Literature in English, North America Commons^™

Poetry Analysis Of Gwendolyn Brooks, Chloe Bard

Student Writing

This paper is a literary analysis of three poems by written by Gwendolyn Brooks that address the overarching theme of motherhood.

Adrienne Rich And Women's Confinement, Marissa Weber

Student Writing

Adrienne Rich's poems "Snapshots of a Daughter-in-law," "Living in Sin," and "From a Survivor" weave a tale of the average American housewife expressing her discontent with her day-to-day and searching for a way out. All three poems contain themes of societal oppression scaled to a personal level, and the varying conclusions speak to the harsh reality of being a woman in the mid-twentieth century. Rich's career as an activist defined her poetic style, and her feminist pieces have remained relevant decades after they were originally published.

Intimate Danger: Louise Glück And Women’S Lack Of Romantic Power, Daniel Rose

Student Writing

In her three poems centered around Persephone, Glück uses mythology to expose the lack of power women often have within their intimate relationships.

Novelizing The Feminist Biography, From Nancy Milford's Zelda To The Present: What Are The Ethics Of Sourcing?, Joanne E. Gates

Presentations, Proceedings & Performances

This presentation arose out of two parallel tracks: the desire to novelize my own feminist biography of Elizabeth Robins and the awareness -- especially made acute in the essay on Emma Tennant's two treatments of the Sylvia Plath and Ted Hughes material by Diane Middlebrook, "Misremembering Ted Hughes" -- that for a novelist to base fiction on historical subjects risks not merely critical exposure; it also has its ethical and sometimes legal complications.

Anyone of a certain age remembers or can mark the impact of Milford's study of Zelda Fitzgerald, published 1970, the finalist in several book awards and scores …

One Last Month, Or Clancy's Time-Box, Safiyya Bintali

Calvert Undergraduate Research Awards

One Last Month is a young adult (YA) novella of roughly forty-three thousand words aimed at readers in middle school and in early high school grades. Structurally, it is an “ensemble Bildungsroman”, wherein all the main characters—rather than just one—embark on journeys of emotional growth and are given significant plot focus. Through the characters, One Last Month focuses on the importance and influence of non-romantic love, specifically through homosocial relationships between the novella’s male characters. It also touches on the process of grief beyond the Kübler-Ross structure and, though more subtly, emotional expression in young men. Through one of the …