English Language and Literature Commons^™

Mad Hero In A Box: Christianity, Secular Humanism, And The Monomyth In Doctor Who, Sabrina Hardy

Masters Theses

Doctor Who is a long-running, incredibly popular work of television science-fiction, with a devoted fanbase across the Western world. Like all science fiction, it deals with the weighty questions posed by the culture around it, particularly in regards to ethics, politics, faith/belief, and the idea of the soul. These concepts are dealt with through the lens of the Secular Humanist ideology held by the showrunners and by many of the people who watch the show; however, in many areas, elements of the Christian worldview seep through. The conflict between these two worldviews has serious ramifications for the show itself, as …

The Dystopian Dickens: Expectant Of Hard Times, Micaela L. Hamid

Senior Honors Theses

As part of this thesis, the novel Expectant will parody different elements of two of Charles Dickens’ novels with their dystopian, futuristic setting. Expectant replicates the themes of disappointment and emotional deprivation from Great Expectations (1860-61), and dehumanization and the struggle between fancy and reason from Hard Times (1854). The parody will draw parallels from the plotlines, characters, and symbols of these novels to further cement the similarities of the themes employed with themes popularized more recently by novels of the dystopian genre.

The mission of the project is to sell the novel, Expectant, to publishers on the basis …

Mad To Be Sincere: Authenticity, Irony, And Kerouac’S Response To Modern Reality, Jonathan Michael Devin

Masters Theses

This project explores the qualities of sincerity, authenticity, and irony in Jack Kerouac's novel On the Road. The thesis asserts that that On the Road is neither ironic nor authentic, but, rather, that it both possesses aspects of traditional sincerity and anticipates the New Sincerity movement in contemporary literature. Through observing the characteristics of traditional sincerity and New Sincerity in the novel, the thesis amends the novel's critical position by showing a level of complexity, foresight, and nuance in the text. Ultimately, the thesis shows Kerouac's response to modern reality, presenting the limitations of authenticity and irony while esteeming the …

A Culture In Change: The Development Of Masculinity Through P.G. Wodehouse's Psmith Series, Allison Thompson

Masters Theses

P. G. Wodehouse offers a serious and sustained critique of English society using the game of cricket as he follows the lives of two memorable characters, Mike Jackson and Rupert Psmith. Yet Wodehouse has frequently been accused of existing as too innocent of a bystander to understand the underpinnings of society, let alone to offer a critique. For example, Christopher Hitchens in a review of a Wodehouse biography by Robert McCrum states, "Wodehouse was a rather beefy, hearty chap, with a lifelong interest in the sporting subculture of the English boarding school and a highly developed instinct for the main …

American Dreams And Dystopias: Examining Dystopian Parallels In The Great Gatsby And To Kill A Mockingbird, Samuel Nathan Harris

Masters Theses

In this study I consider the recent trend of dystopian fiction in literature—both the broader genre of dystopias of the past century or so, and the contemporarily popular subgenre of young adult dystopian fiction—and examine whether certain American novels, while not typically considered dystopias, can fit into this genre or at least be established as having some parallels with works of this genre. Based on certain shared archetypes of the genre, such as “speculative myth,” a governing “ritual habit,” and a dissatisfied narrator or protagonist, I here propose that other American classics, specifically F. Scott Fitzgerald’s The Great Gatsby and …

The Many Paths Of Cyberspace: William Gibson's The Sprawl As Prototype For Structural, Thematic, And Narrative Multilinearity In New Media, Erik Marsh

Masters Theses

William Gibson’s Sprawl trilogy helped set a new direction for science fiction, but his work is also a valuable tool for examining changes in the approach both readers and writers began to take to approaching literature as the text medium began its rapid evolution with the introduction of electronic hypertext. In this examination of Gibson’s fiction, a pattern of multilinear truth emerges, showing how Western culture began to fully embrace Postmodern approaches to truth claims as a default, how even a pre-electronic text can exhibit hypertext-like aspects, and how this shift in interpretive response to literature is important for Christians …

Flannery O'Connor's Redemptive Violence In Chuck Palahniuk's Fight Club And Invisible Monsters, Caitlin Elliot

Masters Theses

Underground fight clubs, transsexuals, shotguns: these are the images that come to mind when one thinks of Chuck Palahniuk’s fiction—for many critics and readers, merely the stuff of pulp fiction. However, many of Palahniuk’s novels use violence to critique American culture while offering hope for the redemption of his characters and society as a whole. Thus, the violence in his works serves a purpose beyond mere shock value. The function of Palahniuk’s violence, I argue, reflects the poetics of Flannery O’Connor. Her works contain culturally-driven narratives with strange and grotesque circumstances that lead her characters to moments of redemption, and …

The Romantic Egoist: Fitzgerald's View On Identity And Culture, Tara Bender

Masters Theses

"Who am I?” is a question that not only each individual asks himself or herself at various points in the process of maturation from childhood to adulthood, but also society itself as it changes and grows. During the 1920s, Americans were asking themselves these defining questions. F. Scott Fitzgerald as one of the pre-eminent writers of that time period provides examples in his novels This Side of Paradise, Beautiful and The Damned, and The Great Gatsby of the immaturity of masculine figures. Amory Blaine, Anthony Patch, and Jay Gatsby exemplify the struggle of men in the 1920s to develop their …

Holy Places, Dark Paths: Till We Have Faces And The Spiritual Conflicts Of C.S. Lewis, Joshua G. Novalis

Senior Honors Theses

Although Till We Have Faces (1956) was written late in C.S. Lewis’s life (1898-1963), during the peak of his literary renown, the novel remains one of Lewis’s least known and least accessible works. Due to its relatively ancient and obscure source material, as well as its tendency towards the esoteric, a healthy interpretation of the novel necessitates a wider look at Lewis’s life-long body of work. By approaching Till We Have Faces through the framework of Lewis and the corpus of his work, the reader can see two principal conflicts that characterize the work as a whole, and, more specifically, …