Film and Media Studies Commons^™

“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film, Logyn Okuda

Student Scholar Symposium Abstracts and Posters

Within the many aspects of a film exists the epicenter that is visual storytelling. Music production within film always becomes a point of discussion after the fact, as composers will use their musical expertise to aid the established vision of the filmmaker. Despite music technology having evolved to recreate the sound of an orchestra, the role of music remains the same. However, what if the roles were reversed? Through this endeavor, I sought out to find the impact of a multimedia work when music becomes the primary focus of storytelling. Explored in the past by Disney's "Fantasia" and Phillip Glass' …

Cinema's Poetic Function: Creating An Amorous Distance, William Yonts

Film and Media Studies (MA) Theses

The aim of this thesis is to examine how cinema can embrace its poetic function to avoid its assimilation into preexisting hermeneutic structures, which would leave it vulnerable to myth as defined by Roland Barthes, and instead be a generative force, encouraging its viewer to engage with the full potential of the text. This mode of spectatorship is termed the “amorous distance,” which Barthes describes as his simultaneous fascination with the film and that which exceeds it. The amorous distance finds further articulation through the work of Roman Jakobson and Julia Kristeva. Jakobson’s schema of six language functions describes the …

Embracing The Wound Of Contingency: Transcribing Reality In Supernatural Horror And Found Footage, Mason Dax Dickerson

Film and Media Studies (MA) Theses

To counter both the form of critical thought first outlined by Kant that dispels absolute knowledge, as well as the dogmatic necessitarianism that asserts the universe must be one way for an absolute originary reason, Quentin Meillassoux argues for the “non-facticity of facticity” to implicate an absolute contingency or unreason structuring reality: in effect, anything could happen for no reason at all. Meillassoux suggests the trauma of the contingent event and the sudden impossibility of inductive science in its wake may be explored in an “Extro-Science Fiction” text (XSF) – but limits his examples to science fiction literature. Framing the …

From Film Sets To Front Lines And Back Again: Reinventing Star Image In Post-World War Ii Hollywood, Livia Belen Lozoya

Film and Media Studies (MA) Theses

When World War II broke out in 1939, and as the United States entered the conflict after Pearl Harbor was bombed in 1941, men and women all across America left their homes to serve the war effort, some of which included Hollywood stars. There were famous actors in the 1950s and 60s who served as unknown young men, but this thesis focuses on established movie stars who voluntarily left their lives of luxury to serve and returned to a changed postwar film industry, specifically James Stewart, Robert Montgomery, Marlene Dietrich, and Myrna Loy. By looking at each of these actors’ …

Ground-Breaking Stories In Contemporary Cinema: In A Market Full Of Remakes, What Form Does Cinematic Originality Take Today?, Elisa Fong-Hirschfelder

Student Scholar Symposium Abstracts and Posters

This work aims to analyze the evolution of both international and American cinema as an art form, specifically in relation to the abstract concept of originality, to determine what possible future trends in cinema may look like and the potential for the manifestation of “new waves” in cinema. Emerging during the Industrial Revolution, cinema has evolved as an entertainment medium from brief moving pictures presented as novelties to lengthy feature films. With its evolution arose trends in visual storytelling, including experimental, narrative, and remakes, whose own categories comprise the retelling of old stories, remakes of films in other languages, and …

Intolerable Masculinity: Screening Men's Shame And Embracing Curious Futures, Cole Clark

Film and Media Studies (MA) Theses

This thesis argues that to critique hegemonic masculinity and patriarchy in good faith, film and television must focus on the futures created through men’s ethical action in the present, rather than inert displays of men’s horrific behaviors that rely on audience shame as a tool for reclaiming men’s pride. Men’s freedom to change their situation is introduced through Manon Garcia’s (2022) notion of masculinity as an “impasse,” preventing men from authentic connection with others. This concept is furthered using David Buchbinder (2013), with the television examples Mad Men (Weiner 2007-2015) and Black Mirror (Brooker 2011-2023) each presenting a different masculine …

