Literature in English, North America Commons^™

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

The Creature In The Looking Glass: Miltonic Marriage And The Female Self In Breaking Dawn, Jay Wright

Undergraduate Research Awards

Near the close of Breaking Dawn, the final installment of Stephenie Meyer's Twilight saga, Edward asks his new wife Bella a question. “When will you ever see yourself clearly?” (Dawn 744). Bella has no answer for him. Edward's question and, more importantly, Bella's apparent inability to answer is symptomatic of a broader issue throughout Breaking Dawn, in which, even as Bella obtains all that she has desired, her sense of self begins to fracture. Breaking Dawn formalizes Bella’s union with Edward through a series of increasingly binding steps: first through legal marriage, then sexual intimacy and pregnancy, then through vampiric …

The Dancing Policeman And Other Stories, Satyaki Kanjilal

FIU Electronic Theses and Dissertations

The Dancing Policeman and Other Stories, a collection of short stories set in India and the United States, looks at ordinary people facing challenges in societies undergoing economic and social change.

Some have historical settings. In “Faithful Naren,” a young man learns the complex political realities of British rule in early 20^th century Natihati, West Bengal, while in the same town in the 1960s, a teenager deals with injustice in “Sabotage.”

Others take place in a present where past practices persist. "Shit Gibbon" centers on a store clerk driven to gambling rather than sacrifice his son's future. In “Road …

The Terror Of The Political: Community, Identity, And Apocalypse In Don Delillo's Falling Man, Dillon Rockrohr

Department of English: Dissertations, Theses, and Student Research

Falling Man by Don DeLillo casts the event of 9/11 and its aftermath in such a way that the novel itself enacts an aesthetic terror aimed at explicating the ubiquitous social-atmospheric elements of community- and identity-formation out of which terror precipitates. As DeLillo figures terrorism in the novel as apocalyptic in that it is a violence that reveals the violence constitutive of political community, including the political community of liberal democracy, which ostensibly relegates violence to domains not considered legitimately political. DeLillo’s novel, as an act of aesthetic terrorism, not only thematizes the instantiation of terror that precipitates out of …

Real Or Not Real: Fragmentation, Fabrication, And Composite Identity In The Hunger Games And The Mass Effect Trilogy, Tessanna Curtis

Masters Theses

As one glance at box office ratings from the past decade can attest to, twenty-first century Western society seems particularly fixated on coming-of-age stories. These stories reflect the quintessential search for identity, as explained by developmental psychologist Erik Erikson. As Erikson argues throughout his works, the fundamental task of the individual on his journey to becoming a healthy, mature adult is the formation of a personal identity and sense of self that is both unified and whole. What seems particularly ironic, however, is that these coming-of-age stories are released into a culture that is largely dismissive of Erikson’s theory of …

“The World Broke In Two”: The Gendered Experience Of Trauma And Fractured Civilian Identity In Post-World War I Literature, Erin Cheatham

Department of English: Dissertations, Theses, and Student Research

This thesis examines the complexities of civilian identity and the crisis of gender in twentieth century fiction produced after World War I. Of central concern are four novels written by prominent women authors, novels that deal with themes of trauma, violence, and shifting gender roles in a post-war society: Rebecca West’s The Return of the Soldier, Willa Cather’s The Professor’s House, and Virginia Woolf’s Mrs. Dalloway and Jacob’s Room. Although these novels do not directly portray the battlefield experiences of war, I argue that, at their core, they are “war novels” in the fullest sense, concerned with the …

“You Can't Ever Find A Place That's Nice And Peaceful”: The Adolescent Identity In J. D. Salinger’S The Catcher In The Rye, Whitney Thacker

Masters Theses

Many consider The Catcher in the Rye the most poignant and popular story of adolescence in American literature, challenged only perhaps by Mark Twain’s The Adventures of Huckleberry Finn. Reading reviews, examining the public reception, and uncovering depths of research would evidence this well. However, the value of the novel rests not in its popularity—a simple sign of its inherent value—but in its ability to resonate truth. More than merely telling a story, Salinger creates a life, or at the very least a glimpse of a life, through the actions and attitude of his ornery adolescent character Holden Caulfield. This …

The Romantic Egoist: Fitzgerald's View On Identity And Culture, Tara Bender

Masters Theses

"Who am I?” is a question that not only each individual asks himself or herself at various points in the process of maturation from childhood to adulthood, but also society itself as it changes and grows. During the 1920s, Americans were asking themselves these defining questions. F. Scott Fitzgerald as one of the pre-eminent writers of that time period provides examples in his novels This Side of Paradise, Beautiful and The Damned, and The Great Gatsby of the immaturity of masculine figures. Amory Blaine, Anthony Patch, and Jay Gatsby exemplify the struggle of men in the 1920s to develop their …

