English Language and Literature Commons^™

El Choteo En Cien Botellas En Una Pared Y Raining Backwards: El Gracioso Disfraz De Las Circunstancias Trágicas Durante La Revolución Cubana Y El Período Especial, Kristin Nicole Lisenby

World Languages and Cultures

This project attempts to explore the idea that the combination of tragedy and humor in Cuban and Cuban-American literature is a form of “choteo” or “no tomar nada en serio,” which demonstrates a coping strategy used by Cubans during hard times. In the case of Ena Lucía Portela's Cien botellas en una pared, and Roberto Fernandez's Raining Backwards, I believe that the two authors use his and her own personal insight into a Cuban's life during the Cuban Revolution of the 60's and the Special Period of the 90's, and that those personal experiences are reflected throughout the novels …

From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel

Department of English Publications

Introduction:

Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …

A Feminist Critique Of Beowulf: Women As Peace-Weavers And Goaders In Beowulf's Courts, Charles Phipps

Theses, Dissertations and Capstones

This thesis documents the relationship between “Goaders" and "Peace-Weavers" amongst the women of Beowulf. These roles have a large place to play within the framework of the Beowulf narrative and all of its female characters fall into one of these descriptors. Goaders are women who have the role of driving men to violence with words. They do not actually perform the violence themselves but instead induce it in others, souring relationships and compelling men to war. Peace-weavers, by contrast, urge men toward reconciliation with speech and encouragement. Examining the poem's context for these two roles and how they relate to …

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Literary Annual, Katherine D. Harris

Faculty Publications, English and Comparative Literature

No abstract provided.

“To Say Nothing”: Variations On The Theme Of Silence In Selected Works By Sor Juana Inés De La Cruz, Sandra Cisneros, And María Luisa Bombal, Hannah M. Frantz

Student Publications

This paper explores the various ways in which Sor Juana Inés de la Cruz’s La Respuesta, Sandra Cisneros’s “Woman Hollering Creek,” and María Luisa Bombal’s “The Tree” address the theme of silence. It interrogates how the female characters in each of these works are silenced as well as their responses to that oppression. Meaning is subjective, so writing is a safe outlet for the oppressed. These works each identify an oppressor, either a husband or the male dominated church, as well as an oppressed individual, who is the female lead. In La Respuesta, the Catholic church, and specifically …

Sacrificio, Violencia Y Nación En Lituma En Los Andes De Mario Vargas Llosa, Cesar Valverde

Scholarship

No abstract provided.

Anticipative Feminism In F. Scott Fitzgerald’S This Side Of Paradise And Flappers And Philosophers, Andrew Riccardo

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Feminine Realism In Cornhill Magazine: Anne Thackeray Ritchie And Frances Parthenope Verney, Alexandra Virginia Scamahorn

Electronic Theses and Dissertations

This thesis explores the literature published by two lesser known women writers in Cornhill Magazine during the 1860s: Anne Thackeray Ritchie and Frances Parthenope Verney. By using the magazine as a context for their fiction, I examine the ways in which these writers both reflect Cornhill's brand of realism, which privileged masculine ideology, and diverge from it, inserting a feminine perspective. Because the magazine's representation of the multiple facets of its society is varied and complex, my thesis examines a particular aspect of societal representation: one that depicts mid-nineteenth-century society in transition from traditional to progressive values. Caught between …

Mother Of Three Drowns Children And Other Stories, Laura L. Stubbins

Open Access Theses & Dissertations

A collection of short stories depicting fictional characters facing what is absent from their lives.

Review Of Monsters, Gender, And Sexuality In Medieval English Literature By Dana Oswald, Jeff Massey Ph.D.

Faculty Works: ENG (1995-2016)

The perceived gender, overt sexuality, and frightening reproductive potential of medieval monsters are placed under the cultural mico- and macro-scope in this revised dissertations, an ambitious and provocative (if sometimes self-limited) addition to the growing field of monster studies. As with most recent explorations in the filed, Dana Oswald's argument (repeated with force and regularity throughout) relives heavily on the work of Jeffrey Jerome Cohen, focusing on monsters as embodiments of cultural anxiety. However, the haunting traces of monstrosity collected by Oswald lead her to proclaim that not only does the monster always escape (as theorized by Cohen), but that …

Wounded Women, Varied Voice, Kathryn Johnston

Undergraduate Review

Daphne du Maurier and Sylvia Plath both use voice as a tool in their respective pieces, “La Sainte-Vierge” and “Lesbos.” Through the implementation of varied voices, these women convey female interiors. Du Maurier’s use of a third-person narrative voice in her short story “La Sainte-Vierge” allows her to comment on the lives of the main characters through the eyes of an outsider. Du Maurier’s outsider reveals a naïve and delusional housewife, unhealthy in her denial within a failing relationship. Contrasting with du Maurier’s Marie is Plath’s first-person voice of a scorned, dissatisfied housewife in her poem, “Lesbos.” Plath’s use of …

Healing Or Horrifying? Portrayals Of Victorian Medicine In Bram Stoker's Dracula, Jennifer Miles

Journal of Dracula Studies

No abstract provided.

