English Language and Literature Commons^™

Much Ado About Contemporary Women: Gender Adapted In Contemporary Settings, Jessica C. Valdes

FIU Electronic Theses and Dissertations

Shakespeare’s Much Ado About Nothing has been reproduced multiple times in a contemporary context. This thesis focuses on two key productions, BBC’s ShakespeaRe-Told televised adaptation and Joss Whedon’s 2013 film and examines how these productions translate the gender themes in the play to a contemporary setting. To study translations of gender, this thesis is focused on the adaptations of Beatrice and Hero, two major female characters of the play. The comparison of these adaptations is accomplished through analyzing the pieces and reviewing existing work. While there are some important differences between the adaptations, the major problems Beatrice and Hero are …

Light And Darkness In The Epiphanies Of Henry James’ Heroines, Rose Grosskopf

The Criterion

The famed author Henry James, who lived from 1843 to 1916, occupies a middle-ground between the romantic authors of the nineteenth century and the modernists of the twentieth. Two of his novels, The Portrait of a Lady and Washington Square, demonstrate his evolving sensibilities, as he bridges the traditional and the modern by marrying romantic stories with unconventional conclusions. His technique is present in his use of light symbolism, which, due to an etymological connection from the era of Enlightenment, has accompanied moments of learning and understanding. Through his symbolic and literary gestures, James explores a nuanced definition of “brightness,” …

Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

Melusine, Invisible Leadership And The Future (In The Past), Jan Shaw

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper considers the operation of “invisible” leadership in the figure of Melusine from the late Middle English romance Melusine. By invoking contemporary leadership theory, this paper identifies leadership maneuvers in Melusine that are similar to those often practiced by women today, but the discourses of gender identity then ultimately render Melusine’s leadership invisible, just as leadership discourses today often render female leadership invisible. By uncovering the operation of “invisible” leadership in the figure of Melusine and identifying commonalities with the leadership of women today, this paper aims to improve our understanding of the contemporary problem of the marked …

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …

Iron Manicures: Sex, Power, And Sedition In Margaret Atwood's Writing, Anna Zarra Aldrich

Honors Scholar Theses

Margaret Atwood has often been criticized as a bad feminist writer for featuring villainous, cruel women. Atwood has combatted this criticism by pointing out that evil women exist in life, so they should in literature as well. Every story requires a villain and a victim, for Atwood these roles are both usually played by women. This thesis will explore the idea of the woman as spectacle in both behavior and body. Women are controlled by the idea that they must care. When they stop caring, they become a threat. At the heart of Atwood’s writing are the relationships between women …

More Than Just Wicked: The Tales Of Female Criminals In 17th- Century London, Savannah Resendes

Honors Program Theses and Projects

In 17th-century London, where women were bound to strict social rules and regulations, those who break free from these strict rules are often viewed with suspicion. Some may even call these women wicked as they stray away from what is expected of them. There was also surge of women committing crimes in this time period, which inspired literature to follow the same trend. Female criminals were often represented as sinful and wicked monsters of the time, showing people exactly what not to do if they want to fit in. However, in several specific literary texts set in 17th-century England these …

Ma Final Portfolio, Jessica Puder

Master of Arts in English Plan II Graduate Projects

This portfolio features a revised syllabus for an online writing course, job application packet, and two researched papers.

