Literature in English, North America Commons^™

God In Harlem: Religious Symbolism In "Sonny's Blues", Katherine Bechter

Liberty University Research Week

Undergraduate

Textual or Investigative

The Presentation Of Postmodern Sexuality In Short Fiction, Allie J. Kapus

Senior Honors Theses

Shifting norms in twentieth century western society, coupled with emerging postmodern thought in the 1960s, radically changed the ways in which people viewed sexuality, gender roles, and the institutions of marriage and the family. The literature of the postmodern era, namely short fiction, also reflects such ideological shifts. Literature is a powerful communicator of the human condition as well as a crucial means for reflecting the customs, beliefs, and norms of a society at the time of its writing. Such evolving differences as were occurring in the realm of sexuality came to be represented in postmodern literature. This thesis aims …

Gaines's Preachers And Their People: Personalism, Community, And Social Action In A Lesson Before Dying, In My Father's House, And A Gathering Of Old Men, Brooke Light

Masters Theses

Personalist theology, along with Ernest J. Gaines's fiction, resists the idea of isolation and instead highlights the importance of the communal good, criticizing social and religious institutions that fail to uphold the value of human dignity and community. In "Personalism and Traditional Afrikan Thought," Burrow argues that "the church exists for the person and not the other way around" (347) and that churches should be judged and evaluated on the extent to which they meet the needs of the community. Representing their churches, the preachers in three of Gaines's novels (A Lesson Before Dying, In My Father's House, and A …

And Then, He Folds His Patterned Rug: Repressive Reality And The Eternal Soul In Vladimir Nabokov, Elizabeth Cook

Masters Theses

While Vladimir Nabokov has deservedly earned fame as a stylist of the strange, most critics who study his novels approach his absurd and beautiful characters as little more than fractured victims of a wholly subjective reality. Compounding the misunderstanding is the tired debate over whether or not Lolita is literary, pornographic, or some cruel game of cat-and-mouse in which Nabokov seizes control of his readers' sense of morality. However, critics who read Nabokov as nothing more than a manipulative stylist neglect to realize that his characters suffer such absurd distortions of spirit and mind because their environment--the "average" reality of …