Open Access. Powered by Scholars. Published by Universities.®
Literature in English, North America Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- African-American Literature (1)
- African-American Plays (1)
- Agency (1)
- American Literature (1)
- Art history (1)
-
- Beowulf (1)
- Better Call Saul (1)
- Black Feminism (1)
- Black history (1)
- Breaking Bad (1)
- Corset (1)
- Experimental poetry (1)
- Fashion history (1)
- Female-led narrative (1)
- Film noir (1)
- Flapper (1)
- France (1)
- Gareth Hinds (1)
- Gender (1)
- Harlem Renaissance (1)
- Lyric poetry (1)
- Maria Dahvana Headley (1)
- Mass culture (1)
- New York School (1)
- Persona (1)
- Protagonist (1)
- Road House (1)
- Robert Mitchum (1)
- Television (1)
- Women (1)
Articles 1 - 5 of 5
Full-Text Articles in Literature in English, North America
The Whale-Road To Road House: A Study Of The Contemporary Transmission Of Beowulf, Haley Grindstaff
The Whale-Road To Road House: A Study Of The Contemporary Transmission Of Beowulf, Haley Grindstaff
Electronic Theses and Dissertations
This thesis explores three versions of Beowulf: Gareth Hinds’s graphic novel Beowulf (2007), Maria Dahvana Headley’s translation Beowulf (2020), and Rowdy Herrington’s film Road House (1989). While Hinds and Headley fail to convey Beowulf as a cultural elegy by subtracting or misrepresenting significant scenes and characters, Road House superimposes the story of Beowulf onto 1980s America. Parallels between the plots of Beowulf and Road House and Road House’s interaction with the political underpinnings of the 80s (such as Reaganomics and the AIDS epidemic) make the film one of the best at capturing the elements of cultural elegy in the …
She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese
She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese
Master of Arts in English Plan II Graduate Projects
A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.
"Nothing ‘Personal’ To Lose": Alice Notley’S “I” And The Poetics Of Encounter In Disobedience, Christina T. Baulch
"Nothing ‘Personal’ To Lose": Alice Notley’S “I” And The Poetics Of Encounter In Disobedience, Christina T. Baulch
Theses and Dissertations
Though the lyric-I has often been perceived as an isolated ego, Alice Notley's "I" in her long poem Disobedience (2001) necessitates plurality through what I call a "poetics of encounter." In response to the 1978 Language poetry manifesto "Aesthetic Tendency and the Politics of Poetry," and to the larger well-rehearsed debate about vocal homogeneity and persona centrism in poetry, this paper argues that Notley's poetics of encounter brings the "I" of Disobedience into continual and complex conversation with material history, politics, and mass culture, thus situating it within, and not sequestered from, the world and its mediation.
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Honors Program Theses
Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …
“I Save Me”: Gender, Agency, And Power In Better Call Saul, Stephanie Kocer
“I Save Me”: Gender, Agency, And Power In Better Call Saul, Stephanie Kocer
All Graduate Theses, Dissertations, and Other Capstone Projects
Historically, women on television have been portrayed in wife and mother roles, making them a foil to their husbands, but never the main focal point of the show. These characters stay on the sidelines, without being given truly original storylines where they are allowed to drive their own narratives. During the first season of Better Call Saul, Kim Wexler is a supporting character, without any storylines that aren’t linked to Jimmy McGill. Jimmy often treats Kim as a damsel in distress. He thinks it’s his job to save her, and usually from the chaos that he’s created. In this thesis …