European Languages and Societies Commons^™

The Return Of The Ancestors, Robert E. Bieder

Swiss American Historical Society Review

In 1971, an Iowa road crew accidentally unearthed an unmarked

cemetery. There were twenty-eight skeletons. Twenty-seven belonged to

whites, and state money quickly paid for their reburial. The other, a young

female Indian was packed in a box and shipped off to the University of

Iowa and the state archeologist. A local Indian by the name Running

Moccasins learned of the Incident and demanded that the woman's bones

be returned for proper burial.

Reviews Of Two Books Of Robert E. Bieder, Roger L. Nichols, Juliet Clutton-Brock

Swiss American Historical Society Review

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Swiss American Historical Society Review

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Back Cover

Swiss American Historical Society Review

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Robert E. Bieder's Scholarly Publications

Swiss American Historical Society Review

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Full Issue

Swiss American Historical Society Review

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Julie K. Allen. Danish But Not Lutheran: The Impact Of Mormonism On Danish Cultural Identity, 1850-1920, J. R. Christianson

The Bridge

In Denmark and America, fear of immigrants seems to feed the ferocity of what Julie K. Allen calls “today’s struggles over national belonging and cultural identity” (246). Maybe by looking to a past era, when thousands of Danes converted to the Mormon religion and emigrated to Utah, it can help us understand the struggles we face today.

An Everyday Story, Thomasine Gyllembourg, Troy Wellington Smith

The Bridge

Translator’s Note: For most readers outside of Denmark, the Danish Golden Age begins and ends with Hans Christian Andersen and Søren Kierkegaard. At the time, however, both Andersen and Kierkegaard were outsiders in respect to the dominant cultural circle, that of the actress Johanne Luise Heiberg, her husband Johan Ludvig Heiberg, and his mother Thomasine Gyllembourg. Gyllembourg, along with Steen Steensen Blicher and Bernhard Severin Ingemann, is credited with giving Denmark its first canonical prose fiction. Despite her importance to Danish Golden Age literature and the history of European women’s literature, Gyllembourg is virtually unknown outside of Denmark, except among …

Eve! Eve! Eve Serves Her Term As A Child A Two-Act Comedy, Kjeld Abell, Kristi Planck Johnson

The Bridge

Translator’s Note: I was asked to translate Kjeld Abell’s play EVE! EVE! by my Danish language professor Norman Bansen at Dana College years ago. Given Abell’s unique style and subject matter, the translating process has not been without challenges, but it has also been a delight. I particularly enjoy the comical text of the play and the subject matter that, to my knowledge, has never been explored. Who knows anything about Eve’s childhood? What about the romantic side of Adam and Eve’s relationship, their family life, or their presence on the wall of a museum? Comedy, especially, takes on not …

Translation: Active Decision-Making In Any Language, Mark Mussari

The Bridge

“Do translators try to produce exact copies of famous novels?” Someone asked that question in an Ask Marilyn column that appeared in the Sunday Parade Magazine.1 “No,” replied Marilyn Vos Savant. “If they did, the result would be only an awkward impression of the real thing, given the differences in grammar, syntax, etc.”

Trying To Disappear: One Translator Among Many Authors, Michael Favala Goldman

The Bridge

A literary translator ought, as much as possible, take on the voice of the author, or the author’s characters, in much the same way an actor takes on a role in a play. The goal is that the reader forget that the words they are reading have been translated at all. The new work needs to stand on its own as a legitimate work of literature, hopefully bearing successfully the unspoken attitudes and inferences of the original author, but in the new language. The artifice involved ought to be invisible.

Front Matter

Swiss American Historical Society Review

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Memories, Eva Becsei-Kilborn

Swiss American Historical Society Review

It was in the early 1990's that I first met Bob. He was teaching, first as a Soros Foundation Fellow and then as a Fullbright Professor at the Lajos Kossuth University in Debrecen, a city in eastern Hungary. It was only a couple of years after the Fall of the Berlin Wall and the collapse of Communism. This was a time when it had finally become possible for Hungarians to travel freely in the world, but in practice very few of us were able to afford to do so.

Full Issue

The Bridge

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Front Matter

The Bridge

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Robert E. Bieder's Academic Career

Swiss American Historical Society Review

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How The “Ploughman Poet” Jumpstarted Highlandism:, Allison Ward

Regis University Student Publications (comprehensive collection)

Begging the question of how the Scottish society has been reduced and commercialized to the romanticized, Scottish fantasy we see Scotland as today because of a process labeled ‘Highlandism’. The eighteenth-century poet Robert Burns became the focal point because of the impact of his major role in this creation and spread of this Sottish fantasy. Burns used his poetry as a method of delivery to sell nostalgia for a fictional, romantic, and exotic Scotland that had been created from symbols once associated with the Highlands to a now global audience.

Breaking down the historical, economic, and cultural shifts occurring around …