Teaching Song And Holiness: An Exploration Of The Mystic And Syncretic Elements Of Tolkien’S Earliest Elvish Language Invention, Andrew Higgins

Journal of Tolkien Research

This paper was first given at the 2024 International Medieval Conference at The University of Leeds. This revised version was given at the September 2024 Oxonmoot Conference of The UK Tolkien Society

“And The People Sang In All The Ways Of The City:” A Speculative Ethnomusicology Of Gondor, Kelsey A. Fuller-Shafer

Journal of Tolkien Research

The music of Gondor is one of the more elusive musical traditions in Middle-earth, described only briefly throughout the text of The Lord of the Rings, and thus often neglected in scholarship on music in the works of J.R.R. Tolkien. However, an ethnomusicological line of inquiry brings to the fore questions of performance, perception, and meaning that contribute to our interpretations of the many levels of symbolic transformation seen in Gondor at the beginning of the Fourth Age. The evidence of both musical activity and silence in Gondor mirrors conclusions that have been documented in real-world ethnomusicological studies in …

From Ghitterns To Harps: How Tolkien’S Music Became Generic, Alexander Retakh

Journal of Tolkien Research

When music is discussed in Tolkien studies, the primary focus is the songs and, typically, their non-musical content. However, appearances of instrumental music and its performance are often critical to the narrative. This talk focuses on Tolkien’s construction and use of music. Its descriptions were growing more economical as he developed as a writer and his musical references became simpler.

Tolkien has often been accused of being almost illiterate musically, yet a more careful reading of his letters shows that he merely saw himself as a musical amateur. In Oxford he could not avoid learning about the Early Music movement, …

Language And The Lord Of The Rings: The Expansion Of A Universe, Thomas Beutz

The Criterion

Tommy Beutz’s essay, “Language and The Lord of the Rings: The Expansion of a Universe” explores J.R.R. Tolkien’s world-building through the lens of linguistics. Beutz argues that Tolkien’s creation of Middle-Earth, anchored in his invented languages, extends beyond the bounds of the text. Drawing on Tolkien’s background as a philologist, Beutz contends that the languages of Middle-Earth are not mere literary devices but rather the foundation of its entire mythology. By examining linguistic markers embedded in the primary text, Beutz reveals how Tolkien hints at a larger world outside the narrative. Through an analysis of historical accounts and characters’ …

An Industrious Little Devil - Tolkien’S Development Of The Elvish Languages At Leeds, Andrew Higgins Dr

Journal of Tolkien Research

Conference paper given at Medieval Conferences in Leeds and Kalamazoo which explore Tolkien’s development of the Elvish languages at Leeds (1920-1925).

Epistolary Glossopoesis Tolkien’S Letter Writing And Language Invention, Andrew Higgins

Journal of Tolkien Research

This paper was given when I was the Guest Speaker at The Annual Meeting of the UK Tolkien Society on 13 April 2024.

Sauron: Weirdly Sexy, Robert T. Tally Jr.

Journal of Tolkien Research

A popular meme depict Galadriel and Frodo admitting that Sauron is "weirdly sexy," a humorous allusion to The Rings of Power’s Halbrand. The show's controversial revelation of Halbrand as Sauron highlights the differences between Tolkien’s construction of Second and Third Age Sauron as an attractive or admirable leader compared to Peter Jackson’s portrayal of him as a monster or disembodied fiery eyeball. This, in turn, has implications for the geopolitical order of Middle-earth in which many people legitimately might wish to be on Sauron’s side. Acknowledging Sauron's "sexiness" may allow us to see Tolkien's world system in a new …

The Holy Thorn Of Glastonbury And The Two Trees Of Valinor, Giovanni Carmine Costabile

Journal of Tolkien Research

An old wooden church in Glastonbury rose on the site of the Abbey church taking its place after a fire burnt it. This old church is traditionally considered to have been the eldest church in England, founded by Joseph of Arimathea after landing upon the British shore. Such a legend, probably spread after the Norman Conquests by the Abbey monks who needed to fund the monastery, also relates that Joseph planted his staff upon the highest hill in Glastonbury, and the staff grew branches and roots, transforming into a wonderful thorn tree which, unlike common thorns, bloomed twice a year, …

The Ring Cycle: Journeying Through The Language Of Tolkien’S Third Age With Corpus Linguistics, Michael Livesey