Real To Reel: The "Third Gender" Narratives And Queer Identity In Rituparno Ghosh's Bengali Films, Manjima Tarafdar

Film and Media Studies (MA) Theses

This thesis critically explores the third gender space that Rituparno Ghosh created in his later films, where he either featured and/or directed the films. The Bengali filmmaker, Rituparno Ghosh was one of the very few filmmakers in India who consciously and vocally spoke for the sexual minorities and represented them in his films. Focusing on the films, Arekti Premer Golpo, Memories in March and Chitrangada: The Crowning Wish, the thesis looks at the films that negotiated through the in-betweenness of gender identity, not solely lying within the binary of gender. Through this representation of the third gender space, …

Timely Dissonance : Anachronistic Music In Film, Ayda Tuncay

Student Scholar Symposium Abstracts and Posters

Music in film is used as a tool that can psychologically transport the viewer and alter their perception of a narrative. It is a highly influential aspect of the mise-en-scene and can influence both our reality and the fictional world in the film, depending on whether it is non-diegetic or diegetic. The elaborate soundscapes of period films typically utilize period accurate scores and soundtracks to embed the audience in the environment of a different age. However, this paper will examine ‘musical anachronism’ and the correlation between music and emotion through an analysis of films such as A Knight’s Tale (Brian …

Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This paper focuses on the discourse surrounding the Academy Awards, often referred to as the Oscars. The differences in discourse between people working in the film industry and those who watch movies are analyzed, as they represent the supplier and recipient of films and filmmaking. These two groups offer varied perspectives on the topic. The discourse of another group, a group in-between–student filmmakers–is also analyzed. To many people, what makes a film “good” is quite subjective, so the Academy Awards are often a subject of discourse. One particular focus of discourse will be the 2024 Academy Awards. There were a …

Sensorial Memories: A Cinema Speculum In Aftersun(2022) And Petite Maman(2021), Tingyi Zhu

Student Scholar Symposium Abstracts and Posters

In her 1975 article "Visual Pleasure and Narrative Cinema," Laura Mulvey used psychoanalysis as a political weapon to critique the issue of the male gaze in traditional Hollywood narrative cinema. Mulvey's work is pioneering for feminist film studies but was criticized and reexamined among film and feminist scholars. Building on the precedent of Mulvey and the feminist research of Luce Irigaray, contemporary scholar Lucy Bolton has proposed the camera as an "Irigarayan speculum," explaining how certain contemporary films delve into female characters' inner worlds, creating them with subjectivity and diversity. Drawing on contemporary feminist film theories and phenomenology theories, I …

3rd Place Contest Entry: From Film Sets To Front Lines And Back Again: Reinventing Star Image In Post-World War Ii Hollywood, Livia Belen Lozoya

Eric M. Scandrett Graduate Library Research Prize

This is Livia Lozoya's submission for the 2024 Eric M. Scandrett Graduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a summary of their research project on established movie stars who voluntarily left their lives of luxury to serve in World War II and returned to a changed postwar film industry, specifically James Stewart, Robert Montgomery, Marlene Dietrich, and Myrna Loy.

Livia is a student in the Masters of Arts in Film and Media Studies program at Chapman University. Their faculty mentor is Dr. Emily Carman. Her thesis, available here, …

7th Annual Chapman Staff Art Exhibition Program, Chapman University Staff

Library Displays and Bibliographies

The Leatherby Libraries Hall of Art was established to showcase the creativity of the Chapman community. It was dedicated for this purpose in 2014 although the space has been available for staff and student exhibits since 2011. While past staff art exhibits featured work by Leatherby Libraries staff members only, this is our fifth year opening up the exhibit to any interested staff member of Chapman University.