The Typewriter And The Literary Sphere: An Analysis Of Turn-Of-The-Century Literature, Emma K. Holdbrooks

Honors Theses

My thesis explores the typewriter’s impact on early 20^th century American literature. By providing authors with the means to produce work accurately and effectively, the typewriter changed the process of writing. Typewriters also created job opportunities for women, who often served as typists. The typist became the foothold position that changed America’s perception of women in the work force and helped usher in a new social concept, “the New Woman.” To illustrate my claim, I show how the typewriter allowed poets like E. E. Cummings to experiment with spacing. Cummings made the typewriter’s standardization of text and spacing into …

Review Of Women’S Periodicals And Print Culture In Britain, 1690–1820s: The Long Eighteenth Century, Lisa Maruca

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of Women’s Periodicals and Print Culture in Britain

"She Is Finally Free" : An Analysis Of Women's Pathologized Oppression And Reclamation Of The Abject In "The Yellow Wallpaper" And Midsommar, Diana Gem Schultz

Legacy Theses & Dissertations (2009 - 2024)

Women live and lead pathologized lives, as evidenced by past diagnoses of women’s disorders like “hysteria” and more modern issues surrounding beliefs in women’s hormones and biological inferiority. In analyzing women’s relationships with a wider male society and the role Kristevean abjection takes in patriarchal views on women’s minds and bodies, I aim to show how female characters in horror fiction – namely Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” and Ari Aster’s 2019 film, Midsommar – take that abject view and reclaim it for their own power. Through this reclamation, women are able to gain control from patriarchal …

Narratives Of Incarcerated Women, Kaceylee Klein

Honors Scholar Theses

Our criminal-justice system mandates the silencing and disappearing of 2.3 million people, a consequence of its historical context as an inherently violent institution, carrying on traditions of slavery, oppression, and extortion. While any voice that makes it out of a prison cell is resisting the effort to silence, smother, and make compliant the voices of those labeled criminal, the form of publication of that voice allows more or less agency to the author depending on its conventions and structures. There is a spectrum from more controlled or mediated forms of publications to more author-directed ones and they vary over the …

Saving Pocahontas: A Conversation On Gender, Culture, And Power In The Storied Saving Moment, Claire Ehr

Undergraduate Honors Papers

Pocahontas is a figure with much cultural capital, even today, and her influence was historically important to Native and European agendas alike. Pocahontas as a person indeed had a life that seemed to influence political relations between Native and European (specifically Powhatan, specifically English). However, the storied construct of Pocahontas has had significantly more cultural sway, influencing (or at least representing changes in) everything from gendered power dynamics to the interplay between the European Colonizer and the Indigenous Other.¹ Pocahontas’ image has been re-appropriated over and over throughout time to further political agendas and to represent the female and …

Narrative Style And The Female Story In Pride And Prejudice, Bridget Jones’S Diary, And The Lizzie Bennet Diaries, Parker Jones

Honors Program Theses and Projects

Pride and Prejudice by Jane Austen has remained relevant since its publication in 1813, in part due to the popularity of numerous adaptations in multiple mediums. Pride and Prejudice is a novel that champions protofeminism as well as offers 1 an example of Austen’s unique style of writing. The story follows the Bennet family, and specifically the second oldest daughter Elizabeth, as their mother searches for husbands for her five daughters. Elizabeth is a woman that is expected to enter into a successful marriage, which would be defined by financial security for herself and her family. However, she refuses this …

“Boadicea Onstage Before 1800, A Theatrical And Colonial History.” Studies In English Literature 1500-1900 49.3 (Summer 2009): 595-614., Wendy Nielsen

Wendy Nielsen

This essay examines the theatrical legacy of Boadicea, the British warrior queen defeated by the Romans around 61 AD, in three plays: John Fletcher's "The Tragedy of Bonduca, or the British Heroine" and two unrelated dramas titled "Boadicea" by Charles Hopkins and Richard Glover. Performance histories attempt to explain why audiences respond to Boadicea with ambivalence. Each production underplays the defeated queen and gives starring roles to one or more of her daughters and a male lead, who contrast with Boadicea's supposed brutality and provide British audiences with lessons about ways to rule in an ostensibly civilized fashion.

