English Language and Literature Commons^™

“Speechless, Placeless Power”: Affect And Trauma In Moby-Dick And “Bartleby, The Scrivener”, Lauren Colandro

Seton Hall University Dissertations and Theses (ETDs)

Herman Melville’s Moby-Dick and “Bartleby, the Scrivener” contain affectively unsound figures such as Captain Ahab and Bartleby that seem to disrupt larger narrative functions, both developing these characteristics in response to prior trauma. However, narrators are not privy to the extent of their feelings because of their idealistic attachments to the disruptive figures. This thesis examines the commonalities of Melville’s disruptive characters in both stories using affect theory, as well as how their disruptions illuminate the effects of repressed trauma in an increasingly capital-driven society.

The Nature Of Government And Civic Responsibility In Herman Melville’S Billy Budd, Sailor, Nirvani V. Anoop Ms.

Theses and Dissertations

My thesis examines how Herman Melville’s Billy Budd, Sailor raises destabilizing questions about the function of government, its manipulation of the governed through institutions such as the law, education, and religion, as well as its infringement on the rights of the individual in various, often subtle ways. The power relations aboard the British naval warship, Bellipotent, are explored through a Foucauldian lens, utilizing the ideas Michel Foucault elaborates in his lectures titled, “Governmentality.” How do governments ensure their continued existence as well as obedience from their citizens? How is justice in a society determined? How is one’s identity formed in …

Introduction: What Is “Creative Making As Creative Writing”?, Kathi Berens

Journal of Creative Writing Studies

This special issue of the Journal of Creative Writing Studies centers on how creative writing changes when writers actively engage computers as nonhuman collaborators in “creative making.” Using examples from McGurl’s The Program Era, Emily Dickinson, and the crowdsourced “translation” of Melville’s classic into Emoji Dick, Berens suggests that creative writing methods have long been procedural and technologic.

There are many forms of creative making. This special issue features creative writers that

• Write code to output novels
• Redefine how we think of writing’s “container”
• Demonstrate aspects of the digital-first, multimodal writing classroom
• Modify or remix existing artworks

Berens supplies three …

The Phenomenology Of It All, Justin M. Campbell

2019 Symposium

Who is consumed when we read? Does the reader consume the text or does it consume us? This essay explores the complex and possibly parasitic relationship between reader and text. This unique exchange of knowledge and ideas between reader and texts during this relationship is the phenomenology of reading. During this, the text is transformed via the consciousness of the reader from a passive, inanimate object to an active living breathing immortal entity that transcends both space and time. In doing so, the unhuman text becomes an active consumer of the human reader in the same way the reader believes …

A Lingua Franca Afloat And Ashore: Contact English In American Sea Fiction, 1824 To 1914, Fredrik Reidar Stark

Graduate Research Theses & Dissertations

This dissertation examines how American sea writers between 1824 and 1914 promoted new perceptions of English as a various and expanding intercultural and international language. It argues that presentations of language contact form a critically underemphasized component of American nautical literature. It surveys how such presentations take shape in James Fenimore Cooper’s The Pilot (1824) and The Crater (1847), Edgar Allan Poe’s The Narrative of Arthur Gordon Pym (1838), and Richard Henry Dana’s Two Years before the Mast (1840). It asserts that Herman Melville’s innovative presentations of contact between pidgins and native varieties of English in Typee (1846) and Omoo …

At The Edge Of Monstrosity: Melville, Shelley, And Crane’S Monsters In 19th-Century Literature, Jenna M. Seyer

Student Publications

What is a monster? For contemporary readers, monsters conjure images of things from horror films. My capstone addresses the question of whether monsters, the monstrous, and monstrosity are inside the human or elsewhere. I argue that monsters, when compared side-by-side in literature, are fundamentally the same with some exceptions: evil behind a human body. Through close-reading and theoretical analyses of 19th-century texts, Herman Melville’s Moby Dick, Mary Shelley’s Frankenstein, and Stephen Crane’s The Monster, I examine how their authors create monsters as a response to societal anxieties and fears. My capstone expands on passages where human characters surrender to their …

