Digital Humanities Commons^™

Introduction: What Is New And Digital Media?, Thomas Kenny Mphil, Jamie N. Cohen Ma

Faculty Works: DH & NM (2010-2019)

First edition

The word media, the plural term for medium, covers a broad spectrum describing communications through television, film, radio, and print. Media require a viewer, a listener, a reader, or a spectator to carry any effect whatsoever. In our rapidly advancing hypermedia landscape of the present, where all traditional media have become singular on the screen-based Internet, the reader, viewer, and listener can participate as as well and truly use media as communication. Technology has inevitably transformed our traditional media into a multitude of interactive platforms, now read and listened to on mobile devices, tablets, e-readers, flat screens, and …

Review Of Gitelman, L. (2014) Paper Knowledge, Sarah Evans Ph.D.

Faculty Works: DH & NM (2010-2019)

Media histories are valuable in an age when an increasingly high percentage of our lives are mediated through new and constantly evolving technologies. By conducting such excavations one can see the influences that guide technologies’ inception, growth, and decline as they facilitate societal changes. Typically, media histories are performed through the recovery and analysis of various documents providing support for a particular occurrence or argumentative position. Though seemingly objective, these evidentiary artifacts are shaped by the same types of sociocultural, economic, and political influences as the technologies that produce them. Through tracing a media history of this neglected genre, Lisa …

Glîtchéd In †Ranslation [Glitched In Translation], Matt Applegate Ph.D.

Faculty Works: DH & NM (2010-2019)

In this paper, I think precarity in digital communication on two overlapping registers. The first is perhaps best described as an aesthetic intervention at the level of critical code studies, or, as Mark C. Marino describes it, “an approach that applies critical hermeneutics to the interpretation of computer code, program architecture, and documentation within a socio-historical context.”i What I am interested in examining here is the representation of natural languages by computer languages (specifically Unicode), but also natural languages’ ambiguation by computer languages in the production of aesthetic objects. The second intervention follows from the first. There is an architectural …