Film and Media Studies Commons^™

Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang

The Coastal Review: An Online Peer-reviewed Journal

This study used a survey to investigate self-study and university-enrolled Chinese learners’ habits in studying Chinese vocabulary in order to determine what study methods influence a.) learners’ confidence in learning Chinese vocabulary and b.) what aspects of Chinese vocabulary they consider easy or difficult. We were particularly interested in seeing what the data had to say about students’ attitudes towards characters and the written language, given that the field of Chinese language pedagogy is known for a stronger focus on the written language as opposed to the spoken language. We found that aspects of Chinese vocabulary associated with the spoken …

Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco

The Coastal Review: An Online Peer-reviewed Journal

Adriana Cavarero's conceptualization of Medusa serves as a potent metaphor for the subtle redirection of violence of oblivious women who ignored the brutalization of pregnant victims during Argentina’s military dictatorship (1976-83). In Luis Puenzo’s La historia oficial (1985) and Santiago Mitre’s Argentina 1985 (2022), skillfully unveil the ghastly practice of torturing pregnant women, unraveling the vulnerability of both mothers and their infants, evoking a sense of disgust and repugnance that is eventually shared by oblivious women. Beyond mere storytelling, these films challenge prevailing power dynamics and discourses, shedding light on the complicit ignorance of elite women during an era marked …

Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney

The Coastal Review: An Online Peer-reviewed Journal

This article analyzes Luiz Roberto Salinas Fortes’ Retrato calado (Silent Portrait) published in 1988, considering the theoretical discussions on testimonio's epistemology—addressing the challenge of narrating trauma and the risk of stylization. It compares Fortes' memoir with Fernando Gabeira's O que é isso, companheiro? (What's This, Comrade?) from 1979, examining diverse approaches to capturing historical trauma through literature and its impact on collective memory about Brazilian Dictatorship (1964-1985).

Religious Iconography, Expressionist Lighting, And The Antihero's Spiritual Journey In Marvel's Daredevil, Savannah L. Pruett

Electronic Theses and Dissertations

In Marvel’s Daredevil (2015), Matthew Murdock undergoes different phases of an antiheroic spiritual journey as his faith in the judicial system and his Maker is tested by evil in Hell’s Kitchen, New York City. This thesis will dig deeper to reveal how the Daredevil series uses purposefully designed religious iconography and expressionist lighting to tell the story of Matthew Murdock’s antiheroic spiritual journey across three seasons. This thesis aims to prove that Daredevil is a complex and thought-provoking franchise that analyzes what it means to be an antihero, including the moral and ethical lines one is willing to cross to …

The Monster Mash: A Monster Studies Approach To Literature In The University Classroom, Megan L. Bowen

Electronic Theses and Dissertations

The Monster Mash is a course proposal for an upper-division undergraduate literature course focused on exploring monsters in literature and building connections between classic and more contemporary texts using high-impact practices (HIPs) with student success in mind. I build on previous work in the field of Monster Studies and introduce my own original monster pattern that prompts students to interpret monsters as they trek through Origin, Separation, Power, Threat, and Diminishment. This pattern highlights commonalities when it comes to the representation of monsters and their stories, allowing students to identify them across texts. I also divide monsters into three categories …

Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane

The Coastal Review: An Online Peer-reviewed Journal

This article explores the innovative language strategies employed by Senegalese writer Ken Bugul in her novel Aller et retour to construct a dynamic and interconnected linguistic landscape that challenges fixed language boundaries. Ken Bugul's "langue fabriquée" combines elements of French, Wolof, and English, reflecting a transglocal dimension that embodies the essence of afrophonics—a poetics of resistance that empowers local cultures in a globalized context. Through a detailed analysis of Ken Bugul's linguistic choices, including the use of quotation marks, footnotes, and arbitrary transcription, the study reveals how she creates a language that defies categorization and decolonizes French without resorting to …

Desire In Bridgerton: Defining The Female Gaze, Hailey C. Coles

Honors College Theses

Feminist literature is rife with multiple, sometimes conflicting, sometimes partial, definitions of the female gaze. A definitive understanding of the female gaze incorporates the literature but includes other modes of thought and analysis appropriate for a number of different media. Bridgerton articulates this understanding as it privileges female sexuality not just through dialogue, but through its focus on multiple characters’ bodily awareness. Non-verbal elements like blocking, the physical articulation of bodies, changes in camera angles and foci that privilege subtle and nuanced movements, and even the pervasive use of music all contribute to the form and characterization of the female …

