English Language and Literature Commons^™

"Ushering" In The Fulfillment Of Prophecy, Alison M. Pulliam

Aidenn: The Liberty Undergraduate Journal of American Literature

During the 19^th century, a phenomenon known as “Holy Land mania” was sweeping the United States. Americans were intrigued by the state of the Holy Land and whether or not this state matched the images described in biblical prophecy (Robey 62). Interest in Israel’s condition invaded many aspects of American life, including literature. Looking through the lens of historical criticism, it is easy to see how authors of this time period fed on the “Holy Land mania” to include references to prophecy and the Middle East in their writings. In particular, critic Molly K. Robey accurately points out in …

Genre-Savvy Sonnets: Shakespeare’S Subversion Of Problematic Conventions Of Courtly Love, Kelly Kramer

The Kabod

In an analysis of Shakespeare's 130th Sonnet, Kramer finds that the Bard champions a better way to love rather than the idealization of another that is the convention of courtly love. Actually knowing and loving someone's flaws and oddities is more constructive and enduring in contrast to the courtly love tradition which Shakespeare implies is harmful and misleading in its teaching to value the wrong thing in another.

The Hall Of Mirrors: Multi-Biographical Transfigurations Of British Women Writers During The Long Nineteenth Century, Brenda Ayres

Honorable Mention

Assistant Director of Honors, Dr. Brenda Ayres, presents on her upcoming book, A Hall of Mirrors: Multi-biographical Transfigurations of British Women Writers During the Long Nineteenth Century, to be published in the summer of 2016 by Palgrave Macmillan. The presentation is a part of the English Faculty Research Lecture Series. The lecture will be DH 3397, October 16, 2015 from 10:30-11:35.

Brotherly Love In Twelfth Night, Sara Heist

The Kabod

Shakespeare’s Twelfth Night draws an intriguing contrast between brotherly love and romantic love. Through the relationships of Sebastian-Antonio and Viola-Orsino, the playwright illustrates these two types of love in the lives these characters, showing that the two distinct types of love may conflict or harmonize, depending on the situation. An analysis of these two relationships provides insight into the tension between the two types of love in the play. The comparison of the motives, characteristics, expectations, and transience of the four characters’ amicable relationships illustrates the benefits and shortcomings of amity.

One Big Thing: Suffering As The Path To New Life In Crime And Punishment, Kelly M. Kramer

Montview Journal of Research & Scholarship

After spending a whole semester reading and thinking about Dostoevsky, the main thing that has struck me about him is his treatment of the theme of suffering. Despite, and even through, his extremely complicated characters and events, he nevertheless focuses his novels, particularly Crime and Punishment, on presenting a nuanced yet unified picture of suffering. After a brief analysis of several of the relevant characters and plot points, his thoughts on what suffering does to and for the individual will be presented. In contrast to our culture’s almost idolization of suffering as an experience which gives one instant respect, …

Letter From The Editor, Brenda Ayres

Montview Journal of Research & Scholarship

This is the Letter from the Editor for the inaugural issue of Montview: Liberty University of Undergraduate Research.

Mad Hero In A Box: Christianity, Secular Humanism, And The Monomyth In Doctor Who, Sabrina Hardy

Masters Theses

Doctor Who is a long-running, incredibly popular work of television science-fiction, with a devoted fanbase across the Western world. Like all science fiction, it deals with the weighty questions posed by the culture around it, particularly in regards to ethics, politics, faith/belief, and the idea of the soul. These concepts are dealt with through the lens of the Secular Humanist ideology held by the showrunners and by many of the people who watch the show; however, in many areas, elements of the Christian worldview seep through. The conflict between these two worldviews has serious ramifications for the show itself, as …

The Dystopian Dickens: Expectant Of Hard Times, Micaela L. Hamid

Senior Honors Theses

As part of this thesis, the novel Expectant will parody different elements of two of Charles Dickens’ novels with their dystopian, futuristic setting. Expectant replicates the themes of disappointment and emotional deprivation from Great Expectations (1860-61), and dehumanization and the struggle between fancy and reason from Hard Times (1854). The parody will draw parallels from the plotlines, characters, and symbols of these novels to further cement the similarities of the themes employed with themes popularized more recently by novels of the dystopian genre.

The mission of the project is to sell the novel, Expectant, to publishers on the basis …

Mad To Be Sincere: Authenticity, Irony, And Kerouac’S Response To Modern Reality, Jonathan Michael Devin

Masters Theses

This project explores the qualities of sincerity, authenticity, and irony in Jack Kerouac's novel On the Road. The thesis asserts that that On the Road is neither ironic nor authentic, but, rather, that it both possesses aspects of traditional sincerity and anticipates the New Sincerity movement in contemporary literature. Through observing the characteristics of traditional sincerity and New Sincerity in the novel, the thesis amends the novel's critical position by showing a level of complexity, foresight, and nuance in the text. Ultimately, the thesis shows Kerouac's response to modern reality, presenting the limitations of authenticity and irony while esteeming the …

A Culture In Change: The Development Of Masculinity Through P.G. Wodehouse's Psmith Series, Allison Thompson

Masters Theses

P. G. Wodehouse offers a serious and sustained critique of English society using the game of cricket as he follows the lives of two memorable characters, Mike Jackson and Rupert Psmith. Yet Wodehouse has frequently been accused of existing as too innocent of a bystander to understand the underpinnings of society, let alone to offer a critique. For example, Christopher Hitchens in a review of a Wodehouse biography by Robert McCrum states, "Wodehouse was a rather beefy, hearty chap, with a lifelong interest in the sporting subculture of the English boarding school and a highly developed instinct for the main …

