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"That Flesh-Locked Sea Of Silence”: Language, Gender, And Sexuality In Beckett’S Short Fiction, Emily F. Oliver
"That Flesh-Locked Sea Of Silence”: Language, Gender, And Sexuality In Beckett’S Short Fiction, Emily F. Oliver
Honors College Theses
This paper asserts the interconnectedness of language, gender, and sexuality in the short prose of Samuel Beckett. “Assumption,” “First Love,” and “Enough,” are used as specific examples of Beckett’s fiction, selected because they assist in understanding Beckett’s participation in, and inversion of, the hegemonic privileging of the masculine. This interpretation focuses on the use of gendered language, verbalization as a sexual expression, and the manipulation of the “male” and “female” voice. The analysis is both informed by, and seeks to nuance, the linguistic criticism established by second-wave French feminists Kristeva, Irigaray, and Cixous.
Blood As A Binding Agent In Cormac Mccarthy's _The Crossing_, Erin M. Martin
Blood As A Binding Agent In Cormac Mccarthy's _The Crossing_, Erin M. Martin
Electronic Theses and Dissertations
In Cormac McCarthy's The Crossing, one of the most important aspects of blood is the way it connects Billy Parham to his family and the world around him. Billy's actions are driven largely by his desire to maintain his moral code and his connections to nature and his maternal grandmother. His link to nature begins with an encounter with a wolf pack and continues with an attempt to return a she-wolf to her homeland. The connection to his grandmother provides him with the means to do so when he crosses the border from New Mexico into Mexico. Billy's ability …