La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez

The Coastal Review: An Online Peer-reviewed Journal

Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …

De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review: An Online Peer-reviewed Journal

In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …

Artistic Representation And Self Esteem, Brianna Davis

Honors College Theses

Dependent upon the constructs of the perception of self and the viewpoint of others, humans base the value of their self esteem on outer perspectives rather than internal ones. For this thesis in particular, the outer perspective to be examined is representation in the field of the arts. This thesis project explores the process of self esteem, artistic representation in the arts, how one affects the other, a history of the correlation between the two, and ways to inform and educate the masses with the tools necessary to advance representation in the arts thus raising the self esteem of its …

Communicating With The Past Via Javier Cercas’ Las Leyes De La Frontera, Bobby D. Nixon

The Coastal Review: An Online Peer-reviewed Journal

Cercas’ protagonist, Gafitas, narrates his memories of being a member of "el Zarco's" youth gang in the barrio chino of Girona during the summer of 1978, from the vantage point of the early 2000s. The novel is simultaneously viewed through the intertextual lens of José Antonio de la Loma’s cycle of quinqui films based on the life of the famous Catalan delinquent, El Vaquilla, Juan José Moreno Cuenca. There is renewed interest in these films from the Transition period of the late 1970s and early 1980s, with the success of this novel and director Daniel Monzón's film based on Cercas’ …

Middle Savannah River: An A/R/Tographic Ecopedagogical Ethnography Experimenting With Rhizomatic Perspectives, Lisa Augustine-Chizmar

Electronic Theses and Dissertations

This research is an experiment in perspective. Using the four commonplaces (Schwab, 1978), I practiced letting the Savannah River teach me what there is to know about the water, the land, the people, and the other entities that depend on ki through artistic, ethnographic, and ecopedagogical lenses. The ethnographic findings describe the social actors that depend on ki and give a voice to the River. The a/r/tographic findings display the River on a canvas map through two hundred years using paint, clay, photography, video, abstract acrylics, and fabric. Together, these methods contribute to a unique ecopedagogical journey. This word cloud …

Stephen D. Geller Papers, Zach S. Henderson Library Special Collections

Finding Aids

This collection includes the creative works of Stephen D. Geller and personal materials ranging from 1954-2007. Creative works include his completed screenplays, teleplays, scripts, manuscripts, novels, poems, research files, and other related materials. Personal bound copies of some of his works are handwritten while others are typed. Personal materials include family photographs, an astrology birth chart, correspondence, and materials related to Geller’s early education.

Find this collection in the University Libraries' catalog

Without A Trace: Missing And Murdered Indigenous Women And Exclusion In The Media, Nellasa Mackenzie Stewart

Honors College Theses

The research in this paper is designed to explore the lack of media coverage of missing and murdered indigenous women through primarily qualitative methods and techniques as well as interpret the significance of the lack of coverage through the lens of a critical analysis. The research will address how the coverage of missing indigenous women qualitatively differs with the coverage received by missing white women in the United States and Canada. The research approaches include the analysis of news sources detailing cases of missing indigenous women and missing white women and how their coverage qualitatively differs, as well as a …

The Gay Agenda: Being Accepted In Children’S Media, Tiffany Wells

Honors College Theses

For many LGBTQ+ children, there is a lack of representation of their identities in the television shows they see growing up. We turn to objects, like television characters, to help “find our way,” which becomes limited for individuals who are part of the minority (Ahmed 1). When television shows reflect a variety of lived experiences, they can increase cultural competence in their viewers. While LGBTQ+ representation in children’s media has increased, it is still difficult to implement such representation. This thesis we will discuss three shows, Gravity Falls, Steven Universe, and The Owl House, that have struggled with the implementation …

Hauntology And Epistemology In Guillermo Del Toro’S Pan’S Labyrinth And Juan Antonio Bayona’S The Orphanage, Timothy P. Reed