American Dreams And Dystopias: Examining Dystopian Parallels In The Great Gatsby And To Kill A Mockingbird, Samuel Nathan Harris

Masters Theses

In this study I consider the recent trend of dystopian fiction in literature—both the broader genre of dystopias of the past century or so, and the contemporarily popular subgenre of young adult dystopian fiction—and examine whether certain American novels, while not typically considered dystopias, can fit into this genre or at least be established as having some parallels with works of this genre. Based on certain shared archetypes of the genre, such as “speculative myth,” a governing “ritual habit,” and a dissatisfied narrator or protagonist, I here propose that other American classics, specifically F. Scott Fitzgerald’s The Great Gatsby and …

The Many Paths Of Cyberspace: William Gibson's The Sprawl As Prototype For Structural, Thematic, And Narrative Multilinearity In New Media, Erik Marsh

Masters Theses

William Gibson’s Sprawl trilogy helped set a new direction for science fiction, but his work is also a valuable tool for examining changes in the approach both readers and writers began to take to approaching literature as the text medium began its rapid evolution with the introduction of electronic hypertext. In this examination of Gibson’s fiction, a pattern of multilinear truth emerges, showing how Western culture began to fully embrace Postmodern approaches to truth claims as a default, how even a pre-electronic text can exhibit hypertext-like aspects, and how this shift in interpretive response to literature is important for Christians …

Flannery O'Connor's Redemptive Violence In Chuck Palahniuk's Fight Club And Invisible Monsters, Caitlin Elliot

Masters Theses

Underground fight clubs, transsexuals, shotguns: these are the images that come to mind when one thinks of Chuck Palahniuk’s fiction—for many critics and readers, merely the stuff of pulp fiction. However, many of Palahniuk’s novels use violence to critique American culture while offering hope for the redemption of his characters and society as a whole. Thus, the violence in his works serves a purpose beyond mere shock value. The function of Palahniuk’s violence, I argue, reflects the poetics of Flannery O’Connor. Her works contain culturally-driven narratives with strange and grotesque circumstances that lead her characters to moments of redemption, and …

The Romantic Egoist: Fitzgerald's View On Identity And Culture, Tara Bender

Masters Theses

"Who am I?” is a question that not only each individual asks himself or herself at various points in the process of maturation from childhood to adulthood, but also society itself as it changes and grows. During the 1920s, Americans were asking themselves these defining questions. F. Scott Fitzgerald as one of the pre-eminent writers of that time period provides examples in his novels This Side of Paradise, Beautiful and The Damned, and The Great Gatsby of the immaturity of masculine figures. Amory Blaine, Anthony Patch, and Jay Gatsby exemplify the struggle of men in the 1920s to develop their …

Holy Places, Dark Paths: Till We Have Faces And The Spiritual Conflicts Of C.S. Lewis, Joshua G. Novalis

Senior Honors Theses

Although Till We Have Faces (1956) was written late in C.S. Lewis’s life (1898-1963), during the peak of his literary renown, the novel remains one of Lewis’s least known and least accessible works. Due to its relatively ancient and obscure source material, as well as its tendency towards the esoteric, a healthy interpretation of the novel necessitates a wider look at Lewis’s life-long body of work. By approaching Till We Have Faces through the framework of Lewis and the corpus of his work, the reader can see two principal conflicts that characterize the work as a whole, and, more specifically, …

Writing The Nation: A Concise Introduction To American Literature 1865 To Present, Amy Berke, Robert Bleil, Jordan Cofer, Doug Davis

Textbooks

Writing the Nation: A Concise Guide to American Literature 1865 to Present is a text that surveys key literary movements and the American authors associated with the movement. Topics include late romanticism, realism, naturalism, modernism, and modern literature.

ENGL 202

Faculty Author Series-Dr. Brenda Ayres

Honorable Mention

Announcement about Dr. Brenda Ayres' presentation on Feminism and Christian Scholarship. This is a lecture event for the JFL Faculty Authors Series.

Altered Perspective, Jaymee L. Wagner

The Kabod

This paper analyzes Charles Dickens’ Great Expectations by discussing how and why Pip’s perspective on social classes and individual morality changes as a result of the various characters and events he encounters throughout the novel.

Tale Of The Whale, Joel Schlaudt

Aidenn: The Liberty Undergraduate Journal of American Literature

In his critique of Herman Melville’s Moby Dick, A.N. Deacon accurately captures one of the main tenets if not the central theme of the book; however, he also makes several claims about the novel that do not seem to fit with the evidence seen in the actual story. For example, Deacon holds that Melville is attempting to show that the power and attributes of Moby Dick are the source, symbolically, of truth and meaning. However, this is not the impression we get when we look closely at the work itself and note Melville’s treatment of the subject. Furthermore, Deacon …

I Would Prefer Not To Help You, Christen Dunn

Aidenn: The Liberty Undergraduate Journal of American Literature

Bartleby, the Scrivener recounts a story of a scrivener who would prefer not to do anything, whether that be parts of his job, changing his location, or eating his dinner. The narrator’s reaction to Bartleby’s lazy desires seem to be admirable, but his selfish motivation and false compassion are evident. The way the narrator views and treats Bartleby is consistent with the standards of philanthropy of the wealthy during the mid-nineteenth century. The narrator truly believes he has helped Bartleby to the best of his ability, yet fails to connect with Bartleby outside of offering him money and future assistance …

The Legend Of Sleepy Hollow: An Ambiguous Ghost Tale, Elisa R. Jacobs

Aidenn: The Liberty Undergraduate Journal of American Literature

Abstract