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English Language and Literature Commons™
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Articles 1 - 6 of 6
Full-Text Articles in English Language and Literature
“Now It’S All Simple:” Ideology And Solidarity In Mckay’S Romance In Marseille, Reilly Flynn
“Now It’S All Simple:” Ideology And Solidarity In Mckay’S Romance In Marseille, Reilly Flynn
MAD-RUSH Undergraduate Research Conference
Survival strategy, or an individual’s chosen method of living with dignity and security in an oppressive social order, can be viewed as a reflection of identity. Claude McKay’s recently published 1932 novel Romance in Marseille presents a wide variety of survival strategies practiced by many diasporic Africans. These characters hail from a variety of backgrounds, races, genders, sexual orientations, and disability statuses, but they are nevertheless united by common class conditions. Through this, solidarity and shared ideology emerge. Solidarity is crucially an important revolutionary force, but it is not infallible. With an eye on manifestations of ideology and identity in …
Women's Self-Definition Through Poetry, Olivia Samimy
Women's Self-Definition Through Poetry, Olivia Samimy
MAD-RUSH Undergraduate Research Conference
This project looks at five female poets across history – Anne Bradstreet, Aphra Behn, Forough Farrokhzad, Anne Sexton, and Sylvia Plath – to explore the various challenges they faced writing in their patriarchal societies. Further, it looks at the way they each used their poetry to define themselves and their own identity. This project seeks to explain why this act of self-definition is significant, and why it so often drew criticism from the writers’ respective societies. What was discovered, is that the act of a woman crafting her own self-definition through poetry is a privilege in a patriarchal society, where …
“The Living Nightmare: Deathlok And African American Slavery In Contemporary Society”, Christian Organ
“The Living Nightmare: Deathlok And African American Slavery In Contemporary Society”, Christian Organ
MAD-RUSH Undergraduate Research Conference
Deathlok #1-4 (July-Oct. 1990), produced by an African-American team lead by writer Dwayne McDuffie, features the first iteration of a black man, Michael Collins, being Deathlok, a character who had previously seen multiple rewrites through the lens of different white men. Along with the skin of the character changing, the tone of the comic changes to highlight the subservient, slave like, nature of Collins’ relationship to corporate America. While other research has correctly observed the prominent parallels to slavery in Collins relationship to corporate America after his transformation into the killing machine Deathlok, this paper asserts that Collins’ slavery and …
Blade Runner And The Divine Menace, Alexander W. Pickens
Blade Runner And The Divine Menace, Alexander W. Pickens
MAD-RUSH Undergraduate Research Conference
Following the decline of Christianity in mainstream Western culture, a void rose in the moral and societal code. Those writers that emerged presented alternate visions that worked their way into the literature of the 20th century. Karl Marx's interpretation of the structure of labor in capitalism presented a new societal hierarchy whose finer points have been worked out in the complex film Blade Runner. This dystopian nightmare, in which a Marxist interpretation of current society bogged down by the ennui of capitalist accumulation is confronted, describes a new religious order based upon this economic theory. Central to this reimagining …
Politics Of Identity And Oppression In Rhys’S Voyage In The Dark, Ellen Michelle Stringer
Politics Of Identity And Oppression In Rhys’S Voyage In The Dark, Ellen Michelle Stringer
MAD-RUSH Undergraduate Research Conference
In this essay, “Politics of Identity and Oppression in Rhys’s Voyage in the Dark” I aim to explore the ways in which identity and the idea of the constructed ‘self’ are both created and continuously transformed by one’s experiences and memories. I argue that the protagonist of Rhys’s novel’s identity is ultimately shaped by her racialized experiences of growing up in the West Indies. In my discussion I analyze the color metaphors Rhys utilizes and the impact they have upon readers’ unconscious perceptions about race, ultimately aiming to deconstruct the commonly assumed/utilized dichotomy between white/black. I use these notions of …
Reaching Reality: Realistic Portrayals Of Racism, Paige Evans
Reaching Reality: Realistic Portrayals Of Racism, Paige Evans
MAD-RUSH Undergraduate Research Conference
This paper argues that genre is essential to the accurate depiction of racism. By focusing on three landmark texts—Richard Wright’s Native Son, Ralph Ellison’s Invisible Man, and Percival Everett’s Erasure—an overview of the most powerful genres in this discussion is given. The first, Realism, is defined by its determination to show physical reality. The next, Surrealism, is associated with cognitive reality. Poststructuralism, the last genre included, is described as using the cognitive effects of Surrealism to actively commentate and critique the physical realities of Realism. It is this interaction that marks Poststructuralism as the genre best suited …