Journal of Tolkien Research

This article explores the journey taken by the One Ring across J.R.R. Tolkien’s Third Age writings. It employs a digital humanities approach to analyse linguistic patterns in Tolkien’s use of the word ring, across The Hobbit and The Lord of the Rings. Specifically, the article employs corpus linguistic methods to track shifts in the quantities and qualities of the Ring’s appearance across these texts. It uses techniques of keyness and collocation analysis to trace transformations in these quantities/qualities, including: a) the Ring’s transition from a central to a peripheral place in the Third Age’s narrative arc; and b) …

What Does It Mean To Talk About Tolkien And Diversity? A Look Within And Without The Legendarium, Yvette Kisor

Journal of Tolkien Research

“What Does It Mean to Talk about Tolkien and Diversity? A Look within and without the Legendarium” considers racial diversity by focusing on the structure of Tolkien’s universe, both how it is modelled on ancient and medieval concepts like the Great Chain of Being and the Declining Ages of Man, but also remakes those models. In addition, it considers responses to racial structures perceived in Tolkien’s work.

This Passing Shadow: The Role Of Trauma In Reforming Individual And Cultural Identity In The Lord Of The Rings And Anglo-Saxon Literature, Benjamin C. Benson

English MA Theses

Many scholars focus on J.R.R. Tolkien's personal history and attempt to locate his own trauma in the texts of his works. However, this focus often overlooks the role that trauma plays in the reshaping of individual and cultural identity within the works of Tolkien. Tolkien uses a number of methods to communicate trauma throughout his works, but these methods often have roots in Anglo-Saxon Literature. This study analyzes the various ways that Tolkien adapts Anglo-Saxon works to communicate trauma while simultaneously using the traumatic events to help communicate healing through the interaction of the traumatized with their community.

Tolkien’S Animals: A Bibliography, Kris Swank

Journal of Tolkien Research

Bibliography of scholarly and popular science research on Tolkien’s various animal species includes more than 100 English-language entries from literary, mythological, cultural, historical, philological, psychological, religious, and scientific perspectives. Includes entries on animal sentience/personhood, general surveys of animals, and analysis of specific species: bats, bears (including Beorn), birds, cats, cryptids, deer, dogs (including wolves and foxes), dragons, elephants, horses, sea-life, and spiders.

Negative Estrangement: Fantasy And Race In The Drow And Drizzt Do’Urden, Steven Holmes

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay introduces the concept of negative estrangement to help understand current cultural interventions into the norms of depicting fantasy races. First, this essay builds on Shklovsky’s concept of estrangement to describe the literary practice of negative estrangement, wherein artists craft “more evil” foes based on hybridized amalgamations of stereotypes to create antipathy toward a subject, be it monster or fantasy race. This practice is sometimes used in service of confronting the issue of race and racism, despite seeming to reify or rearticulate racist stereotypes.

This essay builds on Tolkien’s argument in favor of creating “more evil” foes to exemplify …

Through Fire And Water: The Exodus Of The Gondothlim, Ethan Danner

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Despite being one of the earliest Middle-earth texts and a central component of the legendarium, J.R.R. Tolkien's Fall of Gondolin has received far less attention than the tale deserves. Building upon the works of David Greenman, Bruce Alexander, and Austin Freeman and their studies comparing The Fall of Gondolin to Virgil's Aeneid as well as Tom Shippey's monograph, The Road to Middle-earth, this article seeks to expand current scholarship surrounding The Fall of Gondolin by the examination of Exodus, as both a Medieval and religious text, as a potential source for the narrative structure, characters, and themes found …

The Posttraumatic Stress Disorder Of Frodo Baggins, Bruce D. Leonard

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

J.R.R. Tolkien in The Lord of the Rings accurately portrayed the signs and symptoms of what is currently labeled Post Traumatic Stress Disorder. Frodo’s condition logically follows his experiences of less than a year in the War of the Ring. Tolkien did not have access to a diagnostic manual but apparently used his keen observations from both World Wars to inform his narrative. No fantasy is employed to describe Frodo condition after the Ring is destroyed. His condition is that of a vet with PTSD. Evidence from the History of Middle-earth demonstrates the deliberate steps taken to show Frodo as …

Weather In Middle-Earth Or Tolkien: The Weather-Master?, Jonas Mertens

Journal of Tolkien Research

Abstract

This article attempts to shed light on the use of weather in general and meteorological expressions in The Lord of the Rings, as J. R. R. Tolkien is well known to be a writer for whom the environment and natural world is closely intertwined with his storytelling. Both a manual count and a count which a digital text analysis tool were combined to find the frequency of previously selected weather terms. In total, more than 2,000 references were found in the books, with the words ‘sun’, ‘wind’ and ‘cold’ being the most abundant. Meteorological expressions are frequently encountered in …

