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Articles 1 - 27 of 27
Full-Text Articles in Poetry
A Potted History Of Fevers (The Just War Was Slow Weather), Mark Anthony Cayanan
A Potted History Of Fevers (The Just War Was Slow Weather), Mark Anthony Cayanan
English Faculty Publications
The poem is a part of a sequence that loosely revolves around the Agoo apparitions in the early 1990s.
Marlon Hacla, Melismas, Christian Jil R. Benitez
Marlon Hacla, Melismas, Christian Jil R. Benitez
Filipino Faculty Publications
Review of Melismas by Marlon Hacla; translated by Kristine Ong Muslim
Maybe Baby Is Another Way To Say Bye, Christian Jil R. Benitez
Maybe Baby Is Another Way To Say Bye, Christian Jil R. Benitez
Filipino Faculty Publications
Filipino lyric poem in English
The Experiment Of The Tropics: Poems By Lawrence Lacambra Ypil, Christian Jil R. Benitez
The Experiment Of The Tropics: Poems By Lawrence Lacambra Ypil, Christian Jil R. Benitez
Filipino Faculty Publications
Review of Lawrence Lacambra Ypil's 'The Experiment of the Tropics: Poems'
#Dutertestandardtime: Mga Pamamahalang Pamanahon, Christian Jil R. Benitez
#Dutertestandardtime: Mga Pamamahalang Pamanahon, Christian Jil R. Benitez
Filipino Faculty Publications
This study attempts a preliminary analysis on the present administration with a particular focus on the mechanics of time. From the understanding of “Filipino time” as a possible tactic for insisting power, the study turns to poems that directly associate the President Rodrigo Duterte to the concept of time, to reveal that despite his seeming ordinariness is his extraordinary capacity to “pull” “ordinary time” itself. This power becomes critical, especially in the present pandemic, when “time is of the essence.” However, as hinted from the meandering government reports and “poetic” attempts to criticize the administration, it can be perceived that …
Ang Tula, Ang Katawan, At Ang Dahas Sa Panitikan: Isang Pagbasa Sa Panitikang Bunga Ng Insidente Ng Sexual Harassment Sa Loob Ng Inww, Martina M. Herras
Ang Tula, Ang Katawan, At Ang Dahas Sa Panitikan: Isang Pagbasa Sa Panitikang Bunga Ng Insidente Ng Sexual Harassment Sa Loob Ng Inww, Martina M. Herras
Filipino Faculty Publications
No abstract provided.
'It's You Who Are. What? / A Hummingbird.' And 'No Longer Was He Young And Raw Though The Error Remained Young And Raw', Mark Anthony Cayanan
'It's You Who Are. What? / A Hummingbird.' And 'No Longer Was He Young And Raw Though The Error Remained Young And Raw', Mark Anthony Cayanan
English Faculty Publications
The two poems belong to a lyric sequence that loosely tracks the emotive trajectory of Thomas Mann's Death in Venice.
As Aschenbach ('Who Setting Out To Voyage Must Have Imagined Which Shores To Avoid'), Mark Anthony Cayanan
As Aschenbach ('Who Setting Out To Voyage Must Have Imagined Which Shores To Avoid'), Mark Anthony Cayanan
English Faculty Publications
The poem is part of a manuscript I am currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum
Poems From 'I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ('My Favorite Saint Tells Me I Complain Too Often About My Soul's Shortcomings' And 'We Own None Of It'), Mark Anthony Cayanan
Poems From 'I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ('My Favorite Saint Tells Me I Complain Too Often About My Soul's Shortcomings' And 'We Own None Of It'), Mark Anthony Cayanan
English Faculty Publications
The poems are part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. The poems contain passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Poem From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Rescue Me After The Gangrenous Limb's Been Cut Off"), Mark Anthony Cayanan
Poem From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Rescue Me After The Gangrenous Limb's Been Cut Off"), Mark Anthony Cayanan
English Faculty Publications
The poem is part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. The poem contains passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Motus Animi Continuus, Mark Anthony Cayanan
Motus Animi Continuus, Mark Anthony Cayanan
English Faculty Publications
The poem part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum.
Poems From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Canvasbacks Will Swim In The Polluted River," "Meanwhile, Real Life," And "The River Is A Stadium"), Mark Anthony Cayanan
Poems From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Canvasbacks Will Swim In The Polluted River," "Meanwhile, Real Life," And "The River Is A Stadium"), Mark Anthony Cayanan
English Faculty Publications
The three poems are part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. All the poems contain passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Six Poems From I Look At My Body And See The Source Of My Shame: ("We've Arranged Our Lives," "My Soul, Steeped In My Pride," "The World Is A Funny House," "My Joy From You Lives Free," "Our Hunger Like A Cockroach," And "Nothing Is Ever Clean In Me"), Mark Anthony Cayanan
English Faculty Publications
Six Poems from I Look at My Body and See the Source of My Shame: ("We've arranged our lives," "My soul, steeped in my pride," "The world is a funny house," "My joy from you lives free," "Our hunger like a cockroach," and "Nothing is ever clean in me")
Poems From "Sentence", Mark Anthony Cayanan
Poems From "Sentence", Mark Anthony Cayanan
English Faculty Publications
The three poems are from a sonnet sequence titled "Sentence."