The Coastal Review: An Online Peer-reviewed Journal

This article analyzes the narrative function of the fantastic in two commercial Spanish language movies, Guillermo Del Toro’s 2006 Pan’s Labyrinth and Juan Antonio Bayona’s 2007 The Orphanage, to compare how they encompass and reflect aspects of hauntological theory. The movies show how Ofelia and Laura embrace the fantastic to acquire knowledge and agency by deliberately communicating with specters. Through acknowledging the epistemological implications of the fantastic, deliberate disobedience and self-sacrifice, Ofelia and Laura are able to liberate themselves from a repressive present and envisage a more optimistic future for others too. Hauntological discourse in both films ultimately functions …

Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho

The Coastal Review: An Online Peer-reviewed Journal

This article investigates the way in which Cuban literature reflected on indigenous people during the early half of the nineteenth century and uses the symbol of the Amerindians to demonstrate a moral disjuncture between them and the colonizer. In this article, I call attention to the way Cuban independentists and Spanish nationalists used this figure to support their views and thus created a split in the Cuban creole imagination. I start by pointing out that these appropriations started at the end of the 18th century when historian José Martín Félix de Arrate, and poets such as Miguel González and Manuel …

The Cowboy Conundrum: An Examination Of Representation Within The Western Film Genre, Madelynn E. Woodard

Honors College Theses

Despite historical demographic data indicating otherwise, much of the Western Film Genre depicts The Cowboy as a white male individual. Previous research has demonstrated that filmmakers often tell and depict stories within which they identify themselves, and with the predominant population of directors within the Western Genre being that of white men, the narrative of the West being portrayed on screen has shifted public perception to an inaccurate portrayal of the history of the West. From Vaqueros to liberated slaves, much of the Cowboy community was comprised of Black, Spanish, Mexican, and Indigenous people of color. This study employed a …

La “Border Culture” Del Personaje Mexicoamericano En El Sureste De Estados Unidos En Los Cuentos De Lorraine López Y Mijito Doesn’T Live Here Anymore De Jaime Martínez, Jaime Chavez

The Coastal Review: An Online Peer-reviewed Journal

This paper explores the concepts of "Border Culture" and "Borderlands" by Gloria Anzaldúa in Soy la Avon Lady and Other Stories, Homicide Survivors Picnic and Other Stories, by Lorraine López and the novel Mijito Doesn’t Live Here Anymore by Jaime Martínez. The paper argues that the Mexican American character in the southeast of the United States lives in the "Borderlands" and practices a "Border Culture" because they don't follow the traditional stereotypical role of the Mexican American character within the literary canon of both the dominant culture and Chicana/o literature.

Using A Smart Phone To Learn Spanish: Does It Work And Will Students Use It?, Andrew J. Demil, Alysha Assaf, Ryan Cragun

The Coastal Review: An Online Peer-reviewed Journal

Over time, mobile devices have penetrated the classroom, requiring new and beneficial ways to implement classroom instruction. Research suggests that Short Message Service (SMS) based instruction is an effective tool for acquiring second language (L2) vocabulary and idiom knowledge (Hayati, Jalilifar, & Mashhadi; Lu,). Additionally, studies have found that students believe that mobile learning (m-learning) is beneficial to acquiring a second language (Cavus & Ibrahim; Hayati, Jalilifar, & Mashhadi; Lu, 2008). This study examined whether m-learning can lead to Spanish vocabulary familiarity and if sentence comprehension outperforms reading definitions. Participants were 29 native English speakers studying Spanish as a second …

El Abrazo De La Serpiente O Un Mise-En-Scène Sin Fronteras, Sandra Ortiz-València

South East Coastal Conference on Languages & Literatures (SECCLL)

El abrazo de la serpiente es una de las obras cumbre del cine latino americano que más reconocimiento internacional ha obtenido, pero ¿por qué el filme de Ciro Guerra fascinó a un público tan amplio y diverso, obteniendo premios en lugares tan alejados y dispares como Montreal o Yereván, por nombrar alguno? Esta presentación realiza un análisis en profundidad de la puesta en escena en El abrazo para explicar el lenguaje audiovisual con el que el filme de Ciro Guerra construye una narrativa cinematográfica alejada de las formas dominantes, pero habilitada para emocionar a audiencias de todo el mundo. Tomando …

Green Book (2018) And Blackkklansman (2018): An Analysis Of White And Black Perspectives In Contemporary Films Using Critical Race Theory, Kelsie E. Posey

Honors College Theses

This research analyzes two films, Green Book (2018) and BlacKKKlansman (2018), to uncover the connections between diverse racial representation off-screen, and the presentation of non-white perspectives on-screen. This study uses CRT to frame the effects of diverse source materials and production teams on the films' narratives.