The 21 artists represented here demonstrate the wide variety of talent at our university. From photography to painting, mosaics to film, the works you see here provide a unique opportunity to view and …

A "Misfit" Revision: Marilyn Monroe, Clark Gable And Transitional Stardom In Postwar Hollywood, Emily Carman

Film and Media Arts Faculty Articles and Research

Director John Huston’s The Misfits (1961) was one of the most volatile productions of his career, with its ensemble cast headlined by a trio of screen icons: Clark Gable, Marilyn Monroe, and Montgomery Clift. Drawing on new archival research, I argue that The Misfits illuminates the transition from old to New Hollywood in terms of its behind-the-scenes star negotiations of Gable and Monroe, who had varying levels of creative control to appear in the film. My analysis of their respective deals underscores how The Misfits anticipates the shift from the female driven star system of Classical Hollywood to the male …

The Gray Area: Sexuality And Gender In Wartime Reevaluated, Natalie Pendergraft

War, Diplomacy, and Society (MA) Theses

These three works, two academic papers and one screenplay, challenge traditional notions of gender and sexuality during wartime. Queer Vietnam service members did not all experience oppression, all the time, but rather carved out a space for themselves amongst their peers. Female nurses in the early cold war could keep their careers in the medical field due to its unique gendered history despite demobilization efforts across the country in different industries. Finally, through the medium of historical fiction, a Civil War soldier’s fears and desires are questioned as he experiences the phenomenon of the Angel’s Glow, a blue light that …

The Audrey Hepburn Image: Stardom, Gendered Authorship, And Creative Agency, Livi Edmonson

Film and Media Studies (MA) Theses

Female stardom was an essential component to the star system and film industry in Hollywood’s Golden Age. During the postwar era, one of the most influential female stars was Academy award winning actress, Audrey Hepburn. Hepburn’s emergence in the industry, as well as her branding as a “postwar Cinderella,” was representative of the emerging intersection between fashion and film. The association of Hepburn’s stardom with the two mediums --- especially to that of haute couture --- was solidified through her association with French couturier and close friend, Hubert de Givenchy. However, Hepburn’s agency becomes subverted in scholarship and popular culture …

How Donald Trump And The 2016 Presidential Election Eclipsed Frank Underwood’S Election In ‘House Of Cards’, Charna Flam

Film and Media Studies (MA) Theses

In 2016, the U.S. faced a seismic change in national politics and the evolution of the entertainment industry. As the rise of streaming services had finally hit its stride, Netflix, the industry disruptor, had released a steady stream of critically acclaimed series, most notably beginning with the platform’s first original program, House of Cards. The series’ main character, Frank Underwood (Kevin Spacey) would become a fixture within the television landscape at the time, as both political dramas and anti-hero series were at all-time high, but what the writers of House of Cards did not expect was how their plotlines would …

The Rape-Revenge Genre In The Digital Age Of Heightened Visibility: The Rise Of Female Storytellers And Fourth-Wave Feminism, Marynell Dethero

Film and Media Studies (MA) Theses

The rape-revenge cinema genre has continued to evolve since its initial emergence in the 1970s. Many of the most popular films belonging to the genre produced in the 1970s, like Meir Zarchi’s I Spit on Your Grave (1978) or Wes Craven’s directorial debut The Last House on the Left (1972), have been criticized heavily by film critics and scholars for their exploitative tropes. However, I argue that regardless of the production value of the films, the rape-revenge genre is inherently feminist because sexual violence is and always has been an inherent issue to the feminist movement and because the genre …

Balancing Multiple Worlds: The Multiverse And The Fractured Asian American Experience In Everything Everywhere All At Once (2022), Austin Kang

Film and Media Studies (MA) Theses

This thesis examines the ways in which the 2022 film Everything Everywhere All at Once (2022) employs the philosophical ideas concomitant with the multiverse hypothesis in order to narrate an emotionally poignant, yet somewhat typical story about a multi-generational Asian American family. This thesis argues that the film uses its characters as vehicles to not only illustrate the multilayered nature of Asian American realities through the allegory of “auto verse-jumping” across the multiverse, but also to philosophically contemplate and respond to the existence of the multiverse via its presentation of conceptual parallels. The film employs the hypothetical existence of the …

The Disintegration Of Marriage In Ryusuke Hamaguchi’S Happy Hour (2015), Afra Nariman