Women’S Writing And The Poetics Of Scientific Knowledge, 1620-1740, Rachel Mann

Theses and Dissertations

Women’s Writing and the Poetics of Scientific Knowledge, 1620-1740 probes the porous boundary between science and literature, revealing that the methodologies undergirding scientific experimentation were developed communally and through a confluence of interdisciplinary and cultural concerns. Ultimately, it shows that our contemporary understanding of the natural world and the scientific method have a history that is largely one of fragments. Secondly, and more importantly, it demonstrates the value of reading imaginative writing alongside scientific developments of the day.

Focusing on women’s imaginative writing in particular reveals the power and limits that ostensibly liminal voices have. As such, Women’s Writing and …

Monsters, Marines, And Feminism In The 1980s: A Look At Ellen Ripley From Aliens, Summer Reardon

Spring Showcase for Research and Creative Inquiry

The battle between Ripley and the alien mother symbolizes how women of the 1980s were grappling with their changing roles of motherhood brought about in part by their increased power over their own reproductive health, as well as broadening career options for women. During this time, more women began to take on non-traditional gender roles in the workplace, the family, and in society. Ripley's character reflects this the growing wave of feminism, and presaged a more assertive and adaptable woman, while still demonstrating devotion to her adoptive offspring.

"Mute Flesh": Women's Death-Worlds In David's Story And Waiting For The Barbarians, Kate Finley

Theses and Dissertations

This thesis expands upon Achille Mbembe's theory on necropower and death-worlds to incorporate the consideration of gender. This is done using the lens of violence against women during South African apartheid and through an examination of two novels: Zoë Wicomb's David's Story and J.M. Coetzee's Waiting for the Barbarians.

Multicultural Women Writers, Nashieli Marcano, Jennifer Jacobs

Research Guides & Subject Bibliographies

No abstract provided.

Basement Heart, Samantha Constance Tkac

Graduate Thesis Collection

Basement Heart is a collection of short stories with a goal of documenting the manifestations of rage and how it evolves throughout a woman’s life. In these stories, femininity is explored through the aesthetics of the grotesque. Female protagonists seek to inhabit new definitions of female sexuality that combat tired expectations made by society’s misogynistic and objectifying culture. Often, their feelings of unprovoked grief manifest themselves as pursuits of the flesh, which becomes the underlying heartbeat of each story; themes revolve around sex and obsession and explore what happens when sexual fantasies are realized and lived out in the real …

"The More They’Re Beaten The Better They Be": Gendered Violence And Abuse In Victorian Laws And Literature, Danielle T. Dominguez

CMC Senior Theses

During the Victorian age, the law and society were in conversation with each other, and the law reflected Victorian gender norms. Nineteenth-century gender attitudes intersected with the law, medical discourse, and social customs in a multitude of ways. Abuse and gender violence occurred beneath the veneer of Victorian respectability. The models of nineteenth-century social conduct were highly gendered and placed men and women in separate social spheres. As this research indicates, the lived practices of Victorians, across social and economic strata, deviated from these accepted models of behavior. This thesis explores the ways that accepted and unaccepted standards of female …

Revision As Resistance: Fanfiction As An Empowering Community For Female And Queer Fans, Diana Koehm

Honors Scholar Theses

This thesis explores how fanfiction is a site of resistance and empowerment for female and queer fans. Fans rework popular cultural texts to represent themselves and reflect their own interests and concerns in the face of significant stigma on the part of fandom and media producers.

Mislabeled Muses, Deborah L. Dougherty

English Department: Traveling American Modernism Posters (ENG 366, Fall 2018)

No abstract provided.