“Un-American” Hollywood: Politics And Film In The Blacklist Era, Natalie Jarosz

Armstrong Undergraduate Journal of History

This is a review of “Un-American” Hollywood: Politics and Film in the Blacklist Era, a 2007 volume edited by Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield. It argues that the American Left was involved with creating films of true significance in the Hollywood system, in the context of post-war House Un-American Activities Committee (HUAC) blacklisting. There is also an examination of the Popular Front between liberals and communists before post-war tensions drew them further apart. There is a chapter about the “new” and “old” waves of the left in the context of 1960s and 1970s American cinema. …

A Story To Tell… How To Integrate The Three Modes Of Communication Through A Story Time Program In French, Frederique Grim

The Coastal Review: An Online Peer-reviewed Journal

Bilingual story time programs found in local community libraries not only benefit children, they can also serve a need for L2 college students: the development of their communicative skills in an authentic environment. In addition to linguistic benefits, experiential learning has proven to prepare students for real-world skills, such as networking, mock professional experience and a sense of community engagement. This paper recounts how a world language story time program supports L2 learners’ three modes of communication, as articulated by ACTFL, and necessary for language development. Based on students’ perceptions, this study highlights their increase in motivation and confidence in …

Hispanic Stereotypes In Contemporary Film, Emily M. Pressler

Honors College Theses

Stereotypes are present even in the most popular films. Groups of people are often misrepresented in a way that is entertaining, but not necessarily truthful, causing viewers to have a narrow, often incorrect, view of a particular culture or people. This research serves as an analysis of selected contemporary American films that feature a Hispanic character or cultural element. My aim is twofold: first, to shed light on the stereotypes surrounding Hispanics and the excessive appearance of these stereotypical representations in popular U.S. films, and second, to promote open-mindedness by educating others on the cultural diversity of Spanish speakers, especially …

Hollywood, Hashtags, And Cultural Disharmony: A Comparative Framing Analysis Of How American Newspapers Have Framed The Me Too Movement, Julia M. Fechter

Honors College Theses

This project explored how The New York Times, The Washington Post, and the New York Post covered the Me Too movement by studying the frames and framing techniques embedded in the newspapers’ articles. As one of the initial studies to analyze how American newspapers covered the movement, this study investigated how such content might be formative to subsequent narratives published about the Me Too movement. The articles were analyzed using a codebook adapted from Kowalewski (2006). Elements coded included but were not limited to the articles’ political affiliations, article tones, main news angles and main frames in order …

The Savannah Divide, Darrell Fullmer

Honors College Theses

The Savannah Divide is a documentary that defines what community policing is by following a highly proactive community policing unit in Savannah, Georgia called the Expanded Patrol Operation (EXPO). The film follows Kevin Grogan who discusses the unit’s past, how it ended and what he has done since his cop career ended. This paper discusses the development and production that went into the creation of the film as well as any ethical concerns the filmmaker had to deal with when creating the film.

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

Electronic Theses and Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …

A Content Analysis Of The Mpaa Rating System And Its Evolution, Cesar A. Perez

Honors College Theses

This thesis analyzes the content within PG-13 and R-rated films from 1984, 1994, 2004, and 2014 to determine if there is any indication of ratings creep. Ratings creep is a term used to describe the increase of adult content in movies; especially in movies aimed at a younger audience. The film industry since the beginning has had to adapt to an ever-changing society. From small silent pictures to big-budget digital productions the film industry has evolved into what it is today, a statement of freedom of expression. It is this freedom of expression, however, that has placed the industry in …

Crossing Borders: From Indifference To Empathy, Stimulating A Humanist Perspective On The Issue Of Illegal Immigration Through Film, Pedro J. Lopes

South East Coastal Conference on Languages & Literatures (SECCLL)

Smuggled is the latest of a vast repertoire of films focusing on the issue of the illegal border crossing between Mexico and the United States.

Directed by Ramon Hamilton and released in 2012, Smuggled tells the story of Miguel, a 9-year-old boy, and his mother as they attempt to illegally cross the border into the United States hidden in a compartment underneath a tour bus.

That same year, the well-known Mexican actor Gael García Bernal produces a documentary titled Who is Dayani Cristal?, in which he himself retraces the steps and circumstances that led to the disappearing of this …