Film and Media Studies (MA) Theses

By using Happy Hour as a case study, this thesis argues Ryusuke Hamaguchi's approach to the Japanese home drama genre presents a changing perspective on the institution of marriage in contemporary Japanese society, reflecting shifts in gender roles and the growing trend of singlehood amongst Japanese youth. This perspective contrasts with the values portrayed in Ozu's films, which emphasize the vitality of marriage and the necessity of forming a family for happiness. The thesis analyzes the thematic and narrative elements of Happy Hour, focusing on the portrayal of marriage as a source of alienation and loneliness. It also discusses the …

Desire For Transformation: The Actualization Of Self-Identity Through Change In The Films Raw And Titane, Owen Bradford

Film and Media Studies (MA) Theses

The aim of this thesis is to illustrate a distinction between the films of The New French Extreme and Ducournau’s Raw and Titane, in their handling of gender and identity, primarily in regard to how these films handle transformation and self-identification. Ducournau explores themes of cannibalism, the linking of desire and violence, and transformation in order to disrupt hegemonic conceptions of sex and gender binaries. the disruptions to these binaries are initially perceived as monstrous, due to the implementation of genre conventions, they play on perception of the monstrous feminine, to reveal cultural perceptions that these transgressions are dangerous, …

What Are You Crying For?: Renegotiating White Masculine Hegemony Through Melodramatic Excess In The 1990s Films Of Tom Hanks, Bryce Thompson

Film and Media Studies (MA) Theses

This thesis studies the emergence of a renegotiated masculinity in the 1990s predicated on the expression and containment of anxieties around White masculinity and an appropriation of the melodramatic mode. By establishing a historical and theoretical foundation from which to understand and analyze this unique cultural moment, this thesis demonstrates how such a renegotiation acted in tandem with a larger reactionary project. This foundation includes a critical review of the “crisis of masculinity” of the 1990s defined in Sally Robinson’s (2000) work; an engagement with the nature, reproduction, and self-preservation of hegemony, as explored through traditional theorists like Raymond Williams …

Sociocultural Pressures Among Parents Of Queer Children In Films With Non-Western Environments, Samay Bhasin

Student Scholar Symposium Abstracts and Posters

The heteronormative and cisnormative nature of society has required queer individuals to undergo the phenomenon of “coming out” as their queer identity. This phenomenon has the potential to take great tolls on queer individuals especially when it comes to parents. Queer individuals with unaccepting parents are eight times more likely to attempt suicide, six times more likely to experience clinical depression, and three times more likely to suffer under substance abuse (Ryan et al., 2009; Ryan et al., 2010). However despite such concerning statistics, there is still a significant gap in scientific research on creating supportive environments …

Biblography For George Takei Display, Ruby Blakesleay

Library Displays and Bibliographies

A bibliography created to accompany a display about George Takei in November 2022 at the Leatherby Libraries to commemorate his visit to Chapman University.

Traumas And Recovery In Takaya Natsuki's Fruits Basket, Vesper North

English (MA) Theses

This thesis examines the various traumas within Takaya Natsuki’s anime series Fruits Basket and how the act of transformation triggers the beginnings of recovery for numerous characters. Fruits Basket bears striking similarities to the French fairy tale Beauty and the Beast (as well as later adaptations) originated by Gabrielle-Suzanne de Villeneuve. Throughout, I draw parallels between the “Beauty and the Beast”-genre with Fruits Basket and how the anime expands upon shared themes, specifically trauma. Additionally, I analyse the birth of and recovery from traumas (caused by bullying, loss, abuse, and feelings of otherness) for “Beauty and the Beast” archetypes within …

Neo's Cleaning Service, Yuka Saito, Mcfloyd Nguyen

Student Scholar Symposium Abstracts and Posters

As the modern working society of any global economy experiences exponential growth in work-centric culture, the integrity of communal and family values degrades as a result. Factors such as lack of leisure and human interaction directly correlate to the declining number of marriages, hence exposing an aging population with no reinforcement. Collectively, as a result, the number of elderly people who live alone continues to expand, and in places such as modern-day Japan, the phenomenon of "lonely death" or kodokushi - 孤独死, an occurrence of people dying alone and remaining undiscovered for a long time, has been a remarkable issue. …

