Era Studies Faculty Publications

“What if” has always been the favorite game of Civil War historians. Now, thanks to David Benioff and D.B. Weiss — the team that created HBO’s insanely popular Game of Thrones — it looks as though we’ll get a chance to see that “what if” on screen. Their new project, Confederate, proposes an alternate America in which the secession of the Southern Confederacy in 1861 actually succeeds. It is a place where slavery is legal and pervasive, and where a new civil war is brewing between the divided sections. (excerpt)

"We Control It On Our End, And Now It's Up To You" -- Exploitation, Empowerment, And Ethical Portrayals Of The Pornography Industry, Julie E. Davin

Student Publications

Documentaries about pornography are beginning to constitute an entirely new subgenre of film. Big Hollywood names like James Franco and Rashida Jones are jumping on the bandwagon, using their influence and resources to invest in a type of audiovisual knowledge production far less mainstream than that in which they usually participate. The films that have resulted from this new movement are undoubtedly persuasive, no matter which side of the debate over pornography these directors have respectively chosen to represent. Moreover, regardless of the side(s) that audience members may have taken in the so-called “feminist porn debates,” one cannot ignore the …

Taiwanese Cinema, James N. Udden

Cinema & Media Studies Faculty Publications

Like the island itself, the cinema of Taiwan has always been in a perpetual state of liminality. Taiwan was a Japanese colony for fifty years (1895–1945) and during that time no cinema that could be labeled as distinctively “Taiwanese” emerged. After World War II, Taiwanese cinema was still caught between a political rock and an economic hard place. Despite allowing some low-budget films to be made in the Taiwanese dialect, the Kuomintang (KMT, aka “Nationalist”) government made sure its cinema did not violate its core ideological tenets of a “Greater China.” This came largely at the expense of anything specifically …

The Evolving Depictions Of Women In Films About The Holocaust (Die Sich Entwickelnden Darstellungen Von Frauen In Visuellen Texten Zum Holocaust), Alexandra J. Leclaire

Celebration

This paper explores how women are depicted in films about the Holocaust. Close readings of three films about the Holocaust reveal that the year of production, not the gender of the director or country of origin, is the greatest factor in how women are depicted. The miniseries Holocaust (1978) set the stage for depictions of women as naive and sexualized. Europa Europa (1990) continued to depict women in a typical way, as set by Holocaust (1978). Phönix (2014) departed from typical depictions of women by showing them as independent and not sexualized.

Analyzing Media Representations Of Male Rape And Debunking Myths On 'Law And Order Special Victims Unit', Ryan J. Stephens

Celebration

The project that I have done shows the importance of recognizing that male rape does exist and that it is more frequent than people think. By using Law and Order Special Victims Unit I am able to portray how myths about male rape are debunked and how the show creates new ways of thinking about male rape. Little research has been conducted about male rape and what we do know comes from the myths that are created in society and reinforced by false representations in the media. The research also concludes that we need more research to fully understand the …

History, Historical Fiction, And Historical Myth: 'The German Doctor' By Lucía Puenzo, Nathan W. Cody

Student Publications

The escape of thousands of war criminals to Argentina and throughout South America in the aftermath of World War II is a historical subject that has been clouded with mystery and conspiracy. Lucía Puenzo's film, The German Doctor, utilizes this historical enigma as a backdrop for historical fiction by imagining a family's encounter with Josef Mengele, the notorious SS doctor from Auschwitz who escaped to South America in 1949 under a false identity. While Puenzo sought to tell a story within a historical context, the film still has important historical commentaries. Ultimately, The German Doctor demonstrates the intersections of history, …

Feeling And Healing Eco-Social Catastrophe: The "Horrific" Slipstream Of Danis Goulet's Wakening, Salma Monani

Environmental Studies Faculty Publications

Cree/Métis filmmaker Danis Goulet’s science fiction short Wakening (2013) is set in Canada’s near future, yet the film reveals a slipstream of time where viewers are invited to contemplate the horrors of ecosocial crises—future, past, and present. I argue Wakening, as futuristic ecohorror, produces horrific feelings in the moment of its viewing that are inevitably entangled with the past, inviting its audiences to experience the monstrous contexts of Indigenous lives across time. To articulate this temporal dynamism, I overlay two key conceptual understandings: Walter Benjamin’s critiques of Western progress and historicism, and Indigenous notions of a Native slipstream. When brought …

In God’S Land: Cinematic Affect, Animation And The Perceptual Dilemmas Of Slow Violence, Salma Monani

Environmental Studies Faculty Publications

In this paper, I argue that Indian independent filmmaker Pankaj Rishi Kumar's documentary In God’s Land (2012) blends animation and live-action to illuminate the destructive nuances of postcolonial literary scholar, Rob Nixon's notion of slow violence. In turning to cinema, I also suggest that In God’s Land’s “aesthetic strategies” further eco-film scholarship’s recent interests in animation, which have tended to highlight the mode's "feel good affect." I draw attention to In God's Land's hybrid of dark, discordant animation spectacle interspliced in the documentary live-action to articulate the potential of eco-animation outside of this affect. Ultimately, the film not only draws …