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The Simultaneous Book: Women's Writing In Contemporary Art, Maryse Lariviere
The Simultaneous Book: Women's Writing In Contemporary Art, Maryse Lariviere
Electronic Thesis and Dissertation Repository
Novels written by women authors who don’t adhere to the classification “visual artist” are nonetheless gaining momentum in today's contemporary art world. Yet works by authors such as Chris Kraus or Catherine Millet are often not recognized as artist’s novels because their authors are not or/and do not consider themselves to be visual artists. I contend that we can usefully situate their work within the genre of the artist’s novel by addressing how they invent artistic postures and artistic alter-egos within the autofictional worlds of their texts. My dissertation The Simultaneous Book proposes to open up the definition of the …
Financial Frictions: Money And Materiality In American Literary Naturalism, 1890-1925, Patricia Luedecke
Financial Frictions: Money And Materiality In American Literary Naturalism, 1890-1925, Patricia Luedecke
Electronic Thesis and Dissertation Repository
My dissertation argues that American literary naturalists employ money—particularly the tension between its materiality and immateriality—as a metaphor for hidden ontological instability in the following nineteenth-century cultural cornerstones: financial speculation, criminal justice, race law, and social-Darwinian individualism. My first chapter investigates the tension between material accounting and Gothic ethereality in Theodore Dreiser’s The Financier (1912). This chapter argues that, since the Gothic genre involves a compulsive need to account for the incredible and incorporeal, The Financier’s irresolvable tensions between gambling and speculation, home and market, are Gothically inflected. I conclude that, just as speculation haunts the ontological coherence of …