“We Could Do With A Bit More Queerness In These Parts”: An Analysis Of The Queer Against The Peculiar, The Odd, And The Strange In The Lord Of The Rings, Yvette Kisor

Journal of Tolkien Research

As developed in The Lord of the Rings, “queer” is a special term, one uniquely associated with the Hobbits, and Tolkien crafts a very specific set of resonances that embed it in provincial mistrust, a sense of real outside threat, and places within the ancient natural world that appear foundationally opposed to the ordinary realm of civilization. While Tolkien cannot be said to use the word “queer” in its more modern sense of “homosexual” or nonnormative sexual and/or gender identity, he included an owning and even embracing of the term that follows a similar pattern.

A Case For Tolkien As Master Of The Sublime, Graham A.C. Scheper

Journal of Tolkien Research

The present article aims to reconcile Tolkien with the Literary Critics through an exploration of Tolkien's use of the sublime. First, an explanation of the sublime is given, with a summary of its evolution over the past two millennia. Subsequently, three key thrusts of the sublime's manifestation in Tolkien's work are identified: his use of depth and incompleteness, his use of vastness and grandeur, and his usage of shadows and death. Investigating Tolkien's usage of these devices in turn illuminates his skill as an artist and as an author.

‘Where Now Bucephalus And The Proud Eormanric?' The Interplay Of Gothic And Classical References As A Tacit Background Behind The Wanderer, Tolkien's Anglo-Saxon Source, Giovanni Carmine Costabile

Journal of Tolkien Research

The famous lines "Where now the horse and the rider?" from The Two Towers, spoken by Théoden in Peter Jackson's film, but recited by Aragorn in Tolkien's original text, find an unquestionable source in the Anglo-Saxon poem The Wanderer, and as such received detailed comment by the Professor as a scholar, stating that it is not very important to identify who the rider being cited might be, as long as we admit he is a "type". In order to understand the type of this rider, then, we only have to look for similar occurrences of the evergreen "ubi …

The Lord Of The Rings Tarot Deck And Guide By Casey Gilly And Tomas Hijo, Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Review of

The Lord of the Rings Tarot Deck and Guide. Casey Gilly (author) and Tomás Hijo (artist). San Rafael, CA: Insight Editions, 2022. 78-card deck and folded guide sheet. $27.99. ISBN 978-1- 64722-809-5.

Second Age, Middle Age, Norbert Schürer

Journal of Tolkien Research

The recent releases of the volume The Fall of Númenor and the series The Lord of the Rings: The Rings of Power raise the question: What is the significance of the Second Age of Tolkien’s legendarium? This article suggests that Tolkien conceived of the Second Age as parallel to the Middle Ages in our world, which were the focus of his academic career in his studies of Old and Middle English language and literature. As various frameworks and overviews for the legendarium demonstrate, Tolkien thought of the Second Age, like the Middle Ages, as uniquely looking backwards and forwards …

The Enigma Of Goldberry: Tolkien’S Narrative Braiding Of Genre- And Symbol-Related Vocabularies In The Withywindle River-Daughter, Derek Simon

Journal of Tolkien Research

The enigma of Goldberry continues to stimulate diverse readings of her narrative in the Withywindle Cottage episode. The root contention of this article is that Goldberry’s enigma is textured through Tolkien’s complex narrative braiding of multiple genre- and symbol-specific vocabularies woven together throughout her episode. The effort to interpret the enigma of Goldberry needs to be grounded in the philological, lexical, and thematic signifiers circulating in her storyline. These mythopoeic signifiers are variously conveyed by the genre- and symbol-related vocabularies influencing her enigma in the narrative. Where much of the critical commentary has justifiably considered a single strand of source …

Beyond All Worlds: George Macdonald, The Pre-Tolkienians, And The Forgotten Possibilities Of Fantasy, Ethan Patrick Stevens

Masters Theses

The history of modern fantasy has been powerfully shaped by the worldbuilding paradigm so successfully executed in J.R.R. Tolkien's 1954-55 trilogy The Lord of the Rings. However, there were nearly a hundred and fifty years of creative work between the birth of fantasy as a genre and Tolkien’s publication of The Lord of the Rings. By examining the pre-Tolkienian fantasists, we find that Tolkien's way of exhaustive consistency was not, and is not, the only way to write fantasy. Phantastes (1858), the first novel by the influential Victorian fantasist George MacDonald, defies contemporary worldbuilding standards almost constantly in …