"What Do The Divils Find To Laugh About" In Melville's The Confidence-Man, Truedson J. Sandberg

Theses and Dissertations

The failure of identity in The Confidence-Man has confounded readers since its publication. To some critics, Melville's titular character has seemed to leave his readers in a hopelessness without access to confidence, identity, trust, ethical relationality, and, finally, without anything to say. I argue, however, that Melville's text does not leave us without hope. My argument, consequently, is inextricably bound to a reading of Melville's text as deeply engaged with the concepts it inherits from Geoffrey Chaucer's The Canterbury Tales, an inheritance woefully under-examined by those critics who would leave Melville's text in the mire of hopelessness. In examining …

How Queer Came To Be: Deconstructing White Queerness In Melville's "Bartleby," Ginsberg's Howl, And Morrison's A Mercy, Sara Elizabeth Parnell Wilcox

Graduate Theses

In American LGBTQ+ communities, questions continually arise about what it means to live in a post-gay marriage world. Is there still a need for a division between LGBTQ+ and heteronormative spaces, such as nightclubs or parades? What purpose does the ideological signification of a queer identity serve if, ostensibly, queer communities are now equal with their heteronormative counterparts? Rather than accepting the homonormative, post-gay marriage premise that underlies frequent, current representations of “queerness” in terms of white, male, gay bodies, I plan to explore the convergence of aesthetics and politics as a method of freeing queer theory from some of …

The Literary Significance Of Herman Melville’S Benito Cereno: An Analytical Reflection On Benito Cereno As A Fictional Narrative, Dani Kaiser

4997 English: Capstone

In Herman Melville’s Benito Cereno (1855), Captain Amasa Delano discovers a distressed slave ship in need of aid, only to later find out that his perception of the dire situation was completely incorrect. Melville’s novella is derived from Delano’s nonfiction account of the experience, titled Narrative of Voyages and Travels in the Northern and Southern Hemispheres (1817). This paper focuses on three questions that demonstrate why Melville wrote a novella almost completely derived from a nonfiction account of the events aboard the ship. In order to understand why Melville’s novella is powerful, one must ask, as an overarching question why …

Biography And Broken Barriers: Melville’S Use Of Personal Experience And Social Groups To Achieve Commentary In Typee And Redburn, Katelyn Quigley

4997 English: Capstone

Melville’s texts continue to be relevant to a contemporary readership well over a century since original publication, as his words not only illuminate and examine nineteenth century experiences, but also present concepts and ideas that continue to be worthy of consideration by modern audiences. One such issue that is regularly addressed in Melville’s works is that of identity: of the individual, of society, and of the individual as he navigates between the fabrics of various social worlds. This paper examines Social Identity Theory and its components that both achieve identification of the individual and the aggregate in society and define …

Interpretations Of Herman Melville’S Moby-Dick In The Field Of Visual Arts, Madeline Kudlata

4997 English: Capstone

Artistic adaptations of literary classics allow readers to visualize and contextualize some of the most important themes, motifs, scenes, and images in a story that may be difficult to grasp through verbal text alone. From these adaptations, one can analyze the stylistic and thematic similarities or differences in the way an artist portrays elements of Melville’s Moby-Dick. Through their varying artistic styles and media, abstract impressionist Frank Stella, self-taught artist Matt Kish, and award-winning children’s book illustrator Allan Drummond express how Melville’s novel can manifest itself in a multitude of contexts: emotional, literal, and theoretical. By analyzing the way …

Tale Of The Whale, Joel Schlaudt

Aidenn: The Liberty Undergraduate Journal of American Literature

In his critique of Herman Melville’s Moby Dick, A.N. Deacon accurately captures one of the main tenets if not the central theme of the book; however, he also makes several claims about the novel that do not seem to fit with the evidence seen in the actual story. For example, Deacon holds that Melville is attempting to show that the power and attributes of Moby Dick are the source, symbolically, of truth and meaning. However, this is not the impression we get when we look closely at the work itself and note Melville’s treatment of the subject. Furthermore, Deacon …