Ann Yearsley, "Earl Goodwin", And The Politics Of Romantic Discontent, Chris Foss

English, Linguistics, and Communication (Legacy)

There is a dearth of more substantial critical studies on Ann Yearsley’s tragic drama Earl Goodwin in general, and while the few out there have helpfully illuminated the play’s representation of the historical plight of women and the poor during Anglo-Saxon times, as well as its application to their current predicaments in Romantic-era England and France, they have tended to leave unexplored the ways in which Yearsley simultaneously is clarifying and extending her anger at and frustration with the class- and gender-based discrimination she experienced firsthand in the fallout with her mentor Hannah More over the profits from her first …

Fighting The Good Fight: Transforming Expectations Of Women In Front Of And Behind The Camera, Victoria Mills

Mahurin Honors College Capstone Experience/Thesis Projects

The film industry is a male dominated field. This is not new information. Directing, cinematography, and musical composition are the most heavily male governed above-the line crew positions, with women only making up 12% of directors as of 2018 (Quick, “The data…”). There is an unfortunate hesitation in support for female filmmakers from the part of studios. Melissa Silverstein of “Women and Hollywood” writes that there are quite specific visual expectations of a director to be a “white male with greying hair,” as this is what people are used to (Smith, “Female trouble…”). To go along with this, only 35% …

At Home In The Revolution: What Women Said And Did In 1916: An Interview With Lucy Mcdiarmid

Critical Inquiries Into Irish Studies

Lucy McDiarmid is a scholar and writer. Her academic interest in cultural politics, especially quirky, colorful, suggestive episodes, is exemplified by The Irish Art of Controversy (2005) and Poets and the Peacock Dinner: the literary history of a meal (2014; paperback 2016). She is a former fellow of the Guggenheim Foundation and of the Cullman Center for Scholars and Writers at the New York Public Library. Her most recent monograph is At Home in the Revolution: what women said and did in 1916 (published 2015). The Vibrant House: Irish Writers and Domestic Space (co-edited with Rhona Richman Kenneally) was published …

“[Taking] Responsibility For The Community”: Women Claiming Power And Legitimacy In Technical And Professional Communication In India, 1999-2016, Breeanne Matheson

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

Though the field of technical and professional communication has long been saturated with the narratives of Euro-Western males, technical and professional communication as a field has a responsibility to expand the lens of study to include the experiences of global and nontraditional practitioners. This study examines the experiences of Indian women working as practitioners, building power and legitimacy in a globalized economy. Drawing from interviews with 49 practitioners as well as an analysis of historical documents, this study examines the methods that Indian practitioners have used to build power and legitimacy by founding professional organizations, leveraging their educational opportunities, and …

Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.

Journal of Tolkien Research

This paper reports on an early pilot project that asks women who self identify as readers or fans of Tolkien's work and/or teachers who have taught Tolkien's work, and/or scholars who have published on Tolkien's work to answer a few open-ended questions about their reasons for enjoying his work. By "women," I mean anybody who identifies as a woman. By "Tolkien's work," I mean any of his published novels, stories, poems, or academic essays. The study arises from the question that is often asked of fans of Tolkien's work: why do women so enjoy it, given the relatively minor narrative …

Conrad's Erotic Women, Joyce Wexler

English: Faculty Publications and Other Works

It is time to correct Joseph Conrad's reputation as a writer who falls short when the subject is women or sex. Praised for his ethical, political, and psychological insight, he is pitied for his love scenes. Writing about The Rescue in 1945, Walter F. Wright generalized, "Conrad usually had trouble with his women characters when they came into the foreground of a story. The themes which he best understood could be illustrated very well through the lives of men" (1945, 216). In 1956 Thomas Moser reinforced Wright's judgment, arguing that the quality of Conrad's later work declined because he tried …

Change For Women, Change The World, Kiana Stewart, Dr. Daryl Lee

Journal of Undergraduate Research

My project goal was to translate from French to English significant chapters of a study on gender-based violence (GBV) in Senegal documented by Dr. Fatou Diop Sall. Dr Sall is the head coordinator of GESTES, a Senegalese research group focused on gender equality. A previous group of BYU students and ORCA recipients translated sections of the document that focused on domestic violence, and published the translation with the WomanStats Project, which is the largest statistical database regarding the status of women in the world (Hudson, 2015). The chapters I translated deal with GBV in different spheres, specifically educational spaces (schools, …