Genre In Translations Of Sir Gawain And The Green Knight, Madison Schow

Criterion: A Journal of Literary Criticism

A comparison of J.R.R. Tolkien’s translation of Sir Gawain and the Green Knight, published posthumously in 1975, and Simon Armitage’s 2007 translation of Sir Gawain and the Green Knight reveals that a translator’s choices can affect the genre of a work. Tolkien’s foreignizing translation situates Sir Gawain in the tradition of medievalist fantasy and should be read in the context of twentieth century fantasy, the same genre as Tolkien’s original works. Armitage’s domesticating translation places Sir Gawain in the context of twenty-first century fantasy. An examination of the subgenres represented in Sir Gawain and the Green Knight (ghost story, thriller, …

Tolkien’S Coleridgean Legacy, Martina Juričková 928827

Journal of Tolkien Research

In his published materials, Tolkien rarely ever directly mentioned by name any philosophers or literary theoretics he might have been influenced or outright inspired by in forming his own views on the origin, nature, and purpose of myth, imagination, and literature as presented in his essay On Fairy-stories. However, as an Oxford Don, he must have been well acquainted with the theoretical-philosophical work of one of the greatest British literati and, I daresay, progenitor of the fantasy genre in the Isles, Samuel Coleridge. Anyone conversant with Tolkien’s lore who starts reading Coleridge’s Biographia Literaria must be stricken by how …

Well, I’M Back: Samwise Gamgee And The Future Of Tolkien’S Literary Pastoral, Mg Prezioso

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article examines the treatment of the literary pastoral in The Lord of the Rings in order to demonstrate that Tolkien’s pastoral, often considered a vestige of authorial nostalgia, is as forward-looking as it is wistful. Through Samwise Gamgee and his connection to the Shire, Tolkien presents a pastoral that, though rooted in memory, is as mutable as nature itself – one that orients the reader forward and conveys that change is not only something to be accepted, but also embraced.

Hearing Tolkien In Vaughan Williams?, Keri Hui

Journal of Tolkien Research

In recent years, musicians and Tolkien readers alike have associated Ralph Vaughan Williams’ music, particularly Fantasia on a Theme by Thomas Tallis (1910), The Lark Ascending (1914), and Fantasia on Greensleeves (1934), with Tolkien’s fantasies. This article explores this tendency to hear Tolkien’s Middle-earth in Vaughan Williams’ musical fantasies, calling attention to the similarities in their shared devotion to the idea of English consciousness, interest in combining ecclesiastical and folk materials, and pastoral vision. A juxtaposition of their approach and philosophies not only helps explain the musical echoes, however, but also confirms an appealing mark of Tolkien’s craft is its …

“Legato Con Amore In Un Volume”: Can Tolkien’S Ainulindalë Accommodate Divine Knowledge?, John Wm. Houghton

Journal of Tolkien Research

Tolkien's depiction of Eru Iluvatar in the Silmarillion as coming to know the Song of the Ainur only as he hears it conflicts with ideas about the nature of divine knowledge developed by such thinkers as Ibn Sina, Maimoindes, and Thomas Aquinas--as well as with more general ideas about omniscience and eternity. Texts recently published in The Nature of Middle-earth indicate that Tolkien was aware of some of these divergences. The fact that he classifies the Ainulindalë as a "legend" in which divine thought is merely "represented" as music offers some possibilities for reconciliation with the theological tradition, but Tolkien …

The David Oberhelman Collection Of Science Fiction, Fantasy, And Tolkieniana At Oklahoma State University, Phillip Fitzsimmons

Faculty Books & Book Chapters

In September 2020 I drove to the Oklahoma State University (OSU) Stillwater campus to see “The David Oberhelman J. R. R. Tolkien Collection” exhibit, on display on the Edmon Low Library’s second-floor mezzanine in the Lisa and Mark Snell Gallery.

Books Within Books In Fantasy And Science Fiction: “You Are The Dreamer And The Dream”, Phillip Fitzsimmons

Faculty Books & Book Chapters

This chapter discusses books that exist only within works of science fiction and fantasy—what the “List of Fictional Books” on Wikipedia calls a “fictional book” and what Claire Fallon calls “invented books” in her article for the Huffpost website, “Fictional Books Within Books We Wish Were Real.”