East Asian Languages and Societies Commons^™

The Voice Of Flowers, Jasmine Procita

The Cardinal Edge

The following paper discusses the role of hanakotoba (the language of flowers) throughout the works of Yoshiya Nobuko, placing a special emphasis on her most unique work “Onibi.” This paper begins with a loose discussion of hanakotoba’s history within Japan, before delving into “Onibi” to highlight how the use of flowers in literature creates various readings of a text, as well as provides deeper insights into the author, the true purpose of a text, and the social and historical context that a text was produced in.

Big Community In Little Chinatown: How Asian Americans (Re)Present Their Community Today, Meghan Morrison

Capstone Projects and Master's Theses

This paper looks at a series of modern Asian American pieces of media in order to analyze how women and LGBT+ depict and create their community, especially in relation to another marginalized ethnic group. By examining the relationship between these groups within popular media, we can uncover how Asian Americans choose to represent themselves and gain a deeper understanding on how marginalized groups choose to portray themselves.

Chinese Peking Opera Anthology: A Text-Centered Study Of Peking Opera, Dongdong Li

Theoretical Studies in Literature and Art

Since 1880, Peking opera (jingju) anthologies have developed rapidly and collected a large number of plays. Therefore, the text-centered study of jingju based on anthologies has been established, which could fulfil the gap in existing jingju studies that focus on performance. Specifically, by outlining the basic forms and evolutionary rules of the selected texts, we can survey the full picture of text-centered anthologies in development. By foregrounding text-centeredness and literariness of playscripts, we can open up a new field of textual studies beyond the studies of performance. The major aspects of theoretical studies of jingju anthologies include theories of anthology, …

Soft Burial: An Exploration Of History, Memory, And Trauma In Contemporary Chinese Literature, Megan Elizabeth Halm

Senior Projects Spring 2020

Senior Project submitted to The Division of Social Studies of Bard College.

Imagining A Home For Us: Representations Of Queer Families In Contemporary Japanese Literature, Patrick Carland

Masters Theses

This thesis addresses popular works of fiction written or produced near or after 1989 in Japan and examines the roles that sexual orientation, gender and 20^th century social and discursive history have had on the conceptualization of familial relations in postwar Japan. This thesis will analyze the means by which writers and artists during the 1980s and 1990s have engaged discourses of family in their works and will argue that these writers explicitly use queer (hereby defined as non-heterosexual and/or non-gender conforming) individuals and narratives to question, reshape and propose alternatives to culturally received images of heterosexual marriage and …

Programming Proletarian Literature: Kobayashi Takiji’S "Kani Kôsen" And Gaming As Reading, Jacob Philip Fisher

Senior Projects Spring 2019

Abstract

This project translates a novel, Kobayashi Takiji’s, Kani Kôsen (The Crab Cannery Ship, 1929) into a video game. As a joint project between Computer Science and Japanese, its focus is to develop a game for the original Game Boy (1989) narratively based on a work of Japanese proletarian literature. Specific tools used in development were the Game Boy emulator: bgb, the Game Boy Developers Kit (gbdk), the Game Boy CPU manual, as well as a foundation in the C programming language, and some lower level systems experience. Being based on a novel, the play style utilizes text …

Tales Of Cherry Blossom Dreams, Kelly Dykstra

Honors Projects

I studied the writings of Female authors during the Heian era of Japan to write an original work imitating that style.

Complete Issue

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 8, Landscapes Journal.

Gender And Spiritual Possession In The Tale Of Genji, Molly Phelps

Undergraduate Theses

This thesis looks at the relationship between gender and the supernatural in Murasaki Shikibu's The Tale of Genji. The goal is to show how Lady Rokujo uses spiritual powers to rebel against the sexual hierarchy of Heian Japan while not fully defying its sexism. This is supported by historical background of the Heian period, examples of the mistreatment of women in the novel, and close analysis of instances of Lady Rokujo's supernatural actions. This analysis shows there is a complicated background to the vengeful spirit trope that still haunts the global imagination.

