Open Access. Powered by Scholars. Published by Universities.®
Literature in English, North America Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- African American Literature (1)
- African Literature (1)
- Arabic Literature (1)
- Christopher Lasch (1)
- Cultural Studies (1)
-
- David Foster Wallace (1)
- Dialogic (1)
- Exhaustion (1)
- Faulkner (1)
- Gender Studies (1)
- Heteroglossia (1)
- Indigenous Studies (1)
- James (1)
- John Barth (1)
- John Gardner (1)
- Memory Studies (1)
- Metafiction (1)
- Mikhail Bakhtin (1)
- Nostalgia (1)
- Nubian Literature (1)
- Photography (1)
- Postmodern Fiction (1)
- Proust (1)
- Replenishment (1)
- Russian Criticism (1)
- Snapshot (1)
- The Tidewater Tales (1)
- Toni Morrison (1)
- Twentieth Century Novel (1)
- Unfinalizability (1)
Articles 1 - 3 of 3
Full-Text Articles in Literature in English, North America
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
Theses and Dissertations
The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …
Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson
Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson
Theses and Dissertations
This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them …
Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv
Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv
Theses and Dissertations
In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …