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Full-Text Articles in English Language and Literature
Methods Of Revision In Sixteenth-Century English Cycle Drama, John Case Tompkins
Methods Of Revision In Sixteenth-Century English Cycle Drama, John Case Tompkins
Open Access Dissertations
This dissertation contends that guilds-folk in sixteenth-century England made their own changes to the play-texts of civic drama and that these changes remain visible to us in the manuscripts which preserve the plays. Further, it argues that the actors and pageant-makers themselves often made these revisions, rather than the civic or ecclesial authorities traditionally credited for rewriting the pageants. These changes, introduced in production and transferred into the texts, helped keep the plays vibrant and successful throughout most of the sixteenth century and reflect the practical and local concerns of their participants. This work continues the historical investigations into pageant …
The Magic Of Books: A History Of Medieval Magic And Literature, Ana Maria Lavado
The Magic Of Books: A History Of Medieval Magic And Literature, Ana Maria Lavado
Honors Theses
Narrative binds people together with a common language and experience. It provides a singular manner for communication and interaction. Without this interaction, there would be no society or culture to speak of; with no way to articulate and control sounds, humans would be forced to communicate through the use of motions and gestures, deprived of the beauty and magic of language. Words can somehow capture pain, joy, beauty, awe, sadness, excitement, emotion and the very thrill that comes from being alive in a way that nothing else can. Language can inspire and influence as much as it can inflict pain …
Portrayals Of The Dehumanization Of The American Prisoner In Miguel Piñero's “Short Eyes” And Tom Fontana's “Oz”, Gerardo C. Martinez
Portrayals Of The Dehumanization Of The American Prisoner In Miguel Piñero's “Short Eyes” And Tom Fontana's “Oz”, Gerardo C. Martinez
Theses and Dissertations - UTB/UTPA
This thesis analyzes the way in which Miguel Piñero, through his 1974 play Short Eyes, and Tom Fontana, through his television series Oz, portray the way in which American prisoners are transformed by a racially-defined code of behavior. This code of behavior, defined by Miguel Piñero as “the program” encourages inmates to over-identify themselves in terms of race and leads them to engage in behavior that contributes to their dehumanization. In the first chapter, the introduction, I establish the social, political, and theoretical concepts through which it is possible to analyze the process of prisoner identity transformation in these two …