Approcher La Notion D'Atmosphère À Travers Le Film All These Creatures De Charles Williams, Rémi Adjiman, Rosine Bénard O'Kelly, Marine Brun-Fanzetti, Natacha Cyrulnik, Clément Delarbre, Javier Elipe-Gimeno, Agnés Horellou, Ivan Magrin-Chagnolleau, Jean-Pierre Moreau, Laetitia Petit, Isabelle Singer

Presidential Fellows Articles and Research

Après avoir partagé la projection du film All these creatures de Charles Williams (2018, 13′), les chercheurs participant au programme de recherche structurant AtmosphèreS au sein de l’UMR 7061 PRISM (Perception, Représentations, Image, Son, Musique) ont échangé, à partir d’une approche phénoménologique au sens large, sur les différentes impressions et représentations qui se sont données à eux lors du visionnage du film. L’ensemble des disciplines au sein de ce laboratoire étant ainsi convoqué, chacun a écrit une page sur ses premières impressions et réflexions au sujet de l’atmosphère du film. Au-delà de la diversité des approches, l’ensemble de ces textes …

She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall

Student Scholar Symposium Abstracts and Posters

Children’s animation offers the viewer a unique window into the nuances of current societal norms. Because children’s animation is made for the young, sensitive, and impressionable, it is carefully controlled and often heavily censored. Any statements made regarding the protagonist’s heroism or the villain’s malignity are meant to be accepted as universal truths for the growing minds of our youth. The recent 2018 Netflix and DreamWorks Animation animated reboot of the classic 1980's series "She-Ra: Princess of Power," now titled "She-Ra and the Princesses of Power," shook the animation industry with its groundbreaking representation and astounding visuals. Following its predecessor’s …

(Re)Presenting Eichmann: One Man, Many Murders, Nina Handjeva-Weller

War, Diplomacy, and Society (MA) Theses

This thesis argues that the act of recording the trial of Adolf Eichmann was an interpretation by director Leo Hurwitz, and that at the time it was recorded, and since then, the material has been used by different actors for different purposes. I examined the use made of that material by six individuals/countries: Leo Hurwitz, the accused, director Eyal Sivan, screenwriter Simon Block, West German presenters Joachim Besser and Peter Schier-Gribowsky, and the Israeli government under David Ben-Gurion. To understand the intent of Leo Hurwitz, footage of trial sessions was analyzed as were interviews with him by Professor Susan Slyomovics …

Obsessed With The Image: Vulgar Auteurism And Post-Cinematic Affect In The Late Films Of Tony Scott, Ethan Cartwright

Film and Media Studies (MA) Theses

Beginning in the mid-2000s and carrying through the next several years, a small, dedicated group of critics and cinephiles worked at reevaluating certain contemporary Hollywood genre filmmakers whose work had been largely maligned or ignored by both critics and mainstream audiences. This group, termed as “vulgar auteurism,” distinguished directors like Michael Mann and Paul W.S. Anderson for their audacious and unique formal styles, often using digital technologies and imagery. This thesis proposes that the films and filmmakers associated with vulgar auteurism are connected through how they uniquely portray life in the early 21^st century using three of Tony Scott’s …

(De/Re)Constructing Chicanx/A/O Cinema: Liminality, Cultural Hyphenation, And Psychic Borderlands In Real Women Have Curves And Mosquita Y Mari, Diana Alanis

Film and Media Studies (MA) Theses

When discussing ChicanX/a/o cinema, as situated in the United States, its relationship to “American” cinema is one of decoloniality that interrogates the contradictions of a diverse yet homogenous national identity. The formation of cultural identity in conjunction with national identity is inherently contradictory when nationalism requires allegiance that negates differences among communities. ChicanX/a/o identity is one of hybridization that rejects a fixed category of meaning in favor of a liminal landscape of potentiality— a psychic Borderland of identity. Contemporary ChicanX/a voices in Real Women Have Curves (Patricia Cardoso, 2002) and Mosquita y Mari (Aurora Guerrero, 2012) use feminist and feminine …