Melville's Mardi And The Book Of Mormon, Giordano Lahaderne

Graduate Student Theses, Dissertations, & Professional Papers

While Melville’s Mardi has long remained a puzzle to both readers and critics, scholars agree that his third novel marked a significant turning point in his writing career. It is with Mardi that Meville realized the novel as a form suited to grapple the various philosophical and religious questions he would famously explore in his following book, Moby Dick. Although scholars have already pinpointed many various sources for Mardi, this thesis examines the heretofore overlooked connections between Melville’s third book and the esoteric volume of American scripture, the Book of Mormon.

The first chapter of this thesis examines …

"Dollars Damn Me": Editorial Politics And Herman Melville's Periodical Fiction, Timothy R. Morris

Theses and Dissertations

To illustrate Melville’s navigation of editorial politics in the periodical marketplace, this study analyzes two stories Melville published in Putnam’s in order to reconstruct the particular historical, editorial, social, and political contexts of these writings. The first text examined in this study is “Bartleby,” published in Putnam’s in November and December of 1853. This reading recovers overtures of sociability and indexes formal appropriations of established popular genres in order to develop an interpretive framework. Throughout this analysis, an examination of the narrator’s ideological bearings in relation to the unsystematic implementation of these ideologies in American public life sets forth a …

American Shudders: Race, Representation, And Sodomy In Redburn, David Greven

Faculty Publications

Newer critical treatments of Redburn argue that its significance lies in its critique of antebellum slavery, most saliently in chapter 31, in which Wellingborough Redburn, the first-person narrator, offers an ekphrastic depiction of the Nelson Monument in Liverpool, England. This monument contains an especially significant detail: the four naked, chained male figures at the base of the pedestal. Redburn tells us that he can never look at their “swarthy limbs and manacles, without being involuntarily reminded of four African slaves in the market-place.” The abjection of the figures is significant for understanding not only issues of race and slavery but …

On The Matter Of God’S Goodness: An Examination Of The Failure Of Theodicies, Herman Melville, And An Alternative Approach To The Problem Of Evil, Marie Angeles

Scripps Senior Theses

Within Judeo-Christianity there is a belief in an all perfect God who is omniscient, omnipotent, and omnibenevolent. However, in this world evil and suffering exists, so how is it possible that an all perfect God can exist? This is called the problem of evil. This thesis examines the problem of evil and how philosophers like Alvin Plantinga, John Hick, and Richard Swinburne attempt to solve the problem of evil through different theodicies. In this paper I argue that all three philosophers and their theodicies fail to solve the problem of evil. I then turn to the writings of Herman Melville, …

Disciplined Play: American Children's Poetry To 1920, Angela Sorby

English Faculty Research and Publications

Children's poetry is barely studied and barely taught, except as an instrumental teaching tool in colleges of education. American children's poetry, like American literature more generally, took on distinctive characteristics after about 1820, as more work was written and published by Americans. The practice of addressing adults and children together in volumes of poetry spanned the whole nineteenth century, although it was slightly more common during the antebellum period. Most scholarly work on the child like qualities of women authors stresses that, although the voice seems innocent, it is really an adult voice making an adult point. The few poems …

Manly Love And Its Discontents: Melville, Whitman, And The Dream Of American Brotherhood, David Greven

Faculty Publications

No abstract provided.

Melville And The Trope Of The Starving American Artist In Rome, Erika Schneider

Erika Schneider

No abstract provided.

Expanding The West: Melville's Devilish Jesting In The Confidence-Man, Beverly Hume

Beverly A. Hume

No abstract provided.