Monstrous Maternity: Folkloric Expressions Of The Feminine In Images Of The Ubume, Michaela Leah Prostak

FIU Electronic Theses and Dissertations

The ubume is a ghost of Japanese folklore, once a living woman, who died during either pregnancy or childbirth. This thesis explores how the religious and secular developments of the ubume and related figures create a dichotomy of ideologies that both condemn and liberate women in their roles as mothers. Examples of literary and visual narratives of the ubume as well as the religious practices that were employed for maternity-related concerns are explored within their historical contexts in order to best understand what meaning they held for people at a given time and if that meaning has changed. These meanings …

Together We’Ll Make Magic: Exploring The Relationship Between Empathy And Literature Using Ruth Ozeki’S “A Tale For The Time Being”, Janet Lindsay Dinozzi-Houser

Senior Projects Spring 2017

My project is devoted to untangling the often-misunderstood and misapplied subject of empathy, particularly as it relates to the reading process. I begin with a brief background of the term’s history and the debate surrounding its use by researchers in the fields of both Psychology and Philosophy of Mind. I then apply this critical understanding of a commonly invoked term to a close reading of contemporary novel A Tale for The Time Being by Japanese-American novelist Ruth Ozeki. Dedicated primarily to the fictional story of Nao Yasutani, a teenage girl struggling with her recent move back to Japan after a …

Great Mirror Of Motherly Love: Maternal Fantasy, Mystic Mothers, And Reflected Selves In Modern And Contemporary Japanese Fiction, Jessica E. Legare

Arts & Sciences Electronic Theses and Dissertations

Fantasy and mysticism often serve as key elements in escapist literature—constructing stories that move protagonists beyond the furthest reaches of the real, the familiar and the human. Yet, the otherworldly can also bring the protagonist within reach of the familiar if we consider the representations of mothering in the following Japanese narratives: Tanizaki Jun’ichirō’s “Longing for Mother” (1919), Izumi Kyōka’s “The Holy Man of Mount Kōya” (1900), Takahashi Takako’s “Doll Love” (1976), and Ono Masatsugu’s “Prayers from Nine Years Ago” (2014). Through their depictions based on supernatural and spiritual tropes, mystical-mother figures become metaphorical mirrors meant to reflect the protagonists’ …

The Fascination Of Manga: Cross-Dressing And Gender Performativity In Japanese Media, Sheena Marie Woods

Graduate Theses and Dissertations

The performativity of gender through cross-dressing has been a staple in Japanese media throughout the centuries. This thesis engages with the pervasiveness of cross-dressing in popular Japanese media, from the modern shōjo gender-bender genre of manga and anime to the traditional Japanese theatre. Drawing on theories from gender-studies and performance aesthetics to delineate the female gender in traditional Japanese theatre, I follow the roles of, representation of, and media for women, concentrating on (1) manga, a form of sequential art featuring illustrations with corresponding text, (2) anime, animated productions (where the word anime is the abbreviated pronunciation of “animation” in …

Literature And The Remnants Of Feudal Ideology In The Meiji Period: An Analysis Of Ogai, Ichiyo, And Soseki, Zhen Yuan Yao

Senior Projects Fall 2015

Senior Project submitted to The Division of Languages and Literature of Bard College.

Of Ghosts And Spaceships: Reclaiming Chinese National Identity Through Science Fiction, Nicholas M. Stillman

Global Honors Theses

This paper examines the extent to which Chinese science fiction literature has played a role in the reframing of Chinese national identity as one that is based in scientific and technological development. Specifically, whether the recent push during a 2007 conference in Chengdu for increased science fiction consumption has resulted in more scientific development and more positivist science fictional literature.

The paper both evaluates the current state of science fiction in China and the potential impact of its narratives through an analysis of the historical context of the role of science fiction in China compared to the more modern usage …

Course Syllabus (Sp14) Coli 211 Literature & Psychology: "The Sublime, The Uncanny, And The Imagination", Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

In a world in which what counts as knowledge is predominantly restricted to the measurable and the calculable, those elements of human experience which elude and exceed these parameters are often ignored and discounted. In this course, we will examine questions of the sublime, the uncanny, and the speculative as treated in literature, psychoanalysis, and philosophy in order to think and write critically about them. Here, we will consider the possible extent to which an openness to such experiences can enrich our lives.

Sexuality And Textuality (Fall 2014), Robert D. Tobin

Syllabi

"Sexuality and Textuality" serves as an introduction to gay and lesbian literary studies and queer theory. It looks at questions of sexuality and literature in ancient and early modern texts (from the Hebrew, Greek and English traditions), as well as in modern texts (from German, French, Spanish, Japanese, and English traditions). In addition to literary texts, students will work with a number of cinematic representations of queer sexuality. Besides these primary texts, students will work with important secondary literature about sexuality."

A photo of this Fall 2014 class was taken as part of Professor Bob Tobin's ongoing class photo tradition.

