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Articles 1 - 7 of 7
Full-Text Articles in English Language and Literature
From Pound To Olson: The Avant-Garde Poet As Pedagogue, Alan Golding
From Pound To Olson: The Avant-Garde Poet As Pedagogue, Alan Golding
Alan Golding
Ezra Pound’s sense of himself as poet-pedagogue—including his insistent desire to reform American higher education—is inseparable from his literary avant-gardism and his commitment to the principle of “discovery” or “newness.” This connection between experimental poetics and pedagogy forms a central part both of Pound’s significance as a writer and of his influence on a later avant-gardist and didact like Charles Olson, and anticipates the complexities of the subsequent relationship between American poetic avant-gardes and the academy. Olson was both a teacher at and rector of Black Mountain College, and in an unlikely conjunction, the forms of his institutional life enter …
Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith
Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith
Dissertations, Theses, and Capstone Projects
In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …
Reading, The Academy, And The ‘Soft’ Avant-Garde: Tan Lin’S Heath And Heath Course Pak, Alan Golding
Reading, The Academy, And The ‘Soft’ Avant-Garde: Tan Lin’S Heath And Heath Course Pak, Alan Golding
Faculty Scholarship
No abstract provided.
Hybrid, Subversive, And Skeptical Performances Of Gender, Power, And Space In The Postcolonial Avant-Garde, Alyson T. Inouye
Hybrid, Subversive, And Skeptical Performances Of Gender, Power, And Space In The Postcolonial Avant-Garde, Alyson T. Inouye
Honors Projects
In her one-woman play, Iraqi-American playwright and actress Heather Raffo performs the testimonies of nine resilient Iraqi women, emphasizing their diverse experiences of the American occupation and life under the Baathist regime. Near the end of the play, one of the soliloquies breaks down into incoherence: an instance of poetic rupture. There is revolutionary potential latent in this avant-garde technique, and by applying it to her urgent and immediate postcolonial context Raffo simultaneously enacts and demands a response of justice to the injustices attested to throughout. Through the poetic rupture of Layal’s textual/psychological breakdown, Raffo undermines the system that, by …
From Pound To Olson: The Avant-Garde Poet As Pedagogue, Alan Golding
From Pound To Olson: The Avant-Garde Poet As Pedagogue, Alan Golding
Faculty Scholarship
Ezra Pound’s sense of himself as poet-pedagogue—including his insistent desire to reform American higher education—is inseparable from his literary avant-gardism and his commitment to the principle of “discovery” or “newness.” This connection between experimental poetics and pedagogy forms a central part both of Pound’s significance as a writer and of his influence on a later avant-gardist and didact like Charles Olson, and anticipates the complexities of the subsequent relationship between American poetic avant-gardes and the academy. Olson was both a teacher at and rector of Black Mountain College, and in an unlikely conjunction, the forms of his institutional life enter …
Uncelebrated Stylists: Wyndham Lewis, Ford Madox Ford, And The Artist As Masochist, Chase Morgan Erwin
Uncelebrated Stylists: Wyndham Lewis, Ford Madox Ford, And The Artist As Masochist, Chase Morgan Erwin
Masters Theses
This study presents an attempt to understand the political and aesthetic relationship between two of Modernism’s most enigmatic authors, Wyndham Lewis and Ford Madox Ford by examining their novelistic practice in light of their writings on politics and social criticism. A close look at the use of ironic distance, a hallmark feature in our understanding of modernist fiction, in Tarr (1918) and The Good Soldier (1915) reveals both authors conscious effort to distance themselves from their novel’s subjects, Fredric Tarr and John Dowell respectively. In light of both novels’ satirical element, a scathing attack on bourgeois narcissism caused by the …
Literary Retrospection In The Harlem Renaissance, Claudia Stokes
Literary Retrospection In The Harlem Renaissance, Claudia Stokes
English Faculty Research
In 1925, book collector and Harlem Renaissance patron Arthur A. Schomburg began the essay "The Negro Digs Up His Past," published in Alain Locke's landmark anthology The New Negro (1925), by proclaiming that the "American Negro must remake his past in order to make his future. ... So among the rising democratic millions we find the Negro thinking more collectively, more retrospectively than the rest, and opt out of the very pressure of the present to become the most enthusiastic antiquarian of them all" (231). These words might be surprising to the beginning student of the Harlem Renaissance, seduced by …