Film and Media Studies Commons^™

Cross-Dressing In Taiwanese Dramas: A Reinforcement Of Heteronormativity, Jelana E. Szymanski

Student Publications

An examination of temporary cross-dressing in Taiwanese romantic comedy dramas that seeks to analyze how gender, sexuality and romance are portrayed. The following discourses will be used to demonstrate how these dramas often support heteronormative ideals: the absurdity of gender, the utilitarian cross-dresser, the idea of the true (bio)gender, the eroticization of the female body, the bivalent kiss, the Sexuality Crisis Bro trope, 'gender does not matter' as romance, and relationship dynamics.

This Time He Moves! The Deeper Significance Of Hou Hsiao-Hsien's Radical Break In Good Men, Good Women, James N. Udden

Interdisciplinary Studies Faculty Publications

Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema.

Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism. …