Flowers, Trees, And Writing Brushes: Extraordinary Lovers In The Otogi-Zoshi Kazashi No Himegimi And Sakuraume No Soshi, Haley R. Blum

Masters Theses 1911 - February 2014

This thesis presents translations of Kazashi no himegimi and Sakuraume no sōshi, two tales belonging to the genre of medieval Japanese narrative known as otogi-zōshi, and of the subcategory known as iruimono (tales of non-humans). Chapter 1 provides context, beginning with a brief history of otogi-zōshi and a description of residual challenges in its research, including the parameters of the genre and problems with its nomenclature. This is followed by a discussion of the typical physical formats of these tales, Nara ehon and emaki, and a brief history of iruimono and plant symbolism in otogi-zōshi completes the …

Scripture And Fiction: An Aesthetic Approach To The Little Pilgrim, Brian Russo

Honors Theses

The Little Pilgrim is written by Korean author Ko Un and was translated into English by Brother Anthony of Taizé. This text, a fictional rendering of the Gandavyuha Sutra, is an instant classic of contemporary Buddhist literature. The Gandavyuha Sutra comprises one-third of the fifteen hundred page Avatamsaka (Flower Garland) Sutra. The Avatamsaka has been described as the epitome of Buddhist thought, Buddhist sentiment, and Buddhist experience and is popular with all schools of Mahayana Buddhism, in particular, The Pure Land and Zen. The Avatamsaka Sutra is the longest sutra of the Buddhist canon and one of the oldest, dating …

Review Essay: Negotiating The Traditional And The Modern: Chinese Women's Literature From The Late Imperial Period Through The Twentieth-Century, Li Guo

Languages, Philosophy, and Communication Studies Faculty Publications

The three books above complement each other in their coverage of Chinese women's literary genres from the late fourteenth through the early twentieth century. The authors' theoretical inquiries invite consideration of the following questions: what meaning, if any, might a feminist imagination or approach have in the Ming (1368-1644) and Qing (1644-1911) eras, early and late Republican China (1911-1948), and beyond? What do these works have in common regarding the resituating of women's literary status, the reclamation of feminine agency, and the empowerment of female subjectivity in China's literary tradition? These books can be considered in dialogue with Western feminism …

Drops Of Blood On Fallen Snow: The Evolution Of Blood-Revenge Practices In Japan, Jasmin M. Curtis

Masters Theses 1911 - February 2014

Blood revenge – or katakiuchi – represents one of many defining principles that characterize the Japanese samurai warrior; this one act of honorable violence served as an arena in which warriors could demonstrate those values which have come to embody the word samurai : loyalty, honor, and personal sacrifice. Blood revenge had a long and illustrious history in Japan – first, as the prerogative of the gods in the Kojiki, then as a theoretical debate amongst imperial royalty in the Nihongi, and at last entering into the realm of practice amongst members of the warrior class during Japan’s medieval period. …

The National Imagination (Spring 2010), Robert D. Tobin, Belen Atienza, Alice Valentine

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …

Genre And Transgenre In Edo Literature: An Annotated Translation Of Murai Yoshikiyo's Kyōkun Hyakumonogatari With An Exploration Of The Text's Multiple Filiations., Yumiko Ono

Masters Theses 1911 - February 2014

In conjunction with raising some questions regarding “genre” in Edo literature, the purpose of this thesis is to introduce a complete annotated translation of Kyōkun hyakumonogatari 教訓百物語 (One Hundred Scary Tales for Moral Instruction) by the Shingaku teacher Murai Yoshikiyo 村井由清 (1752-1813). Published in 1804 and reprinted several times, this text was intended as a guide to self-cultivation and ethical living based on Shingaku 心学, a philosophico-religious movement of great importance in the latter half of the Edo era. The translation is complemented with a transcription into modern script based on publicly available (online) digital images of an 1815 xylographic …

Tainted Gender: Sexual Impurity And Women In Kankyo No Tomo, Yuko Mizue

Masters Theses 1911 - February 2014

This thesis consists of research on women and Buddhism in light of a medieval Japanese Buddhist tales collection called Kankyo no Ｔomo. This collection reveals the predicament in which women in medieval Japan found themselves. As the focus of sexual desire (towards them and by them), they were also inherently polluted due to their connection with blood (kegare).

Formation Of The Xikun Style Poetry, Jin Qian

Masters Theses 1911 - February 2014

No abstract provided.

Y A-T-Il Une Réception Critique De La Littérature Vietnamienne Francophone?, Ching Selao

Présence Francophone: Revue internationale de langue et de littérature

Three approaches seem to characterize the reception of Vietnamese Literature in French: socio-historical, "essentialist" and feminist discourses. This article proposes to analyse the lack of theoretical thought and pertinence in some of the works published on the subject, which appear to introduce and promote this literature rather than study it. Without denying contributions that are indeed interesting, this paper, however, emphasizes works that raise questions and oblige us to ask: is there a critical reception of Vietnamese Francophone Literature?