The Publication Of Dracula, Paul S. Mcalduff

Journal of Dracula Studies

No abstract provided.

Paradigmatic Brilliance - Or, So Sparkly, It's Broken, Janet Goodall, Emyr Williams

Journal of Dracula Studies

No abstract provided.

"A Foreign Man In A Fog": Robert Siodmak, Lon Chaney Jr., And Son Of Dracula, Mark Bernard

Journal of Dracula Studies

No abstract provided.

Playing Vampire Games: Rules And Play In Varney The Vampire And Dracula, Lindsay Dearinger

Journal of Dracula Studies

No abstract provided.

Bibliography Of Central European Women's Holocaust Life Writing In English, Louise O. Vasvári

CLCWeb Library

No abstract provided.

"I Is An Other": An Exploration Of The Development Of Childhood And Adolescent Self-Concept, Jessica Lebovits

Senior Projects Spring 2012

A multidisciplinary project that combines original empirical research with an analysis of two Modernist novels, The Waves by Virginia Woolf and A Portrait of the Artist as a Young Man by James Joyce.

Bibliography For The Study Of Text And Image In Modern European Culture, Natasha Grigorian

CLCWeb Library

No abstract provided.

`The Only Beguiled Person?': Accessing Fantomina In The Feminist Classroom., Kate Levin

Publications and Research

This article explores how Eliza Haywood's 18th-century novella Fantomina serves as an allegory for the challenges of maintaining a feminist classroom.

Literary Annual, Katherine D. Harris

Katherine D. Harris

No abstract provided.

Aemilia Lanyer's Use Of The Garden In Salve Deus Rex Judæorum, Anna Brovold

All Graduate Theses, Dissertations, and Other Capstone Projects

Aemilia Lanyer used her collection of poetry, Salve Deus Rex Judæorum to redefine the way that women should look at themselves in the eyes of God. She began her collection with poems dedicated to women that she had deemed virtuous and worthy of individual attention. Her dedicatees were then presented to her readers as the true Disciples of Christ; an honor due to women because of their empathy for Christ's situation. Lanyer rewrote the biblical Passion story in order to include a feminized version of Christ, the rightful female Disciples of Christ and an additional trial presented to Pontius Pilate …

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …

Cumberland [Abstract], Megan Gannon

Department of English: Dissertations, Theses, and Student Research

Set in a fictional town on the coast of Georgia in July of 1972, Cumberland is the story of two fifteen-year-old twin sisters, Ansel and Isabel (“Izzy”) Mackenzie, who have lived with their frugal, eccentric grandmother since the age of eight when their parents were killed in a car accident and Isabel was paralyzed. Over the years, the burden of caring for her sister has fallen increasingly on Ansel. However, as Ansel cultivates a romantic relationship with a local boy, as well as an artistic apprenticeship with a visiting photographer, her growing desires for selfhood and independence compromise her ability …

"To Bend Without Breaking": American Women's Authorship And The New Woman, 1900-1935, Amber Harris Leichner

Department of English: Dissertations, Theses, and Student Research

This dissertation focuses on constructions of female authorship in selected prose narratives of four American women writers in the early twentieth century: Edith Wharton, Willa Cather, Zitkala-Ša, and Gertrude Schalk. Specifically, it examines portraits of women in pieces that appeared in national magazines from 1900-1935 that bracket these writers’ careers and that reflect anxieties about their professional authorial identities complicated by gender and, in the case of Native American Zitkala-Ša (Yankton Sioux) and African American Gertrude Schalk, race as well. In a period characterized by fierce debates over the role of women in a dawning modern age, these writers participated …

Woolf And Intertextuality, Anne Fernald

Anne E Fernald

No abstract provided.

Surviving The Waterless Flood: Feminism And Ecofeminsim In Margaret Atwood’S The Handmaid’S Tale, Oryx And Crake, And The Year Of The Flood, Karen Stein

Karen F Stein

No abstract provided.

Rachel Carson, Karen Stein

Karen F Stein

Rachel Carson is the twentieth century's most significant environmentalist. Her books about the sea blend science and poetry as they invite readers to share her celebration of the ocean's wonders. Silent Spring, her compelling expose of the damage caused by the widespread aerial spraying of persistent organic pesticides such as DDT, opened our eyes to the interconnectedness of all living beings and the ecological systems we inhabit. Carson's work challenges the belief that science and technology can control the natural world. She calls us to rekindle our sense of wonder at nature's power and beauty, and to tread lightly on …

Reproducing The Line: 1970s Innovative Poetry And Socialist-Feminism In The U.K., Samuel Solomon

Samuel Solomon

This dissertation considers the experimental group of ""Cambridge poets"" in the 1970s and explains how and why their somewhat obscure body of work was a battleground for cultural politics. I focus on the writing of women who bridged Cambridge poetry and socialist-feminist politics even as they worked at the margins of both communities. I argue that this poetry took shape at a unique conjuncture – the history of literary study at Cambridge, the varied British reception of Marxist thought and political action, the rise of Conservatism, and the increasing influence of feminism – that made radical poetics a hotly contested …