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Symposium on Undergraduate Research and Creative Expression (SOURCE)

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Full-Text Articles in European Languages and Societies

Medieval Redemption For Modern Times: Representations Of Sacrifice In Perceval Le Gallois And The Fisher King, Tabitha Gerardot Apr 2013

Medieval Redemption For Modern Times: Representations Of Sacrifice In Perceval Le Gallois And The Fisher King, Tabitha Gerardot

Symposium on Undergraduate Research and Creative Expression (SOURCE)

Chretien de Troyes' medieval novel Perceval ou le Conte du graal tells the story of young Perceval's journey to knighthood and an understanding of selflessness and redemption. However, the tale was left unfinished, giving rise to numerous continuations, both medieval and modern. The film adaptations Perceval le Gallois, by French director Eric Rohmer, and The Fisher King, by Terry Gilliam, continue the rich tradition of Perceval with their own conclusions. While the films use different artistic styles and entirely different plots, they both solve the story with a tale of redemption. While Rohmer's adaptation is extremely faithful to the original …


The Politics Of Film Adaptation In Zola’S La Bête Humaine, Reillie Acks Apr 2013

The Politics Of Film Adaptation In Zola’S La Bête Humaine, Reillie Acks

Symposium on Undergraduate Research and Creative Expression (SOURCE)

In 1890, Emile Zola published a book called La Bête Humaine. The novel is essentially a psychological thriller whose story features three very dynamic characters: a train station master Roubaud, his wife Séverine, and her lover Jacques Lantier. The conflict that ensues is one of murder and deceit – and the motivations of the characters are similarly unclear and compromised. Therefore, this story can potentially be interpreted in multiple ways, providing important political commentary for their receiving audiences. It follows that when a series of film adaptations re-created the story on screen, they did so in drastically different ways. Two …