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Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies
Spaces For Becomings? Heterotopic Fictions In Preciado’S Testo Yonqui, Caroline King
Spaces For Becomings? Heterotopic Fictions In Preciado’S Testo Yonqui, Caroline King
Dartmouth College Master’s Theses
This article examines the possibilities and limits of gender becomings in Paul Preciado’s book Testo yonqui (Testo Junkie). A genre-fluid “body-essay,” his text theorizes a departure from gender through contemporary medicine. Following Preciado in his self-administration of testosterone, the book labels today’s reality a “pharmacopornographic era,” a new iteration of Foucault’s biocapitalism. After designating Preciado’s self-generated transformations as becomings, I explore how the book’s heterotopic spaces––including its genre––facilitate Preciado’s forward-moving gender identity. A Foucauldian term, heterotopia has not yet been applied to Testo Junkie, however it offers insight into the book’s potential to motivate individuals to …
Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil
Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil
Publications and Research
This document briefly explores the ways in which trans people have been written through Baroque aesthetics in the social and cultural imaginary of Latin America, despite the various unjust forces that have attempted to make them invisible and exclude them from the national narrative. The differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho are analyzed, while exploring their individual limitations and potentialities for voicing the joys and pains of being trans in an exclusionary society.
Which Side Are You On? : Prosthetic Vaginas, Cross-Dressing Madonnas, And Queer Theology In Virgin Of The Flames And Narcopolis, Nasreen Hannah Khan
Which Side Are You On? : Prosthetic Vaginas, Cross-Dressing Madonnas, And Queer Theology In Virgin Of The Flames And Narcopolis, Nasreen Hannah Khan
Seton Hall University Dissertations and Theses (ETDs)
Chris Abani describes a scene where his main character Black and Sweet Girl, a transsexual dancer, have intercourse for the first time. Black hesitates as he begins to penetrate her anally because, “he couldn’t become her this way. He knew this thing, this intimacy he craved wasn’t about love, or even sex, but about filling himself.” (275). Black does not want sex, he wants, as Sweet Girl does, to transcend boundaries of gender and the physical dimensions of sex. Similarly Thayil’s narrator Dimple, a castrated biological male prostitute living as a woman, expounds on the nature of sex after a …