Ágam-Ágam Sa Pag-Asám, Michael M. Coroza
Ágam-Ágam Sa Pag-Asám, Michael M. Coroza
Filipino Faculty Publications
No abstract provided.
Sexual/Textual Politics In The Women Of Ophelia A. Dimalanta’S Poems, Ma. Socorro Q. Perez
Sexual/Textual Politics In The Women Of Ophelia A. Dimalanta’S Poems, Ma. Socorro Q. Perez
English Faculty Publications
The study attempts to show that while Ophelia A. Dimalanta’s excellent New Critical training and education have rendered her a quintessential poet conscious of form, technique, and craftsmanship, which in turn, has been foregrounded by her equally New Critical-trained colleagues, this New Critical tradition has limited the study of her oeuvre to artistic structure and form, glossing over myriad concerns that the poems may have. The present study, in turn, has recuperated form, technique, and genre to encode the feminism that undergirds her poetic vision. Foregrounding Dimalanta’s vision enfleshed in art, the study recuperates the sexual/textual politics in Dimalanta’s Lady …
Self - Portrait With Intrusion, Mark Anthony Cayanan
Self - Portrait With Intrusion, Mark Anthony Cayanan
English Faculty Publications
No abstract provided.
Seam And Symmetry, Mark Anthony Cayanan
Seam And Symmetry, Mark Anthony Cayanan
English Faculty Publications
No abstract provided.
"Alamat Ng Isang Awit" At Iba Pang Tula, Michael M. Coroza
"Alamat Ng Isang Awit" At Iba Pang Tula, Michael M. Coroza
Filipino Faculty Publications
Limang tula ito na nalathala sa Likhaan (vol 6, 2012) Journal ng UP Institute of Creative Writing. Nakasentro sa limang tulang ito ang awit bilang salaysay at ekspresyon ng masalimuot na diwa at damdaming nanunuot sa kaibuturan ng pagdanas at pagdalumat.
Sepulturero/Gravedigger. Ang Kanilang Mga Pangalan/Their Names, Michael M. Coroza
Sepulturero/Gravedigger. Ang Kanilang Mga Pangalan/Their Names, Michael M. Coroza
Filipino Faculty Publications
No abstract provided.
Pagharap Sa Salamin/Facing The Mirror, Michael M. Coroza
Pagharap Sa Salamin/Facing The Mirror, Michael M. Coroza
Filipino Faculty Publications
No abstract provided.
Born A Poet Or Born Into Poetry?, Michael M. Coroza
Born A Poet Or Born Into Poetry?, Michael M. Coroza
Filipino Faculty Publications
No abstract provided.
Kundiman. Anak-Dalita. Bayan Ko, Michael M. Coroza
Kundiman. Anak-Dalita. Bayan Ko, Michael M. Coroza
Filipino Faculty Publications
No abstract provided.
"The Long And Short Of It" And "Rsvp", Mark Anthony Cayanan
"The Long And Short Of It" And "Rsvp", Mark Anthony Cayanan
English Faculty Publications
No abstract provided.
Cirilo F. Bautista, Bullets And Roses: The Poetry Of Amado V. Hernandez, A Bilingual Edition, Michael M. Coroza
Cirilo F. Bautista, Bullets And Roses: The Poetry Of Amado V. Hernandez, A Bilingual Edition, Michael M. Coroza
Filipino Faculty Publications
No abstract provided.
Ang Dapat Mabatid Ng Sinumang Tutula (O Magtuturo Ng Pagsulat Ng Tula), Michael M. Coroza
Ang Dapat Mabatid Ng Sinumang Tutula (O Magtuturo Ng Pagsulat Ng Tula), Michael M. Coroza
Filipino Faculty Publications
Sa maikling pagtalakay na ito, pinagtutuunang-pansin ang para sa may-akda ay tatlong pangunahing pangangailangan para sa pagsulat ng tula sa wikang Filipino, na dapat taglayin ng mga mag-aaral sa hayskul man o kolehiyo bago sila patulain. Una, kamalayan sa tradisyon; ikalawa, pagiging bukas sa impluwensiya; at ikatlo, pagpapasok ng inobasyon. Nasa pagtupad sa mga pangangailangang ito, at nasa dinamikong inter-aksiyon ng mga ito, ang ikapagtatagumpay ng isang matulaing proyekto.
Si Maria, Sa Paanan Ng Krus, Ma. Assunta C. Cuyegkeng
Si Maria, Sa Paanan Ng Krus, Ma. Assunta C. Cuyegkeng
Filipino Faculty Publications
No abstract provided.