English Language and Literature Commons^™

“The Living Nightmare: Deathlok And African American Slavery In Contemporary Society”, Christian Organ

MAD-RUSH Undergraduate Research Conference

Deathlok #1-4 (July-Oct. 1990), produced by an African-American team lead by writer Dwayne McDuffie, features the first iteration of a black man, Michael Collins, being Deathlok, a character who had previously seen multiple rewrites through the lens of different white men. Along with the skin of the character changing, the tone of the comic changes to highlight the subservient, slave like, nature of Collins’ relationship to corporate America. While other research has correctly observed the prominent parallels to slavery in Collins relationship to corporate America after his transformation into the killing machine Deathlok, this paper asserts that Collins’ slavery and …