Between The Devil And The Deep In Melville's "Benito Cereno" And The Confidence-Man, Beverly Hume

Beverly A. Hume

No abstract provided.

Moral Performances: Melodrama And Nineteenth-Century American Literature, Jeffrey Taylor Pusch

Dissertations

Despite a high number of ticket sales, theater reviews, and innumerable letters and diary entries detailing trips to the theater, the stereotype that theater in nineteenth-century America was almost culturally invisible continued well into the twentieth century. Indeed, a scan of anthologies of American literature fails to yield any examples of nineteenth-century drama, even though figures like Henry James were also theater critics and playwrights. Just as it did in American life, theater exhibits a strong presence in the literature of the time. Considering theater’s pervasiveness, this dissertation seeks to restore it to its proper place in our study of …

Melville In The Customhouse Attic, Christopher Hager

Faculty Scholarship

No abstract provided.

Desire In Marble: Vision, Classical Antiquity, And Homoerotic Spectacle In Melville's Travel Writing, David Greven

Faculty Publications

No abstract provided.

Melville's Quest For Certainty: Questing And Spiritual Stability In Herman Melville's Moby-Dick, Damien Brian Schlarb

English Theses

This paper investigates Herman Melville’s quest for spiritual stability and certainty in his novel Moby-Dick. The analysis establishes a philosophical tradition of doubt towards the Bible, outlining the philosophies of Thomas Hobbes, Benedict de Spinoza, David Hume, Thomas Paine and John Henry Newman. This historical survey of spiritual uncertainty establishes the issue of uncertainty that Melville writes about in the nineteenth century. Having assessed the issue of doubt, I then analyze Melville’s use of metaphorical charts, which his characters use to resolve this issue. Finally, I present Melville’s philosophical findings as he expresses them through the metaphor of whaling. Here, …

Roving 'Twixt Land And Sea: Herman Melville, Joseph Conrad, And The Maritime World-System', James W. Long

LSU Master's Theses

Although Herman Melville and Joseph Conrad are generally regarded as sea writers, both wrote numerous works concerned primarily with events on land. But critical approaches to both writers display a tendency to prioritize one set of environments. A result of such approaches is to overlook the manner in which Melville and Conrad explore the relationship between land and sea. This paper argues that one way to analyze how both writers examine that relationship is by locating it within the space of the modern world-system. Immanuel Wallerstein defines the modern world-system as the capitalist world-economy that qualifies as the only historical …

Revisiting A Seminal Text Of The Law & Literature Movement: A Girardian Reading Of Herman Melville's Billy Budd, Sailor, James Mcbride

University of Maryland Law Journal of Race, Religion, Gender and Class

No abstract provided.

The Three Bartlebys Of Melville’S Tale, Gail M. Kienitz

Masters Theses & Specialist Projects

A study of any one of Herman Melville’s works is bound to be a fascinating and informative venture. Within the products of his prolific writing career are keen, precise, enlightening observations about nineteenth-century America. Religion, politics, business, literature, and philosophy are all within the realm of Melville’s careful consideration. Melville was a man who reacted to his world with intense curiosity and passion. Melville was also extremely introspective – searching, questioning, and examining himself with equal intensity.

“Bartleby the Scrivener” offers an interesting synthesis of Melville’s double vision. Within the confines of this tale are Melville’s reaction to his world …

Herman Melville Reconsidered, Vivian Whitted

Theses & Honors Papers

No abstract provided.

Melville's America : Democratic Brotherhood, Nancy Yeager Bailey

Master's Theses

Herman Melville had a deep faith in his fellow man. He felt that man's devotion to other men, a feeling of brotherhood between men, was the essential bond of humanity. Men had to acknowledge their responsibility to their own kind in order to achieve order and happiness in the rapidly changing, ambiguous world of the mid-nineteenth century. He rejected transcendental philosophy because each man had to achieve his own convictions and peace of mind through personal contact with nature, which led to the isolation of the individual. Melville believed that men could not live together in a society by cultivating …