The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo

FIU Electronic Theses and Dissertations

In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical condition of the subject …

“An Obscene Power”: Desire, Capitalism, And Identity In Geraldine Brooks’ March, Rachel Dark

English Seminar Capstone Research Papers

Geraldine Brooks’ Pulitzer Prize-winning novel March re-tells the story of Louisa May Alcott’s Little Women from the perspective of the four heroines’ father. This paper attempts to answer why March’s conflicting desires deconstruct his identity and propel him toward moral uncertainty.

City Of Slow Dissolve, John M. Chavez

Department of English: Dissertations, Theses, and Student Research

City of Slow Dissolve examines identity, displacement, and construction of the self. Beginning with the persona’s root location of Colorado Springs, Colorado, moving to Detroit, Michigan and concluding with Las Cruces, New Mexico, the speaker of the included poems articulates the complexities of lived emotion (e.g., anxiety, anger, guilt, and eventual acceptance), of the critical evaluation of one’s surroundings, and of the fractures of the self as the result of elected displacement in the service of personal advancement. It is with this in mind that these poems avoid thematizing what it means to be a Latin@ living in the United …

Engaging The Religious Dimension In Significant Adolescent Literature, Rickey Cotton

Selected Faculty Publications

This article discusses the religious dimension in contemporary adolescent novels of recognized merit. It notes psychological and sociological studies indicating that religion is a significant factor in the actual lives of both adults and adolescents and observes that consequently it can be expected that quality literature will reflect this reality. A functional definition of religion was used to address the practical and varied ways religious or religious-like dynamics are engaged by adolescent characters. Religion was defined as whatever individuals do to come to grips with profound existential issues—questions dealing with ultimate issues. An examination of works by three major writers …

Crane And Chopin: Ideas Of Transformation, Vijay Jayaram '11

2010 Spring Semester

Though Stephen Crane’s Red Badge of Courage and Kate Chopin’s The Awakening are largely considered unrelated novels, they share one major idea: that of the failure of transformation. This is depicted in the respective evolutions of Crane’s Henry Fleming and Chopin’s Edna Pontellier, each of whom suffers a loss of identity in their respective awakenings. This idea is borne not out of imagination, but rather, the experiences of the authors themselves. Crane created Fleming to satirize his post-war world, while Chopin invented Edna to do the same in her sexually repressive society. Through the unsuccessful evolutions of their protagonists, these …

Kittens In The Oven: Race Relations, Traumatic Memory, And The Search For Identity In Julia Alvarez’S How The García Girls Lost Their Accents, Natalie Carter

Scholarship and Professional Work - LAS

The search for an ever-elusive home is a thread that runs throughout much literature by authors who have immigrated to the United States. Dominican authors are particularly susceptible to this search for a home because “for many Dominicans, home is synonymous with political and/or economic repression and is all too often a point of departure on a journey of survival” (Bonilla 200). This “journey of survival” is a direct reference to the dictatorship of Rafael Leonidas Trujillo Molina, who controlled the Dominican Republic from 1930-1961. The pain and trauma that Trujillo inflicted upon virtually everyone associated with the Dominican Republic …

Memories Cloaked In Magic: Memory And Identity In Tin Man, Anne Collins Smith

Faculty Publications

In Replications: A Robotic History of the Science Fiction Film [Urbana and Chicago: University of Illinois Press, 1995], J. P. Telotte argues that "through its long history, one that dates back to the very origins of film, this genre [science fiction] has focused its attention on the problematic nature of human being and the difficult task of being human." [1-2] The thesis of the book, he states, is "relatively simple—that the image of human artifice ... is the single most important one in the genre. [...] Through this image of artifice, our films have sought to reframe the human image …

Review Of Moving Out: A Nebraska Woman's Life, Susan Naramore Maher

English Faculty Publications

At the end of her memoir, Moving Out, Polly Spence assesses all the little ironies of her life and concludes, "[each] time everything seemed just right, each time I thought I'd found it all—the work, the love, and the ideal way to live—something brought change to me." Change is a central motif in her narrative, reflected in a title that underscores movement and mobility, not settlement. Spence's Nebraska life provides a toehold on the slippery surface of twentieth-century culture in America.