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Articles 1 - 3 of 3
Full-Text Articles in Literature in English, North America
Beyond A Partnership Ethic: Evolutions Of Ecofeminism In The Post-Apocalyptic Landscapes Of Margaret Atwood's Maddaddam Trilogy And Jean Hegland's Into The Forest, Catherine Lashley
Beyond A Partnership Ethic: Evolutions Of Ecofeminism In The Post-Apocalyptic Landscapes Of Margaret Atwood's Maddaddam Trilogy And Jean Hegland's Into The Forest, Catherine Lashley
Undergraduate Honors Theses
In this paper, I analyze two contemporary post-apocalyptic novels, Jean Hegland’s novel Into the Forest and Margaret Atwood’s MaddAddam trilogy, through an ecofeminist lens to argue that they establish a framework for an existence that decenters the human and rejects Eurocentric, masculinized conceptions of individualism. I put these novels in conversation with Eduardo Kohn’s book How Forests Think: Toward an Anthropology Beyond the Human, and the ecofeminist works of Carolyn Merchant, Donna Haraway, and Val Plumwood. My paper is split into three sections, Women/Nature, Human/Nonhuman, and Individual/Collective. I use the slash as a glyph to denote moments of non-dualism, unquantifiable …
“Garden-Magic”: Conceptions Of Nature In Edith Wharton’S Fiction, Jonathan Malks
“Garden-Magic”: Conceptions Of Nature In Edith Wharton’S Fiction, Jonathan Malks
Undergraduate Honors Theses
I situate Edith Wharton’s guiding idea of “garden-magic” at the center of my thesis because Wharton’s fiction shows how a garden space could naturalize otherwise inadmissible behaviors within upper-class society while helping a character tie such behavior to a greater possibility for escape. To this end, Wharton situates gardens as idealized touchstones within the built environment of New York City, spaces where characters believe they can reach self-actualization within a version of nature that is man-made. Actualization, in this sense, stems from a character’s imaginative escape that is enabled by a perception of the garden as a kind of natural …
With Inviolable Voice, We Melt Into Each Other With Phrases: The Construction And Deconstruction Of Heteroglossia In T.S. Eliot's The Waste Land And Virginia Woolf's The Waves, Alexa Kelly
Undergraduate Honors Theses
This essay analyzes the ways in which T.S. Eliot and Virginia Woolf simultaneously construct and deconstruct linguistic environments that embody Mikhail Bakhtin's notion of heteroglossia. In The Waste Land and The Waves, Eliot and Woolf construct elements of Bakhtin's novel before dismantling those same elements through the formation of linguistic imbalance. Both authors generate heteroglossia by incorporating numerous speech types and speech genres into their texts through variations of idiolect, sociolect, and literary allusion. These speech types then dialogize each other within the texts. However, the works then diverge from heteroglossia through an imbalance of the centrifugal and centripetal …