Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Painting (2)
- 17th century landscape painting (1)
- Animals (1)
- Authenticity (1)
- Children (1)
-
- Digital imaging (1)
- Dutch (1)
- Dutch landscapes (1)
- Environmental imagination (1)
- Gouache (1)
- Holland (1)
- Medieval (1)
- Microscopy (1)
- Morality (1)
- Netherlands (1)
- Oil painting (1)
- Portrait (1)
- Portraiture (1)
- Queer (1)
- Scientific analysis (1)
- Self Portrait (1)
- Seventeenth Century (1)
- Seventeenth century (1)
- Still life (1)
- Symbolism (1)
- Tempera (1)
- Trompe l'oeil (1)
- Women (1)
- Publication
- Publication Type
Articles 1 - 6 of 6
Full-Text Articles in Dutch Studies
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
Art Conservation Master's Projects
A potential 17th century Anglo-Dutch military portrait painting from the Memorial Art Gallery at the University of Rochester in Rochester, New York arrived at the Garman Art Conservation Department at Buffalo State University for conservation research and treatment in 2022. The painting’s title, date, and artist were unknown and the subject was initially referred to as a “17th Century Dutch Cavalier.” Little information existed on the provenance and history of the artwork. The painting was in a state of structural instability and aesthetic disfigurement and showed evidence of a past restoration campaign. This master’s project attempted to broadly …
A Presence Of P____ And W__Th, Riley Wilson
A Presence Of P____ And W__Th, Riley Wilson
Masters Theses
This body of work examines the involvement of association as it relates to our cultural interpretations of natural phenomena. Flowers and animals, both real and imagined, have been used as symbols for human morality since the beginning of human history. Two sources with which I drew inspiration from are medieval bestiaries and the Victorian practice of flower language. By combining elements from these references, I aim to pair this idea about the human need for classification with my own considerations about my identity. In combination, I also aim to highlight the responsibility that is intrinsic to curiosity. When faced with …
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Theses and Dissertations
Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.
All The Small Things, Talia E. Levitt
All The Small Things, Talia E. Levitt
Theses and Dissertations
My paintings engage with the history of the still life as a marginalized and antiacademic genre. Rather than fool viewers into believing that there are real objects in front of them, as is the historical intention of trompe l’oeil, I use realistic rendering to emphasize the painting and painter.
Simply Mo., Marjolijn Jaliene Oskam
Simply Mo., Marjolijn Jaliene Oskam
Creative Activity and Research Day - CARD
Small portfolio presentation of design work by Marjolijn Oskam, branded under simply mo. The poster includes school work as well as professional work.
Dutch Landscape Painting: Documenting Globalization And Environmental Imagination, Irene J. Klaver
Dutch Landscape Painting: Documenting Globalization And Environmental Imagination, Irene J. Klaver
Proceedings from the Document Academy
There is an old saying that God made the Earth, but the Dutch made the Netherlands; they did this by engineering relationships of the water and land.
The Dutch landscape is an authored landscape documenting human reaction to geological, economic, and cultural changes. As a consequence of Dutch globalization, landscape painting arose as a new form of painting, documenting these changes and reactions to them. In a period of newly created land, reclaimed and constructed by sheer human activity, the explicit construction of new environments apparently elicited an implicit desire to hold on to an older, familiar traditional landscape. The …