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Full-Text Articles in Poetry
Alternative Mappings Of Belonging: Non Son De Aquí By María Do Cebreiro And Rasgado By Lila Zemborain, Mariela Méndez
Alternative Mappings Of Belonging: Non Son De Aquí By María Do Cebreiro And Rasgado By Lila Zemborain, Mariela Méndez
Latin American, Latino and Iberian Studies Faculty Publications
This essay examines the travels of the poetic speakers in two poetry collections: by the Argentinean writer Lila Zemborain, and by the Galician poet and critic María do Cebreiro, to postulate a revision of notions of belonging in its intersection with gender and space. Rasgado (2006) is a sort of poetic diary written by Lila Zemborain, who resides in New York, responding as both insider and outsider to the World Trade Center attacks on 11 September 2001. María do Cebreiro's book, Non son de aquí (2008) similarly follows the path of a nomadic speaker intent on redefining the terms of …
Derek Walcott: A Caribbean Life By Bruce King (Book Review), Daryl Cumber Dance
Derek Walcott: A Caribbean Life By Bruce King (Book Review), Daryl Cumber Dance
English Faculty Publications
In Another Life Derek Walcott wrote, "I had entered the house of literature as a houseboy"; Jamaican poet Mervyn Morris signified on this image in his The Pond when he declared, "And these are my rooms now." The journey that Walcott makes from "houseboy" to master/ruler/owner of the house of literature (the Nobel Laureate is frequently acclaimed the greatest poet writing in the English language) is painstakingly detailed in Bruce King's tome Derek Walcott: A Caribbean Life.
Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima
Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima
Latin American, Latino and Iberian Studies Faculty Publications
What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …